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Leica M Film Photos -- Feel Free to Share Yours

RayD28

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How to upload images: Prepare the image as follows: 1.   The image should be sRGB and 8-bits 2.   Reduce the size to 2480 pixels on the longest side. (smaller sizes can be set, but are not recommended) 3.   Sharpen properly for screen. 4.   Save as JPG to your desktop, reducing JPG quality to produce 1000 kB (2000 kB for sponsoring members). 5.   In Lightroom these parameters should be set in the Export dialog. 6.   In the Forum posting or editing box, click “c
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RayD28

RayD28

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8 minutes ago, rim_light said:

Yesterday a good friend of mine died because of cancer. So I'm glad I can share a picture I took 6 years ago. Leica MP & 35mm lens loaded with T-Max 100.

 

Sorry to hear of her passing.  A nice photo to go along with your memories.  

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jakontil
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M2-R + 50 apo Kentmere 400  ILfotec HC 

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Steven
Steven

Location: Giza, Egypt  Lens: Summaron 28 / Portra 400 Camera: Leica MP

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jakontil
jakontil

MP | 50 lux asph | kodak portra 400 | home souped

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madNbad

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Several months ago I decided to make a change after using my last few rolls of TMax 400. I had tried Delta 400, Double X and a few others but decided to go with Tri-X. When I was first learning about photography, I used a lot of Tri-X, then came the T grain films and TMax was it. I decided not only to use Tri-X as my only film but also to develop it in Rodinal. It's been a learning process and here are the latest testers. M4, Voigtlander Nokton Classic 35 1.4 SC V2, 010 filter, Adox Rodinal 50:1:

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dimm

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A bird’s eye view of quantum entanglement

 

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M6, Voigtlander Ultron 35mm f/2, ORWO UN54, D96

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j.scooter

j.scooter

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19 hours ago, rim_light said:

Yesterday a good friend of mine died because of cancer. So I'm glad I can share a picture I took 6 years ago. Leica MP & 35mm lens loaded with T-Max 100.

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Sorry for your loss.

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Mefty

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Leica M2 + Ultron 35mm f2.0 + Reflx Lab 400D

Rome

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Sunyforreal

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Spring, in monochrome

MP | 50 ‘Lux ASPH | Ferrania P30

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Mefty

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Boston/MA

Leica MP + Voigtländer Ultron 28mm VM; ReflxLab 800T

dev & scan: safelight (Berlin)

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dave.gt

dave.gt

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On 3/19/2023 at 7:20 PM, madNbad said:

Several months ago I decided to make a change after using my last few rolls of TMax 400. I had tried Delta 400, Double X and a few others but decided to go with Tri-X. When I was first learning about photography, I used a lot of Tri-X, then came the T grain films and TMax was it. I decided not only to use Tri-X as my only film but also to develop it in Rodinal. It's been a learning process and here are the latest testers. M4, Voigtlander Nokton Classic 35 1.4 SC V2, 010 filter, Adox Rodinal 50:1:

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Thank you for sharing these. Years ago, I always used Tri-X (with D76) as my only BW film. I never tried Rodinal (1:50) until last year and I am delighted with it. So, maybe now is the time for a change…hmmm.

You have now inspired me to return to Tri-X and see where I go with it! 👍

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madNbad

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6 hours ago, dave.gt said:

Thank you for sharing these. Years ago, I always used Tri-X (with D76) as my only BW film. I never tried Rodinal (1:50) until last year and I am delighted with it. So, maybe now is the time for a change…hmmm.

You have now inspired me to return to Tri-X and see where I go with it! 👍

My first several rolls were underexpose and over developed. I asked for some advice on another forum and learned quite a bit. When using Rodinal, it's about a one stop reduction from box speed. I had been using a 022 yellow filter but switched to just a UV and still metered at ISO 200. These were ten minutes at 20C with gentle, constant agitation for the first minute with three inversions every minute thereafter. Stop bath fas Foma Indicator for thirty seconds, Ilford Rapid Fix for seven minutes and a modified Iford wash. 

Some say it's the absolute worst combination of film and developer but handled gently, it provides for a good image with pleasant grain. It's a work in progress for me.

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madNbad

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Here are a few more. The negatives were scanned using a Sony A7II fitted with a FE90 2.8 Macro. A Negative Supply Pro Carrier 135 held the negatives and a Lightsource Pro 95 CRI provided illumination. After capture the negatives were converted using RAW Power by Gentlemen Coders which can be used as either a stand alone or a plug in for Apple Photos. I add +1.7 EV for the capture with most of the images needing no adjustments or if I do, it's a minor bump in exposure or contrast. 

 

 

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madNbad

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The Voigtlander Nokton Classic 35 1.4 SC V2 is a new lens for me. I found one online with the hood and 2 filters for a sub $500 usd price. The first couple of images I took with it were not particularly sharp and thought there might have been damage to the coating on the rear element. Took it to a local shop, the owner cleaned it for me. Problem solved.

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Mefty

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Leica M7 + Voigtländer Ultron 28mm VM

Kodak Gold 200 @boxspeed

 

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Mefty

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Leica M7 + Voigtländer Ultron 28mm f2.0 VM + Kodak Gold @Boxspeed

Rio de Janeiro

 

Whoever would like to see more pictures of the above mentioned combination and City feel free to have look at the video ;) 

YouTube: https://youtu.be/rUg2_0dKcZQ

 

KeepFilmAlive 😍

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yossi

yossi

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When "A walk in the park" is NOT equal to "something easy to do"😔

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M4/8E 35mm Summicron.  Kodak Double-X in D96.

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Braaamer

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Leica M3 - Summicron 35 v1 - Silbersalz35 250D

 

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maxfairclough

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Film is Kodak 250D and has been ECN-2 processed as it’s a colour negative motion picture film stock and this is it's native chemistry. I get asked this a lot, but yes there is a HUGE difference between this and C41 and I would never, ever, do C41 after experiencing ECN-2. Don't listen to Youtubers.

The film tolerates overexposure well and has a lower contrast and a colour palette which is more muted compared to C41 processing (which is great because I like to edit anyway).

Oh and my instagram if anyone is keen to see more 250D + ECN2 work from me. @maxfairclough (www.instagram.com/maxfairclough)

 

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rtai

rtai

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Leica M6 35mm Summilux Asph preFLE 

Velvia 100F was a bad choice for street photography but this one looked better as it was than converted to b/w.

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maxfairclough

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16 minutes ago, rtai said:

Leica M6 35mm Summilux Asph preFLE 

Velvia 100F was a bad choice for street photography but this one looked better as it was than converted to b/w.

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Where is this? Love the blues.

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