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28mm Summilux Help


Csacwp

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......The bokeh on my copy is extremely nervous and unpleasant looking.

 

Any chance you could post a photograph on the forum? I am anxious to see what "nervous" bokeh looks like. :-) 

 

Seriously, this lens may not be the one for you if you don't care for the out of focus areas. I don't own the 28mm Summicron but it gets many good comments. I have an old 28mm Elmarit that's been great. It's been dropped a couple of times and I fixed it with vice-grip pliers. It's a workhorse. 

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You can view the photo here:

 

http://s385.photobucket.com/user/csacwp/media/L1070736_zps51hjknhy.jpg.html

 

The bokeh is really disorienting... double lines to the point that it is jittery, especially on the monument.  This was shot at f/1.4, iso 50 on the SL.
​I'm also missing focus with it, which is strange given that I'm using peaking on the SL.  Almost all close to mid range photos taken with it look in-focus in the EVF but appear out of focus once captured.

Edited by Csacwp
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Good point about the trees.  It's the large tombstone that bothers me.  The text is doubled and really jarring to look at.

I can see you spent almost 24h agonising about your lens performance based on one picture.

 

May I suggest you take some more pictures at various F stops and if you still have doubts start tearing your hair.

 

Btw,I have Summilux 28mm and my favourite Aperture with it is f8, followed by f5.6 and so on, you get the picture. I will use max aperture where and when light is poor and I still need reasonable shutter speed and reasonably good ISO to get the shot I want.

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Guest jvansmit

I don't have the 28mm Summilux but I've owned the 21mm and 24mm, and, unless I was lucky with the background, the out of focus areas were usually much the same as your photos. The exception was when the background was very simple and without distracting compositional elements. Jonathan Slack's excellent chicken photo is an example of what I mean: http://www.slack.co.uk/2015/28_Summilux.html

 

The bokeh from longer lenses >50mm is much more attractive than fast wide angle lenses, and there is less chance of having jarring out of focus elements in the frame.

 

My general experience is that fast wide angle lenses are best used wide open to capture low light, and longer lenses are best if you want attractive bokeh.

Edited by jvansmit
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I remember when I compared the Lux to the Cron, each wide open, the bokeh of the Cron was significantly smoother. My money went for the Cron v2, even though I could have afforded the Lux. But the bokeh at 1.4 was nervous and nasty. No thanks. Wish I still had those images to post.

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