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Recommendations for a soft 35mm


LocalHero1953

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I shoot portraits mainly with the SL and its zoom lenses, which are fabulously sharp. From time to time I also shoot mature people for whom a softer style with that Hollywood glow (yes, I know, low contrast, lots of flare etc) works rather better. For this I have a Hektor 7.3cm f1.9 which lays on soft Hollywood glow with a trowel (and is easy to focus on the SL). 


 


I'm looking for a wider angle lens with similar characteristics that I could use for groups. I have a photo shoot coming up with a group of ladies who brunch - strong personalities all of them, and enough self esteem not to worry about the occasional wrinkle (or quite a few wrinkles in some cases), but nevertheless I would like to use a more forgiving lens for some of the shots.


 


Any recommendations for an M or LTM lens in the 28-50 range?


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Not shimmed for M Jupiter 35 2.8. It will be not OOF, but softer. It is Biogon copy, so, not so much of distortions on group portraits and interior parts. And it is fine for digital colors, at least on M Leica digital cameras.

Jupiter-3 50 1.5 ("original") is going to be soft on digital and with glow.

 

But why not to use dedicated lens filters instead?

https://www.bhphotovideo.com/c/buy/Soft-Effects-Pro-Mist/ci/117/N/4026728340/?gclid=CjwKEAjw3f3NBRDP_NHS9fq53n4SJACKIfEYs2Du699SvSowv0lfuLW01sVUqIGB9PdPfUuMrc4FBBoC9ADw_wcB 

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Summilux 35mm non-aspheric, Voigtlaender 1.2/35mm first version, early SLR Nikkor 1.4/35 or 2.0/28, same from the Olympus OM system (distance ring turns like a Leica; diaphragm too, which imo is irrelevant because the described purpose is to use one of them wide open.), Canon-FD 1.4/35mm or 1.4/24mm. Hamilton used Minolta lenses, if I remember correctly.

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Summarit 1.5/50 or Summilux 1.4/50 first version.

Also first version of 35mm Summilux ...

Canon LTM 1.2/50 is not as that soft, depend on lighting.

 

Nikon F 1.4/35mm wide open is soft.

And most SLR 1.2/50 or 1.2/55 wide open use must do that kind of "natural softer".

Edited by a.noctilux
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Thanks for all the recommendations, people, all of which I have looked hard at (including alternative processing, vaseline and fllters).

I decided on a Summaron 35/2.8 and have put an order in to a dealer I trust.

My decision was greatly helped by Thomas Kaspar's comparisons in this thread, both in low contrast and high contrast lighting.

 

Other considerations were:

- The group portraits I have in mind will need a reasonable depth of field, so I don't need f/1.4 or f/2, nice though they are to have.

- Summicron 35 v1 lenses seem to have a big following from collectors. Many of those on offer are well above £2000, though it's difficult to tell if those are real selling prices. There's one at a lower price that looks in good condition in the forum Buy & Sell section at the moment though :).

- The Summilux 35 pre-Asph is available for less, but not much. I would also probably have to get the rear modified to use on the M, even though I envisage most use being on the SL.

- A Jupiter might be suitable, but only if I could find a good one among all the indifferent copies. I'd rather not have the hassle.

- A Nokton 35/1.2 v1 was a strong possibility based on recommendations, but my highly subjective eye was not attracted to the sample images I saw.

- A Summaron 35/3.5 would have been fine, but they seem to have a reputation for haze, which hasn't stuck to the f2.8.

- A Canon 50/0.95 was a tempting wild card, but having got approval from my domestic finance manager for a 35mm at something under £2000 (she appreciates soft focus lenses as much as the next finance director of her age), I didn't want to reopen negotiations about an expensive non-Leica 50, however good.

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Thanks for the nudge! I have a lot of black dot filters (random dots) in glass mounts from some kind of pre-history ;) intended for matte box cine work. Their invention is an impressive invention in optical rendering. I have tried to make physically smaller versions for the rest of us. I should get back into that.

Edited by pico
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