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Leica I (A) Bj 1930 Elmar 5 cm fixed Kodak Portra 400

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The old Summarit 50 is supposed to be not very performant full open. I have always liked that lens because of its special renderin in digital. Here are a few shots with Summarit 50 full open at 1.5 of roses. No  sharpening applied. processed in C1  and cropped to fill the frame as the Summarit only focuses down to 1 m.

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Summarit from 1954 full open

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This  was taken with the Leica macro adapter+Summarit full open

MP240 iso 640 at 1/45th speed hand held

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Japanese Camellia / Rokugien, Tokyo

M10-D, APO Summicron 50

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Most common sign these days..
M10M & Nikkor H.C 5cm f2 LTM

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50APO

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Guest JMF

Eager by JM__, on Flickr

5cm Futura Frilon f1.5 on M9-P

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Guest JMF

La Jolla by JM__, on Flickr

5cm Nikkor f1.4 NKJ  on M10

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On 5/2/2020 at 11:54 PM, Shlomo said:

Japan is magical and colorful even in the most ordinary places.

Friends, thank You for so many likes, here You'll find some more pictures of beautiful Japan: 

 

Edited by Shlomo
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M10 + Zeiss Planar ZM:

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Here are a shot from my Leica M1) and APO Summicron 50mm. Processed in Capture One Pro 20.

Regards,
Bud James

Please check out my fine art and travel photography at www.budjames.photography or on Instagram at www.instagram.com/budjamesphoto.

 

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Here are few shots taken my Leica M1) and Summilux 50mm. Processed in Capture One Pro 20.

Regards,
Bud James

Please check out my fine art and travel photography at www.budjames.photography or on Instagram at www.instagram.com/budjamesphoto.

 

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Edited by budjames
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MP240, 50 APO

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50 Summilux Asph.  Portra 160

 

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In theory, I wouldn't need anything else than a 50 🙂

All M10-P, 50 APO @ f/2

 

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Tokyo, Optical, Topcor, Simlar, 5cm, F1.5, Chrome

 

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MP, Summilux Asph.  Tri-x, I think.

 

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Pandemic: Cruise ship in a freight port. 50/2-M version v on a Fuji GFX50R.

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