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The view through older Glass


farnz

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autumn crocus in the backlight, Leitz Elmar 2,8/50 (from 1959):

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Tokyo Kogaku Topcor-S 5cm F2 V2, M10M

 

Summicron 35mm F2(V1), LEITZ WETZLAR, M10M

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I had seen the trailer [a picture by @satijntje] in Antwerp, but here it is at last: the Christmas Shop! Where you can get all the Xmas goodies . . 

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M10R & Nikkor-HC 50mm

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Elmarit-R 90 type 1 (1970) @ f/2.8 on Kodak ProImage100 with a Leica R6.2

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some more shots

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Carl Zeiss Jena Biometar 2.8/35 for Contax with Amedeo-Adapter on M10, ISO 1259, wide open and close, with support of the EVF

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M10M + converted 199X Nikkor 35/2.5 (Nikonos version), around f/4

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35mm Zunow 1.7 LTM on M10-P ASC

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35mm Summilux pre asph v2 - Ektachrome 100 - Leica M-A

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Tokyo Kogaku Topcor-S 5cm F2 V2, M10-P

 

Tokyo Kogaku Topcor-S 5cm F2 V2, M10M

 

Tokyo Kogaku Topcor-S 5cm F2 V2, M10M

Edited by Erato
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Autumn colors...

M10 + Summicron 90mm Version II

Claus

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M10P ASC + 195X Dallmeyer Dallac 85/2 LTM

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Edited by Ecar
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90mm Angénieux P1 f/1.8 Exakta Leica M adapted on M10

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90mm Angénieux P1 f/1.8 LTM on M10-P

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Rodenstock Heligon 2.8/35 on M10 f2.8 and ISO 250

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Rodenstock Heligon 2.8/35 on M10 f5.6 and ISO 2500

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M10P ASC + 1992 Tele-Elmar-M 135/4 @ f/5.6 or f/8

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M10M + converted 1952 Bausch & Lomb Baltar 50/2.3, wide open

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Same lens as above, also wide open, but on the M10P. Very impressed by the sharpness, colour richness and lack of distortion of this thing. I understand why it was highly rated by (mostly US) cinematographers as an alternative to the Speed Panchros.

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I really like my 1960 M-Elmar 135/4 even though it's sometimes hard to focus correctly, even with a 1.4x magnifier.

But if you hit it right (or back it up with an EVF) it delivers good results

 

Looking at Lösnich and the winefields on the other side of the Mosel

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M246M + Elmar 135/4, LR panorama of three handheld photos

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