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The view through older Glass


farnz

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50mm Summilux pre asph e46 on M10-P

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More of the same Ferris Wheel 😉

M10P ASC + 1950 KMZ Zorki ZK 50/1.5 LTM between f/4 and f/5.6

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Summicron M Collapsible 50mm/ M-E 220

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M10M + 2000 MATE v2 @ 28mm and f/5.6

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Edited by Ecar
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Tokyo Kogaku Topcor 3.5cm f2.8, LTM, M10M

 

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M10P ASC + 2000 MATE v2 @ 50mm, wide open and 1/1500 s (the train was coming fast and I must have been too close, judging by the warning horn that the driver activated when he saw me squatting by the track...) 

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M9M with 1950s nikkor s-s 5cm at f1.4.

 

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1 hour ago, Ecar said:

(the train was coming fast and I must have been too close, judging by the warning horn that the driver activated when he saw me squatting by the track...)  

I don't know about South America(?), Ecar, but in the UK the loco driver is required to sound the horn when he sees anyone within 5 metres of the track.  If he sounds the horn you should acknowledge by holding one arm in the air.  (Don't hold both arms in the air because that's a universal command to the driver to immediately make an emergency stop to prevent the train from hitting a hazard the driver can't see yet.  Sorry, 30+ years on the railway/railroad.)

 

Rollei 40/2.8 Sonnar HFT with M8

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20 minutes ago, farnz said:

I don't know about South America(?), Ecar, but in the UK the loco driver is required to sound the horn when he sees anyone within 5 metres of the track.  If he sounds the horn you should acknowledge by holding one arm in the air.  (Don't hold both arms in the air because that's a universal command to the driver to immediately make an emergency stop to prevent the train from hitting a hazard the driver can't see yet.  Sorry, 30+ years on the railway/railroad.)

Thanks, Pete. There's always something to learn on this forum...

In any event, I was clutching the camera with both hands, and would have been unable to perform any gesture of that sort 😉 

(Not LatAm, but US - more precisely Texas - as shown below in the 2nd picture I was able to grab)

Same camera, lens and settings.

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These, however, were taken further South. Meet Carlos...

M10P ASC + 2001 Summicron 28/2 ASPH v1, first @ f/2 and 2nd @ f/4

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Summaron 35/2.8 + Sigma fp

 

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11311 Summicron-M 35mm f/2, V4, M10M

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More from Texas

M10P ASC + 2001 Summicron 28/2 ASPH v1, wide open

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M6ClassicJ - 50mm Noctilux f1 V4 - Portra800

 

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Tokyo Optical Co. Topcor 5cm F1.5 LTM, M10M

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M10P ASC + 2000 MATE v2, 1st and last at 50mm, 2nd at 35mm, all @ f/4

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Art Biennale, Busan, South Korea, 2014

35mm Summicron 8 elements on M9M

Edited by JMF
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Art Biennale, Busan, South Korea, 2014

35mm Summicron 8 elements on M9M

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in Busan, South Korea, 2014

35mm Summicron 8 elements on M9M

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in Busan, South Korea, 2014

35mm Summicron 8 elements on M9M

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