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The view through older Glass


farnz

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Minolta Rokkor 85/2.8 VariSoft with SL601.  Wide open and strength 3 (max).

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Closed Queen Anne's Lace

M10, 2.2/90mm Ernst Leitz Wetzlar Thambar (1937)

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On 9/9/2020 at 11:48 PM, Alberti said:

Erato, I have enjoyed your research a lot and admire the results you have gotten and the meticulous patience you show towards getting optimum outcome, not just technical, but also story-wise. They are a true inspiration.

It would be my pleasure. Likewise, your images are remarkable.

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Somewhere

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M10-P, Summilux-M 1:1.4/50, v2 pre-ASPH

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Late summer field flowers

M10, 2.2/90mm Ernst Leitz Wetzlar Thambar (1937)

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Nikkor-S.c 5cm Nippon Kogaku 1.4 on SL typ601

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Edited by enrico58
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Trapped under misty rain and sunshine, one late afternoon

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M10-P, Summilux-M 1:1.4/35, v2 pre-ASPH

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Low morning sun on the harbor

M10, 2/50mm Summitar (1950, 10-blade)

 

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Praia da Tartaruga, Buziós by JM__, on Flickr

Praia da Tartaruga, Buziós by JM__, on Flickr

Jardim Botânico, Rio de Janeiro by JM__, on Flickr

38mm Zeiss f2.8 (ex Contax T lens) on Leica CL with Ektachrome 100

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Confined by JM__, on Flickr

Praia da Tartaruga by JM__, on Flickr

38mm Zeiss f2.8 (ex Contax T lens) on Leica CL with Ektachrome 100

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...  from the 'Mehlinger Heide'

 

 

 

 

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with E. Leitz TELYT 1:4 / 200mm (1977) (Designer Walter Mandler, production from 1958 to 1978)

 

 

 

 

Thorsten

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7:30 of a morning

M10, 2/50mm Summitar (1950, 10-blade)

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M10P / Summilux 35/1.4 v3

 

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The annual Burning the Clocks parade in Brighton.

1945 Carl Zeiss jena 50/2 Sonnar with M10.

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Let the market decide between the two and it chose my Summicron 35 v4.  Left with Summilux 35 v2. The buyer is happy. Me too. Love this little Mandler pre-ASPH, especially with new aperture blades courtesy of Don at D.A.G. Cheers. General Patton in full chill mode.

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