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Long exposures problems with typ 246


Giulio Zanni

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After furthet enquiring, Leica wrote me that they don't have a technical explanation. This is the second let down I am getting from them and I am starting to look some where else. I also reflected on the possibility that the problem could be caused by sensor heating but to me that's unlikely, as I had the same problem in Hokkaido, in Jannuary, with -30.

Just a suggestion, a person with "Leica bashing" reputation is Lloyd Chambers or Digilloyd, it may be worthwhile having a conversation with him.

When M246 was launched he was the one who picked up some anomalies to some derision from Leica community.  

 

https://diglloyd.com/

 

https://diglloyd.com/blog/2015/20151002_1138-LeicaM_Monochrom-BlackDotInWhiteSpotArtifacts-update.html

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Yes, exactly, it's pitch black and there is no transition, some time it happens in other parts of the frame

I don't understand what you mean by there being no transition. I applied the ImageAnalyzer (a nice little shareware program) to the lower right corner of your photograph.

 

This is the part of your image I analyzed. It's, of course, the lower right corner:

 

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This is the brightness profile along the diagonal which runs from the top left corner of the selected part of the image to the lower right corner:

 

 

As you can clearly see, the body of water is a darkish gray close to the center of the image and then becomes progressively darker towards the corner of the image, until the brightness value reaches zero. I wonder how those values progress in the DNG file.

 

Sorry about the scaling of the diagram. The width of the diagram shows the brightness along the entire diagonal of the squarish crop.

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Here's another way of looking at the problem:

 

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The brightest part is about in the middle of the image. It then continually grows darker towards the corners. The lower right corner is merely underexposed, it seems.

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Here's another way of looking at the problem:

 

attachicon.gifpost-1373-0-90077200-1475513513.jpg

 

The brightest part is about in the middle of the image. It then continually grows darker towards the corners. The lower right corner is merely underexposed, it seems.

It is underexposed for no reason as it has the same brightness of the left corner as shown in the other image that I posted above, which only difference is not to be a long exposures. If you read through the thread you would see that, with long exposures, the problem happens also in other parts of the frame, always at borders or corners. Often is in the form of a moustache starting from the middles of the right border, pitch black. I'll try to repeat the problem and post other pictures to convince the Leica advocates.

Edited by Giulio Zanni
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It is underexposed for no reason as it has the same brightness of the left corner as shown in the other image that I posted above, which only difference is not to be a long exposures. ....

I measured the brightness value in the second photograph (the lighter one). The water close to to the bottom right corner has the value 60 +/- 2; the water close to the bottom left corner has the value 75 +/- 3. They do not have the same brightness.

 

The bottom right corner in the first picture is underexposed. There is no dark blob without transition. The transition is there and it's very smooth.

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I measured the brightness value in the second photograph (the lighter one). The water close to to the bottom right corner has the value 60 +/- 2; the water close to the bottom left corner has the value 75 +/- 3. They do not have the same brightness.

 

The bottom right corner in the first picture is underexposed. There is no dark blob without transition. The transition is there and it's very smooth.

The difference in light between the two corners does not justify a pitch black corner. On my book, which is pretty big, the transition on the right corner is not at all smooth. I think that by blindly refusing to aknowledge the problem you are not doing any good to your brand. I'll post other examples and then you'll tell me about it.

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The minimal difference in light between the two corners does not justify a pitch black corner. I think that by blindly refusing to aknowledge the problem you are not doing any good to your brand. I'll post other examples and then you'll tell me about it.

It is not "my" brand. I am a member here just as you are. The forum is not owned by Leica.

 

I have carefully shown in my first post how the picture grows darker in a very orderly and regular fashion until the brightness value reaches zero which is the value for pitch black. Digital images can not become any darker than that. I also pointed out that the DNG could show a different behaviour. This is because the DNG format can differentiate more values. If you find my material difficult to follow, I'm sorry. Don't bother to produce more pictures for me as I won't look at them.

 

Your picture is underexposed.

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Shadow clipping for no reason

Shadow clipping by underexposure. Use the clipping warnings the camera provides. Eyeballing exposure is imprecise at best.

Thanks for that analyzing program, Philipp, it is far more practical to use than measuring in Photoshop.

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Shadow clipping by underexposed. Use the clipping warnings the camera provides.

Only the right corner comes out as underexposed and the minimal difference in brightness between the two corners does not justify it

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Only the right corner comes out as underexposed and the minimal difference in brightness between the two corners does not justify it

That only proves that the water is deeper thus darker on the righthand side. In the  lower left corner you can even see the bright sandy bottom. There is clearly a considerable difference in brightness which your camera recorded correctly.

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That only proves that the water is deeper thus darker on the righthand side. In the  lower left corner you can even see the bright sandy bottom. There is clearly a considerable difference in brightness which your camera recorded correctly.

 

 

No it didn't, it recoded the right corner much, much, much darker that it should have had. We can go on with this forever but I am not buying it. I have 40 years of photography on my back, several camera systems from film to digital and several international awards. You can rest assure that there is something wrong in these files. I'll post more examples. By the way, have you ever done a long exposure (between 30 and 60 sec) with your M 240?

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I think you could compare the two images which you posted here much easier if you processed them in  the same way.

 

One picture (the one with the 1/500 exposure) has a lens profile applied and the exposure has been corrected by +1.25 (unit unknown to me).

The other one (with the 9" exposure) has no lens profile applied and the exposure has been corrected by -0.85.

 

When I adjust the brightness and contrast of the picture with the short exposure such that the rocks and the bunker in the foreground and the landmass in the background look about the same and then add some artificial vignette, the bottom right corner looks about the same, too, with a pitch black area of roughly the same size.

 

The conclusion I reach is that the contrast of the photograph is greater than what can be expressed in a JPEG file, being confined to a depth of 8 bits.

I still suspect that the dark corner could be recovered from the DNG.

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Blaming the camera is getting wearisome, has anybody considered the cause to be reflected or refracted polarised light at the waters surface? It is the reason why fishermen wear polaroid glasses, otherwise they can't see into the water, perhaps the camera can't see into the water either. It is also a sunny day, any chance the OP was seeing something that the camera can't see? The reflection or refraction at the waters surface will change with distance and angle, and given the darker areas in question are at the bottom of the image it could just be the effect expected. As polarised light filters out or re-orients the different wavelengths perhaps the Monochrom can't record the same spectrum that the eye can see...........................????

 

Technically there are a lot of things that may cause one photograph to show the effect of polarised light and another not, a change in the breeze causing a different wave pattern, aperture, length of exposure, a cloud passing, ten minutes for the sun to move in the sky, etc.

 

Steve

Edited by 250swb
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I think you could compare the two images which you posted here much easier if you processed them in  the same way.

 

One picture (the one with the 1/500 exposure) has a lens profile applied and the exposure has been corrected by +1.25 (unit unknown to me).

The other one (with the 9" exposure) has no lens profile applied and the exposure has been corrected by -0.85.

 

When I adjust the brightness and contrast of the picture with the short exposure such that the rocks and the bunker in the foreground and the landmass in the background look about the same and then add some artificial vignette, the bottom right corner looks about the same, too, with a pitch black area of roughly the same size.

 

The conclusion I reach is that the contrast of the photograph is greater than what can be expressed in a JPEG file, being confined to a depth of 8 bits.

I still suspect that the dark corner could be recovered from the DNG.

These are unedited jpegs, maybe the only thing I could have doen was to recover few blinkies on the bunker. They were both shot with the same lens. You look at jpegs because I can not post DNGs on the forum but the DNG looks exactly the same. It's not a jpeg problem as I shoot in DNG only. Whether the dark corner could be recover or not is a total different matter. It shouldn't be there.

Edited by Giulio Zanni
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Blaming the camera is getting wearisome, has anybody considered the cause to be reflected or refracted polarised light at the waters surface? It is the reason why fishermen wear polaroid glasses, otherwise they can't see into the water, perhaps the camera can't see into the water either. It is also a sunny day, any chance the OP was seeing something that the camera can't see? The reflection or refraction at the waters surface will change with distance and angle, and given the darker areas in question are at the bottom of the image it could just be the effect expected. As polarised light filters out or re-orients the different wavelengths perhaps the Monochrom can't record the same spectrum that the eye can see...........................????

 

Technically there are a lot of things that may cause one photograph to show the effect of polarised light and another not, a change in the breeze causing a different wave pattern, aperture, length of exposure, a cloud passing, ten minutes for the sun to move in the sky, etc.

 

Steve

If you read through the thread you would have noticed that the problem is not limited to this image,but it happens also in images with no water. I just regret I didn't keep all those bad images but I will be out again during the week-end and I am sure that the problem will come up again as it has happened before.

Edited by Giulio Zanni
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