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By Aaron DanielHi all, I've noticed there isn't a dedicated thread for editing L-Log footage, so I will begin one here. I realize that colouring and re-touching video is a very subjective field, but I wanted to see how others work within Leica's limited literature surrounding post-production in video.
I've just updated my Atomos Ninja V to the latest firmware, which now allows for L-Log recording from leica (the past year with the SL2 was a little tedious working with both internally and externally recorded video footage). Now, with this update, BT2020 seems a lot nicer.
I've just done my first video about this update here:
l’ve a 50mm Summicron and 90mm elmarit; both stellar lenses. I’ve had these lenses for a good few years and don’t have any desire for more. From the get go I was sure to source lenses with common filter sizes, in this instance 39mm. I shoot quite a lot of film with my M6, both colour and BW. Its on the way back (in the post) with a viewfinder upgrade and CLA so looking forward to giving it a good run feeding it lots more film.
I’ve a B+W F- Pro orange filter that I use a little and I’d like to add to this. Specifically a green filter for BW portraits, to experiment on my young surfer son who’s seven with some cute freckles. Also, for colour negative, typically with Portra, I’d like to get my hands on warming and cooling filters to try and get more consistent results and minimise colour shifts. This is particularly relevant as finding a good local scanner operator is a challenge; it’s not an excuse, just another reason to try and minimise any requirement for corrections at the scanner,
i note Leica make some black and white filters, including a green filter, so that would likely cover off my requirement for BW, however, I’m stumped for warming and cooling filters, particularly in the 39mm size. I tried a camera store this afternoon to see what they may be able to get and was advised they’re unable to help me as there’s little need these days with digital; fair enough. Most ideally too, I’d like nice brass filters like the B+W F-Pro series, they’re very nicely made bits of kit.
As I’d like to keep the setup compact, I don’t wish to use step downs or larger filters, I’d like to stick with 39mm. So, we’ll made brass 39mm filters; colour for BW and warming / cooling for colour neg.
Any recommendations on where I might find the above? New or used? Thanks.
And for a bit of fun, who else is using warming and cooling filters for colour neg film? I’ve an old Lumu light meter; I’m considering upgrading to the newer one simply for better understanding of colour temp variance, and flash measurement. FYI, the lumu’s are a great little light meter; I keep mine on my phone always, often even if I don’t have a camera with me!
By FromMyLensCan I please get some advice / guidance on an issue. I recently bought an m4p 1 week ago.
The first roll was a brand bought caninister and loaded using the quick loading technique (guide end into tulip, put bottom plate on and good to go).
The second roll was a home bulk load affair. I think I didnt have a clean cut on the end of the roll, so when I loaded into the tulip, it has 'snagged' on the spring in the centre.
I had to take the roll out as after taking 2 shots I noticed that the film wasnt feeding correctly.
The problem was that as i pulled the film out of the m4p, is stretched the spring. So now that I am trying to load film, the spring doesnt allow the film to sit in the tulip and load onto the sprockets. (see bottom left hand corner of photo 1.
Photo 2 shows that if a lend the end of the film to sit outisde of the tulip, the film loads, so no faults with the sporkets or loading mechanism
Photos 3 shows a work around where i cut away half the width of the end of the roll, so it feeds into the tulip above the spring, whilst this does work, its not a long term solution.
Does anyone have any ideas how to re-set the spring?? looking down inside the centre coloumn of the tulip, I can see a screw, but Im loathed to start exploring a fix.
I have googled Leica M4p repair manual, but havent found anything.
Any advice would be kindly received.
By jrpI post process my SL 2 raws in Adobe Lightroom.
It is generally fine, although, as seems common with Leica raws, the reds are a bit oversaturated.
I tend to use the Landscape profile as it seems to have a slightly less contrasty tone curve than Color and the colours are a bit more vibrant. A typical workflow is to add a bit of vignetting, adjust white balance, push the auto exposure, for a starting point, normalise the black and white points to get the right amount of clipping, add 15 clarity and 5 dehaze, and Robert is your Mother’s brother.
The SL2’s white balance is normally v good, but when it isn’t I find that Auto tends to result in an overly warm image, relative to the expected neutral. Similarly, taking the white balance reading from gray clouds seems to result in too much warming of the image, suggesting that the SL2 wants to render them blue, at least under the Landscape profile. (I get better results taking the white point from cloud highlights, where they are available and where it isn’t too close to sunset.) I also realise that the dehaze tends to add a bit of a blue cast.
Has anyone a better recipe for getting better (more natural) colours out of the SL2?
By gwpicsLike so many I am in a lockdown situation, and as a safeguard I have not ventured out for many week because of my age and heart condition. Those around me are keen to keep me a live for some reason! 😄 I have therefore been exploring the home environment, and also exploring my under-used 24mm Elmarit-M f2.8 ASPH.
Here is one from my garden which was taken with the Elmarit on my M240, and then converted to black and white in Lightroom CC. Technical details are 1/90 f8 @ 2000iso Init is pretty dark under the oak tree). Hope you like it!
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