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Summicron-M 90 vs APO Summicron 75


CheshireCat

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Just got a v3 non-APO 90/2 (serial 35*), and compared it with the APO 75/2.

 

I expected to be turn down by color rendering, but I have to admit the 90/2 is amazing.

Perspective is very similar (15mm difference). The 75 "user interface" (rings and stuff) is smoother.

About same weight.

75 a little smaller, not dramatically.

75 sharper wide open but you have to pixel-peep.

75 has better color aberration correction but only a trained eye will see the difference.

75 has a hood that blocks in place if rotated.

75 new is 4 times the price of a good used 90.

 

First test. Both on M240 at f/2, natural light. Can you tell which is which ?

 

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Right-hand or second shot is 90mm.

 

As I recall, you prefer electronic viewing. So you avoid the one huge difference between any 75 and any 90 - the 90 framelines are much less accurate at longer distances (they are actually about a 105mm field of view).

 

Much as I like both the 90 pre-ASPH you have and the tiny Tele-Elmarit-M, I just got tired of having to throw away 22% of my precious megapixels cropping to the picture I thought I was getting.

 

The 75mms actually crop tighter than the M9 lines at 0.7 meters - but shooting in that range, I'm generally aiming for "as tight as possible" anyway, and losing a bit more junk around the edges is usually a plus (if not - it's digital - I reshoot).

 

But the 90 pre-ASPH is definitely the "poor man's 75 Summilux" in terms of rendering - nice!

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 the 90 framelines are much less accurate at longer distances (they are actually about a 105mm field of view).

 

Much as I like both the 90 pre-ASPH you have and the tiny Tele-Elmarit-M, I just got tired of having to throw away 22% of my precious megapixels cropping to the picture I thought I was getting.

True about the lines, however it never occured to me to simply accept the 90mm frameline framing and then crop later.  Rather, I taught myself quickly back in the film days how much outside the 90mm lines is actually recorded, and from that point on, framing accurately has not been an issue.  I did have to make some slight adjustments to my estimation going from an M4 to an M6 (M6 50 and 90 frame lines are a bit tighter) and now again with the M240 which is calibrated for 2m.

 

I have both the 90 pre-ASPH and thin T-E, the former I prefer to the e46 Elmarit as it seems to perform about the same from f/2.8 down (except at close focus), is not much heavier or bulkier, and affords me a nice rendition wide-open for portraiture.  The thin T-E despite it's tendency to flare if not careful, remains a staple in my travel bag.   I never really warmed up to the 75mm focal length, however I used a CV 75/2.5 rather than the T-E when I had an M8.  Still own that lens, got it cheap, now use it on my NEX 6. 

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