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Bokeh


Cuthbert

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Was that cat running towards you as well? [emoji4]

 

To be serious for a moment, I can like a photo with a nice 'bokeh' as long as I can still see the silhouettes.

Personally no fan of photos where I have to guess if it's taken outside, in a building, whatever because, for instance, I only see the gearknob and literally everything around it looks like a plain tablecloth.

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Actually that was my target for this picture: to have a narrow DOF and focus just on a detail and have anything in the foreground and background blurred in order to attract the attention of the viewer on it, so I'm happy that once developed the pic came out as I imagined it, then if it's not your ideal picture fair enough, I don't see why a bokeh'd flower is acceptable and not such a particular.

 

I assume you don't like this shot either:

 

35b9isl.jpg

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M7 Summarit-M 50/2.5 Ilford XP2

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Bokeh  for bokeh ...not good. Bokeh as a tool for beauty... good.

Summilux FLE 35 @ 1.4

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Summarit 50mm 1.5 from 1953 0n M9P.

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Bokeh  for bokeh ...not good. Bokeh as a tool for beauty... good.

Summilux FLE 35 @ 1.4

attachicon.gifle bouquet.jpg

 

Digital pics with digital cameras that fake the result of old senses and help focusing at minimum DOF...not good.

 

Please, I would like to see REAL pics, even if they are not perfect.

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There is a difference because I know the Summarit very well and wide open it's not as sharp and doesn't give you these colours, it's a low contrast low definition vintage lens, I assume you pimped out these pictures in post processing and doing so IMO it's like photoshopping the boobs of Keira Knightley in that famous poster:

 

keira_king_arthur.jpg

 

Seriously, old super fast glass from the 30s, 40s, and 50s couldn't be as sharp wide open as today's lenses and also not even the f1.2 SLR lenses of the 70s (Nikkor, Canon, Pentax) and they are fine as they are with their qualities and their flaws, for instance, this are some shots of my Canon 50mm f1.2 LTM:

 

sbkj0j.jpg

 

260za0y.jpg

 

9a7hh2.jpg

 

nohe10.jpg

 

This specimen is also a bad one because the coating of the fifth element is correded and has holes on the lens, it flares like a maniac in backlight but I still try to use its flaws in a productive way (for instance, the spot of light through the leaves) in order to create a "dreamy" image...not that I say I am able to do that, but at least I try it.

 

Compare my shots with your cold hyperprocessed ones.

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  • 2 weeks later...

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M240, APO-Summicron 50mm

Edited by Jennifer
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