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Bmike

Bmike

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M 50 Lux

 

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fotografr
fotografr

M8, 50 Summilux ASPH

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pattyfrank
pattyfrank

Selfie, 78.  Celebrating in the Keys, 'a sunny place for shady people'. Cheers.

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M10-P, Voigtlander 1:1.5/75 ASPH
Nachtmsk
Nachtmsk

M4-P 90mm(probably) This is from an unprocessed  roll I found the other day that I shot just over 30 years ago.  Portrait of someone I used to know. Tri-x. I'm impressed that it turned

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Nachtmsk

Nachtmsk

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My dog! Lol

 

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robgo2

robgo2

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I previously posted a color version of this image.

Q2

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robgo2

robgo2

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Guanajuato, Mexico

Q2

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eawriter

eawriter

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A month ago, I posted an image taken in this same hat shop in San Francisco. I was back there again this week. Same background, same window light, different subject.

M10M, 35mm Summicron, orange filter

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photophile

photophile

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"Hero", Baltimore.

M10 Classic, 50 lux ASPH with ND filter.
http://www.thetwofacesofrichard.com

 

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Marek

Marek

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Ksenia

m10&0.95

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Marek

Marek

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Ksenia

m10&0.95

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Parkplatzmann

Parkplatzmann

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Francesco…

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fumigatus

fumigatus

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Philip (Q2)

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pattyfrank

pattyfrank

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That smile you get when you pick up your first Q2

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M10-P, Noctilux-M 1:1/50, v4

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01maciel

01maciel

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and I asked him to smile

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M10 + New Petzval Art Lens 85/f2.2

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robgo2

robgo2

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Q2 Monochrom

 

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didier

didier

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M10M + Elmar 24/3.8 an unusual Lens for portraits :) 

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wda

wda

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2 hours ago, didier said:

M10M + Elmar 24/3.8 an unusual Lens for portraits :) 

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You might find this video interesting https://m.youtube.com/watch?v=_pjh34g--dA 

 
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Leographie

Leographie

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Leographie

Leographie

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eawriter

eawriter

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I do a lot of street portraiture, and it has the appeal of a treasure hunt, but I'm never all that happy with the results, because it's not really a collaboration between me and the subject, and there are so many variables I can't control. I know it's a different genre from traditional, posed portraiture, with a different aesthetic, but still, the resulting photos have too many shortcomings for me.

So I asked my very photogenic neighbor to do a portrait session with me. I know her well, and she's comfortable in front of the camera. I've done a couple of sessions with her before. 

I like this photo much more than my street portraits. I chose the time of day for the light I wanted, scouted the location, talked with her about what to wear, posed her, and spent a good hour and a half with her to get about a dozen portraits I like (and that she likes).

My goal is to do more portrait sessions like this, because I enjoy the collaboration with my portrait subject, and have much more control over the variables—which, IMHO, results in better images. 

M10, 75mm Summicron

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