Overgaard Posted July 3, 2014 Author Share #21 Â Posted July 3, 2014 Advertisement (gone after registration) I have an Elmarit. Great lens with just one defect: dull colors.Are the APO-Summicron and Summarit better in this regard ? Â The 90mm APO has "colors that are more alive than what they eye sees" as I usually say. Just like the new Summilux lenses (and 50mm APO and Nocti 0.95) seem to see more shadow details than the eye. Â I like the muted/dulle look of the Elmarit also, though. Link to post Share on other sites More sharing options...
Advertisement Posted July 3, 2014 Posted July 3, 2014 Hi Overgaard, Take a look here New Leica 90mm Lenses Article at overgaard.dk. I'm sure you'll find what you were looking for!
CheshireCat Posted July 6, 2014 Share #22  Posted July 6, 2014 The 90mm APO has "colors that are more alive than what they eye sees" as I usually say. Just like the new Summilux lenses (and 50mm APO and Nocti 0.95) seem to see more shadow details than the eye. I like the muted/dulle look of the Elmarit also, though.  Thanks Thorsten; I'll upgrade. Link to post Share on other sites More sharing options...
bocaburger Posted July 6, 2014 Share #23 Â Posted July 6, 2014 I have a very late pre- ASPH 90/2.0 lens. I rarely see this summicron mentioned. I use it a bit' date=' it's a wonderful portrait lens, but it's a heavy beast so I often use my "thin" TEM 90. What is it about the pre -ASPH but APO lens that rarely gets it mentioned?[/quote'] Â At one time I owned ASPH versions of the 21, 35, 90 and 135mm lenses. Eventually I sold all of them in favor of the pre-ASPH versions. There is just something in the way they render that I like better. The Mandler e55 90 is one of my favorite lenses, and the thin T-E is always in my travel kit. Link to post Share on other sites More sharing options...
Overgaard Posted July 6, 2014 Author Share #24 Â Posted July 6, 2014 At one time I owned ASPH versions of the 21, 35, 90 and 135mm lenses. Eventually I sold all of them in favor of the pre-ASPH versions. There is just something in the way they render that I like better. The Mandler e55 90 is one of my favorite lenses, and the thin T-E is always in my travel kit. Â Do you shoot b&w only, or color s well? Â In much b&w work I find the Mandler lenses very nice. Link to post Share on other sites More sharing options...
jbl Posted July 8, 2014 Share #25 Â Posted July 8, 2014 Well, you succeeded in getting me into the Thambar camp :-). I'm supposed it get it later in the week. Link to post Share on other sites More sharing options...
Overgaard Posted July 21, 2014 Author Share #26 Â Posted July 21, 2014 Well, you succeeded in getting me into the Thambar camp :-). I'm supposed it get it later in the week. Â Happy and sorry for you Link to post Share on other sites More sharing options...
Washington Posted July 21, 2014 Share #27  Posted July 21, 2014 Advertisement (gone after registration) Sometimes I just don’t get it. I have a bunch of older Leica 90’s a couple I bought because Luigi recommended them. Now I always shoot RAW which always has to be post processed and if it’s a simple matter of ''*dull colors'’ that can be corrected in 30 seconds….. so, what is the big deal with any of this latest and greatest stuff? Unless you just have to be a a lens test freak. Link to post Share on other sites More sharing options...
rirakuma Posted July 21, 2014 Share #28  Posted July 21, 2014 I don't think you can replace the colours from better lens coating or design with digital post, not in 30 seconds anyway.   Sometimes I just don’t get it. I have a bunch of older Leica 90’s a couple I bought becauseLuigi recommended them. Now I always shoot RAW which always has to be post processed and if it’s a simple matter of ''*dull colors'’ that can be corrected in 30 seconds….. so, what is the big deal with any of this latest and greatest stuff? Unless you just have to be a a lens test freak. Link to post Share on other sites More sharing options...
gyoung Posted July 21, 2014 Share #29 Â Posted July 21, 2014 I have an uncoated 5cm Elmar and it gives totally different colour rendering to my coated 50mm lenses. I would find it very difficult to make them look the same in PS. And I wouldn't see the point, but contrast and saturation are easily dealt with. Â Gerry Link to post Share on other sites More sharing options...
CheshireCat Posted July 21, 2014 Share #30  Posted July 21, 2014 it’s a simple matter of ''*dull colors'’ that can be corrected in 30 seconds…..  You cannot correct color frequencies that have been filtered out by the lens. They were never captured by the sensor. Link to post Share on other sites More sharing options...
pop Posted July 21, 2014 Share #31 Â Posted July 21, 2014 You cannot correct color frequencies that have been filtered out by the lens. They were never captured by the sensor. Â I do not think that those lenses are completely opaque to parts of the visible spectrum. Link to post Share on other sites More sharing options...
CheshireCat Posted July 22, 2014 Share #32 Â Posted July 22, 2014 I do not think that those lenses are completely opaque to parts of the visible spectrum. Â It seems unlikely to me too, but I decided to sell my lens because I cannot work around this color issue. It would be interesting to see the results of a proper test. Link to post Share on other sites More sharing options...
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