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21mm Summilux vs 15mm/2.8 Distagon


arthury

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Like all super wide lenses slapped onto an M, there are a couple of things to consider:

  1. corner discoloration (as in pinkish)
  2. vignetting

 

How do these 2 lenses play out in these areas?

Any thoughts?

 

Also, which one do you think will hold its resale value longer?

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I have both, 15mm has more discolouration as no dedicated profile and wide open 21mm will have more fall-off ;-) Very different angle of view, max aperture and only one focusses via R/F.....

 

All Zeiss 15mm I have seen a serial number of seem to be in the 15555xxx range which implies a single batch made whereas the 21mm is still current (but more expensive), not that I expect to be selling either!

 

john

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I find my 18mm a very different animal to my 21mm. 15mm is a very, very different lens to the 21, are you looking for both and are you comfortable you know which you will use. The f stop is quite different too

 

Regarding holding value and resale Leica will be better however a big price difference

 

Id buy a used Elmarit-M 21mm f2.8 and se how you get on with 21, you can sell on if you want wider

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You keep mentioning the R15 f2.8, chances of finding/affording one are quite low these days ;-)

 

john

 

True as I know this lens well and think its rendering is about the best in WA lenses I have seen, including using the 18/3.8 and Zeiss 18/4, 21/3.4, 21/1.4 to keep the lenses I mention in line with this subject thread. Images taken with this lens are viewable under the thread Jaap started called something like "R lenses on the M240".

 

As for availability, I saw one recently for sale in HK, however the asking was US$9.5k. Not sure how many made.

 

I see WIKI mentions 420 lenses made.

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True as I know this lens well and think its rendering is about the best in WA lenses I have seen, including using the 18/3.8 and Zeiss 18/4, 21/3.4, 21/1.4 to keep the lenses I mention in line with this subject thread. Images taken with this lens are viewable under the thread Jaap started called something like "R lenses on the M240".

 

As for availability, I saw one recently for sale in HK, however the asking was US$9.5k. Not sure how many made.

 

I see WIKI mentions 420 lenses made.

 

Sorry, I am not interested in lenses that are no more in production and have 'magical power'.

:D

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I have both, 15mm has more discolouration as no dedicated profile and wide open 21mm will have more fall-off ;-) Very different angle of view, max aperture and only one focusses via R/F.....

 

All Zeiss 15mm I have seen a serial number of seem to be in the 15555xxx range which implies a single batch made whereas the 21mm is still current (but more expensive), not that I expect to be selling either!

 

john

 

John,

 

Would you be so kind as to test out the lens profile belonging to Leica 28mm/2.8 ASPH 11606 with your Zeiss ZM 15mm/2.8 on your M9 or M240, please, and let us know how it goes in terms of a brightly lit scene against the sky?

I know it's Autumn in NZ so light may be becoming scarce.

 

--

Arthur

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I have used the R 15/2.8 and there is no color edge distortion nor corner falloff. The 21/1.4 sometimes gives me vignetting whereas the R 15/2.8 has none.

 

What are the main differences between the Zeiss for Contax 2.8/15mm and the R 2.8/15mm?

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What are the main differences between the Zeiss for Contax 2.8/15mm and the R 2.8/15mm?

 

Could kindly start a new thread for this because it's out of the scope of this thread?

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John,

 

Would you be so kind as to test out the lens profile belonging to Leica 28mm/2.8 ASPH 11606 with your Zeiss ZM 15mm/2.8 on your M9 or M240, please, and let us know how it goes in terms of a brightly lit scene against the sky?

I know it's Autumn in NZ so light may be becoming scarce.

 

--

Arthur

 

Here are some quick snaps with an M (240); uncoded, 21mm f2.8 pre-asph and 28mm f2.8 asph at f2.8 and f5.6

 

Zeiss ZM 15mm

 

john

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Here are some quick snaps with an M (240); uncoded, 21mm f2.8 pre-asph and 28mm f2.8 asph at f2.8 and f5.6

 

Zeiss ZM 15mm

 

john

 

Thank you, John, for the effort. I appreciate your contribution and I am sure everyone here on this site appreciates it.

 

Without opening the individual images, there is not a lot of visual differences between the 21mm/non-ASPH and the 28mm/ASPH lens profile.

But, once I opened up the images, and I used the next/previous buttons, it becomes quite clear Zeiss' lab tests are right on the dot when the lens is wide opened.

 

At f/5.6, it seems like a different story.

 

Any thoughts from anyone?

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Why are you trying to compare such widely different lenses?:confused:

The application does not even overlap.

 

I am thinking more along the line being quite exotic in nature.

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OK, but they are so completely different that a comparison is completely impossible. The only rational thing to do if you are interested in the two kinds of photography is to own both.

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I already have the 12mm/5.6 VC and the 21mm/2.8 Biogon ZM.

So, those focal lengths and their vicinity are covered.

 

I may also throw the 24mm Summilux into the mix to consider as I am beginning to see that the 24mm Summilux may be a touch sharper when the subject is closer, just eye-balling the images. But, I guess the 24mm Summilux is not supported by the rangefinder but it also requires an external VF or EVF or LV.

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If you are talking about the shots I put up, they were all focussed at infinity not the foreground so the 24mm Summilux wide open would be less sharp ;-)

 

john

 

Hi John,

 

No, I was not comparing your tess images with others. I understand that yours were meant to help me and others about the issues with corner tinting and vignetting under the influence of the lens profile.

 

I was looking at images posted in Flickr groups specifically dedicated to these individual lenses.

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