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1.2 noctilux


jbl

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There's one on eBay for $18,500. How long do you envision retirement?

 

Jeff

 

There is also one in the buy and sell section here. Only €15000.

 

So they are quite common really.....;)

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I HAD one, bought in 1985 in Italian Liras of the era...equivalent to about 750 Euros (but it had not the hood, nor the box...)... and sold it less than 1 year after, at the same price... :o. used it on a M2... very few times at 1,2... at normal apertures was no better than a Summicron (and I had an old one) and much more bulky.... than bought a Summilux dated 1962, which still have and use, and like more : of course, as a collector I have strong reasons to regret... as a user, no.

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What could have been... In 1969 I looked at one on display in Altman's camera in Chicago, for sale at something like $675. But as a new engineering graduate at my first job, facing the army draft, I passed it by, uncertain of the future.

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  • 1 month later...

Historical question here… The lens is listed as both taking Series VIII filters but also E48. What’s the reason for the two types? The Series VIII goes in the lens hood, the E48 screws onto the front of the lens. I know 48mm is a weird filter size, but maybe it wasn’t in the 1960’s?

 

Just curious.

 

-jbl

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Filter size M48 x 0.75 mm , common at that time, for Leitz:

some LTM, M and R lenses used this size: Super-Angulon-M 3.4/21, early Elmarit-M/R 2.8/28, , some Elmarit-R 2.8/35, early Summicron-R 2/35, Summilux-R 1.4/50, some Summicron-M 2/90

 

even Canon use this size for LTM 1.4/50

 

 

Arnaud

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Guest Ansel_Adams
Has anyone actually ever used one of these things?

 

Would love to hear experiences,

 

-jbl

 

Yes, its nothing special in terms of its physical attributes. Big, black, metal. Takes a bit of work to use - not the fastest lens to focus in the world... Most will be in need of a service by now.

 

Interesting comparison here:

 

noctilux 1.2 | STEVE HUFF PHOTOS

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Yes, its nothing special in terms of its physical attributes. Big, black, metal. Takes a bit of work to use - not the fastest lens to focus in the world... Most will be in need of a service by now.

 

Interesting comparison here:

 

noctilux 1.2 | STEVE HUFF PHOTOS

I agree. Nothing special IMHO and the f1.0 is a bit more interesting.

 

I was fortunate enough when I bought my f1.2 Noctilux for $US880.00 in 1998 ( no box, no caps) and sold it to a collector who had sourced the box etc.

I liked my Konica 50/1.2 better and left it after I have sold all my Noctilux lenses.

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Didn't they have to hand make the lenses in a process that took so long and resulted in many that were good only for the bin?

It seems so or at least, hand controlled machined (?).

About that, I always wondered why Leica would use the same technic (if so) for the Summilux Aspherical around 20 years later. Curious as production technics probably have improved since the Nocti 1.2

 

Anyway, apparently I am the only one enjoying using my Noctilux 1.2 here.;)

Don't know... I like how it behaves. I actually use it like eveyday, always mounted on my M3. Currently marrying it with Neopan 1600.

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Anyway, apparently I am the only one enjoying using my Noctilux 1.2 here.;)

Don't know... I like how it behaves. I actually use it like eveyday, always mounted on my M3. Currently marrying it with Neopan 1600.

 

No, you’re not the only one :-). I’m enjoying mine too, though I only recently got it. It’s an interesting lens and I definitely like it. It’s different than the other two in its own way.

 

So you have one, I have one, Seal has one, there are about 5 on eBay right now, so that accounts for 8 of around the 1500 made. :-).

 

-jbl

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  • 2 weeks later...

Stay tuned to LHSA Viewfinder 47/2, which is due out in the next few weeks.

I compared all three Noctilux lenses at to Bokeh rendering, along with over twenty other lenses. The title of the article is "Bokeh Kings". All of the lenses were tested under identical conditions with a still life subject. The test subject also included out-of-focus point light sources and 3D subject matter in the plane of focus as well as OOF foreground and background subjects. We also tested lenses such as the Xenon, Summarit, Summilux, Summarex and Thambar. Our reuslts show both wide-open and two stops down performance of the lenses.

This was a unique and rare opportunity to compare all of the lenses under identical conditons.:D

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  • 3 weeks later...

The Noctilux 1.2 is definitely a woudnerfull lens. It has the sharpness of a 50APO and the Bokeh charm from an ordinary Noctilux, while maintaining the bokeh circles crisp and not soft on the edges. Here's two example =p,there's more if you wana check it out.

 

8707348296_48c5ca3b2a_z.jpgBlossom Season by Clarence.Lux, on Flickr

 

9798699315_7b990471d0_z.jpgThe Touch of Heaven by Clarence.Lux, on Flickr

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