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Color Skopar 35 f2.5 PII (on film)


Jessestr

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Hi

 

I'm currently shooting with a Zeiss Sonnar 50 f1.5, mostly shooting inside and I feel that I need to get something wider.. But I just love the charatcer of the Sonnar.

 

I was wondering if anyone tried the CV Color Skopar 35 f2.5 type II. It seems like a great lens but can't really find any pictures taken with it from people (to see skin tones, bokeh rendering etc).

 

Using the lens on film (mostly Tri-X 400 & Portra 400)

 

Thanks in advance

 

Jesse

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I had one a few years ago and used it on film during a 3-week trip to Australia. Shot mainly Portra 160 and 400. I bought it to have something wider than 50mm and to try out the focal length.

 

I was very pleased with the results. Unfortunately I don't have any photos on Flickr but there is this RFF thread which may help you.

 

I found skin tones to be natural-looking and that it rendered very sharply across the whole aperture range. In fact, I see little difference in this respect between the CV 35 II and my 35 Summilux FLE at the same apertures. It is a tiny lens which is great. The hood is not included, I believe. It's an extra 40-50 Euro but it is well worth having as it reduces flare and protects the lens. Plus it looks rather cool, too.

 

Build quality-wise I would say it feels very much like a modern Summarit, ie. nothing to complain about.

 

The one and only reason I decided to part with it is that f/2.5 isn't fast enough for me as a film photographer. That said, in hindsight, I think I should have kept it because it is such an excellent performer. There's really nothing to not like about it.

 

Hope it helps some.

Cheers

Philip

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Jesse,

I have decided to sell mine (which performs great) incl. lens shade (mint). Contact me if you are interested in a try-before-you-buy-arrangement.

 

Ulrik

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I had one a few years ago and used it on film during a 3-week trip to Australia. Shot mainly Portra 160 and 400. I bought it to have something wider than 50mm and to try out the focal length.

 

I was very pleased with the results. Unfortunately I don't have any photos on Flickr but there is this RFF thread which may help you.

 

I found skin tones to be natural-looking and that it rendered very sharply across the whole aperture range. In fact, I see little difference in this respect between the CV 35 II and my 35 Summilux FLE at the same apertures. It is a tiny lens which is great. The hood is not included, I believe. It's an extra 40-50 Euro but it is well worth having as it reduces flare and protects the lens. Plus it looks rather cool, too.

 

Build quality-wise I would say it feels very much like a modern Summarit, ie. nothing to complain about.

 

The one and only reason I decided to part with it is that f/2.5 isn't fast enough for me as a film photographer. That said, in hindsight, I think I should have kept it because it is such an excellent performer. There's really nothing to not like about it.

 

Hope it helps some.

Cheers

Philip

 

I mostly shoot at 2 or 2.8 with the Sonnar because I can't see what I'm doing on film and I feel more certain than on f1.5. So the extra stop isn't my problem.

 

Is the "small" lens size a problem with focusing? Maybe focus tab too close too camera or something?

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Is the "small" lens size a problem with focussing? Maybe focus tab too close too camera or something?

 

At first I thought that this would be an issue, but it's not. The focusing tab is not too close and overall the lens is very quick and easy to use. The focus throw is a bit short, however. But that hasn't bothered me and focusing (on my copy) is very smooth and even.

 

It's a great lens and nicely compact. As philipus suggested, get the hood (it's very well made.) This lens sometimes makes me wonder why I spent all that $$$ on the Summilux (aside from having the wider aperture.) :)

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Couldn't agree more. In fact the triumvirate of the 28mm, 35mm, and 50mm small petite Color Skopar's are a match for many top Leica lenses at equivalent apertures. Cherry pick the Voigtlanders and you get an astounding lens for the spec.

 

Steve

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When I lost my 35 Summicron overboard, I bought this little gem to replace it and then used the 35 CV Color Skopar on a M4 for about 5 years. I thought it was great. I liked it a lot on my M8 as well. However, I really missed my 35 Summicron and bought another. I had both for a few months and had a hard time telling the files apart - on film. The CV was a whisker sharper and had a touch more contrast on the M8. However, I liked the color rendering of the 35 Summicron (type 4) better on my M8 and M9 and sold the CV.

 

I think this little lens is the very best CV makes. Pricewise, this lens is a steal.

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I used the first version of this lens for years and only sold it because the closest focusing distance on that model was 1M. It had no tab, was built like a brick and rendered beautifully. I bought a Summicron and have been happy with it but the CV was a little gem, no question.

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With this sun hood?

 

Of course not, but compared with the original sun shade of the 2,5/35 this one protrudes significantly more.

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Tadaa :)

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  • 3 weeks later...

I just got a silver first version of this lens for my M3. All week I have used it with some gaffer's tape over the frame line window. Firstly I am fully having fun in how with a little inventive framing, how good good the M3's full VF works for a 35mm lens, love it!

 

But the sharpness on this little lens for less than $300...?....are you kidding me??? Wow, what a killer lens! It's perfect what I need it for, nothing but black and white medium to low contrast lighting on Tmax 400, amazing wide open too. I'm floored, love it!

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