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I like film...(open thread)

Doc Henry

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cobbu2

cobbu2

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Norfolk Virginia Shipyard

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Zeiss Ikon Ikonta C 521/2

105mm f/4.5 Novar-Anastigmat

Tri-X

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Michael Hiles
Michael Hiles

Bonjour Henri,   I still prefer black and white film (I use almost no colour). The advantages of digital don’t mean much to me. Seeing instant results is not so useful, since what comes out of a cam

Cyril Jayant
Cyril Jayant

This photo is from a series from some of my crazy, extreme photo adventures I  had photographing Mountains "Alpinists " and rock climbers. This is Alpes mountain range which is called   "Le Massive du

helged
helged

On a week-long stay at the Faroe Islands, I took the ferry from Torshavn (the 'capital') to the southernmost island, Suduroy, and looked up potential shooting locations on the island. This image was t

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Sparkassenkunde

Sparkassenkunde

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A promise is a promise:

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Minolta Autocord - Kodak T-Max 400 (dev. in Rodinal 1+25)

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Ouroboros

Ouroboros

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13 hours ago, MarkP said:

I'd like to pause here to thank Henry for starting this fabulous thread all those years ago.

It is interesting that despite the dominance of digital photography, a film thread (albeit one which allows photographs shot on any equipment and where most film photos on the Forum are posted regardless) is by far the most active thread on the forum.  

It s also where I find most of the the best photographs. Always a delight to drop in on this thread. 

3939 pages, 78763 posts and still going strong!

Mark 🙂

 

ps. and thanks to Andreas for allowing that break from forum protocol.

 

I agree. 

I also like the fact that this thread isn't spoilt by a hierarchy of who can shout the loudest with no substance to support the noise.  Photography is about image making enjoyment and appreciation of the work of others. 

Contributors here are all photographers! 

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3oob

3oob

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Paris

IIIg / 50 Elmar Redscale / hp5

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Guest JMF

Guest JMF

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Kodak Color 200 - Ricoh GR21

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Guest JMF

Guest JMF

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Provence, October 2021

 

Kodak Color 200 - Ricoh GR21

 

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Kl@usW.

Kl@usW.

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vor 16 Stunden schrieb christoph_d:

Late night at the Rue Edouard VII 

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CL, 40, Foma400

Christoph, your Paris series is a real gem. I like this one particularly. 

vor 16 Stunden schrieb MarkP:

Antarctica
FujiFilm GW690III, FujiFilm Pro 400H

Very impressive Mark. I wonder how long the existence of 3 Hasselblad bodies on my shelf will protect me from buying a GW 690III... 

vor 7 Stunden schrieb Wayne:

Tough beans

Rolleiflex 2.8C, Xenotar, Rolleikin (35mm Portrait) HP5

Wayne, a touching photo. no kidding. And it´s so very much your kind of photography  

vor 7 Stunden schrieb chrism:

Where?

 

To the tune of "Fairport Convention": Who knows, where the time goes... perhaps your photo gives a hint... 

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Kl@usW.

Kl@usW.

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Fall colors # 5 

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MP; S´rit 2,4/90; Portra 400@320

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Guest JMF

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TriX on a 1929 Leica 1a with its fixed 50mm Elmar f3.5

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MarkP

MarkP

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6 hours ago, Kl@usW. said:

 

Very impressive Mark. I wonder how long the existence of 3 Hasselblad bodies on my shelf will protect me from buying a GW 690III... 

 

Thank you Klaus.

The all-in-one-package, relatively light weight, Leica-type user interface, easy to hand-hold, fabulous lens, cheap price, and 50% more negative real-estate make it a great camera.  Although some people complained about the III being clad in plastic compared to the original models, it is much lighter and very comfortable to hold (especially in sub-zero temperatures 🙄).

I bought it for landscape/seascape for this trip (I also had an SL/SL2 system which performed flawlessly) and planned from the outset to crop many images to a 1:2.73 X-Pan format. The negatives are actually 83 x 56mm negative so will crop to 83 x 33mm for panoramas. You'll see most of my photos referred to earlier in this thread are cropped to that format.

Go on. You know you want one. Get on line right now and buy one 😁.

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Charles Morgan

Charles Morgan

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14 hours ago, Ouroboros said:

I agree. 

I also like the fact that this thread isn't spoilt by a hierarchy of who can shout the loudest with no substance to support the noise.  Photography is about image making enjoyment and appreciation of the work of others. 

Contributors here are all photographers! 

I see lots of very fine photographs by people who know what they are doing, and like you, love the fact the photos do the talking. I don't shoot as much film as I used to but I keep coming back here!

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Ernest

Ernest

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On 12/10/2021 at 11:30 AM, Kl@usW. said:

Railway Museum 

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MP; SLX 50; Portra 400@320

Penultimate sublime color field and those masterful margins! And that punctuation mark, nothing hesitant.

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MarkP

MarkP

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Antarctica
FijiFilm GW690III, FujiFilm Pro 400H

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Charles Morgan

Charles Morgan

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17 minutes ago, MarkP said:

Antarctica
FijiFilm GW690III, FujiFilm Pro 400H

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AArgh, I don't need MF GAS again, fortunately Antarctica is not on my doorstep so I couldn't emulate your glorious photos anyway Mark!

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Ouroboros

Ouroboros

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8 minutes ago, MarkP said:

Antarctica
FijiFilm GW690III, FujiFilm Pro 400H

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Very nice! Perfect light to complement and show the colours of the ice.  Looks like an amazing journey! 

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r+m

r+m

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Frankfurt Airport, Germany, photographed from the stands, picture from my father about 19696, Zeiss Ikon Contaflex, Kodacolor X negative-film (i fotografed the negative with my Leica-Elmarit-Apo-R-100 macrolens, conversion to black and white). 

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John Robinson

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Another view of the abandoned gear on what used to be a busy working beach, SE Kent.

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Nikon F2 with Leitaxed Elmarit-R 35 (II) on Kodak ProImage 100.

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christoph_d

christoph_d

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1 hour ago, r+m said:

Frankfurt Airport, Germany, photographed from the stands, picture from my father about 19696, Zeiss Ikon Contaflex, Kodacolor X negative-film (i fotografed the negative with my Leica-Elmarit-Apo-R-100 macrolens, conversion to black and white). 

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25 minutes ago, John Robinson said:

Another view of the abandoned gear on what used to be a busy working beach, SE Kent.

Nikon F2 with Leitaxed Elmarit-R 35 (II) on Kodak ProImage 100.

For both pictures: how times have changed!

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MarkP

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Fitzroy, Melbourne
Australia

R7,  28-90 Vario-Elmarit-R,  Cinestill 800

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