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I like film...(open thread)

Doc Henry

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Suede

Suede

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With the Rencontres at Arles cancelled this year, a handful of galleries privately had some works on show; slim pickings at best. Here is one which flummoxed...    [Silvermax]

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Michael Hiles
Michael Hiles

Bonjour Henri,   I still prefer black and white film (I use almost no colour). The advantages of digital don’t mean much to me. Seeing instant results is not so useful, since what comes out of a cam

Cyril Jayant
Cyril Jayant

This photo is from a series from some of my crazy, extreme photo adventures I  had photographing Mountains "Alpinists " and rock climbers. This is Alpes mountain range which is called   "Le Massive du

helged
helged

On a week-long stay at the Faroe Islands, I took the ferry from Torshavn (the 'capital') to the southernmost island, Suduroy, and looked up potential shooting locations on the island. This image was t

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Wayne

Wayne

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24 minutes ago, Suede said:

With the Rencontres at Arles cancelled this year, a handful of galleries privately had some works on show; slim pickings at best. Here is one which flummoxed...    [Silvermax]

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Nice shot. For some reason, it makes me think of garden gnomes. I like garden gnomes. :)

 

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Wayne

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Suede

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Reflection.    [Tri-X]

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oldwino

oldwino

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Leonard Cohen Fanclub.

M2 / Summer 50 / Delta 400 / Xtol

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oldwino

oldwino

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Winter Light.

M2 / Summar 50 / Delta 400 / Xtol

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oldwino

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Still Life at 12:12pm

M2 / Summar 50 / Delta 400 / Xtol

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Ernest

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Plan View
M-A APO 50 ADOX Color Implosion

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Ernest

Ernest

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21 hours ago, philipus said:

My first association when I saw this was that the pandemic lies like a wet, unpleasantly scratchy, manky and even mangy blanket draped over all the fun that used to be had, which can still occasionally be glimpsed through the grimness.

"All the fun." That's the carnival, the history of it, at least, with a hint of its presence, wedged or smothered by the "mangy blanket of gray" that parades as pandemic. They're only colors, though sometimes the chorus of COVID snarls from the recesses, insisting on its own narrative. They're only colors. I applaud your stagecraft.

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Xícara de Café

Xícara de Café

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Nikon F2, Nikkor-S Auto 50cm 1:1.4, Kodak Portra 160.

 

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stray cat

stray cat

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Girl with a Pearl Earring, Melbourne 1979

Canon AE1, FD 100mm f2.8 SC, Ektachrome 64

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Wayne

Wayne

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1 hour ago, Xícara de Café said:

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Nikon F2, Nikkor-S Auto 50cm 1:1.4, Kodak Portra 160.

 

Like so many of the photos Phil, Klaus, Philipus, and many others, I see this and admire the ability to take a scene and transform it, ideally, into what is needed to present it as Art. To me, it is sort of like visual mysticism......something to strive for; having so little to do with equipment, but with ability. 

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Wayne

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Charles Morgan

Charles Morgan

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Same bulldog, going nowhere this time. Leica M5, Zeiss C Sonnar 50mm f1.5 Tmax400

 

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Bo-Sixten

Bo-Sixten

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Maria. 1980. Dusty old negs revisited. Leica M4, Tri X.

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Bobitybob

Bobitybob

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Dappled ...

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R4, Vario Elmar-R 21-35, Agfa APX 100

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thschm

thschm

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Passau 09/2020

Leica M4, Summaron 3,5/35, Ilford HP5+

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Ouroboros

Ouroboros

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A slab of fossilised sea bed deposited on a millstone grit boulder by a retreating glacier, Peak District.

Fuji GSW690iii

Delta 400

 

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gbealnz

gbealnz

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Same subject, two different films, and views.

903SWC with Portra 160 and (35mm) HP5+

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Ernest

Ernest

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Plan View Excavation
M-A APO 50 ADOX Color Implosion

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fotomas

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M6, 35 CronASPH1, Superpan 200, D-96

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