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I like film...(open thread)

Doc Henry

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Arrow

Arrow

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Tomatoes

Nikon F2,  Nikkor E 100 2.8, TX 400 in Adonal 1:25

Reactivated my F2 with a roll of expired TX today :) The F2 till works fine. The mirror is a bit loud and needs new dampening. 

 

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Michael Hiles
Michael Hiles

Bonjour Henri,   I still prefer black and white film (I use almost no colour). The advantages of digital don’t mean much to me. Seeing instant results is not so useful, since what comes out of a cam

Cyril Jayant
Cyril Jayant

This photo is from a series from some of my crazy, extreme photo adventures I  had photographing Mountains "Alpinists " and rock climbers. This is Alpes mountain range which is called   "Le Massive du

helged
helged

On a week-long stay at the Faroe Islands, I took the ferry from Torshavn (the 'capital') to the southernmost island, Suduroy, and looked up potential shooting locations on the island. This image was t

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AntonioF

AntonioF

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Afternoon light in the kitchen - Leica M6, Summicron 50 V, Ferrania P30

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AntonioF

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16 hours ago, stray cat said:

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taos pueblo, new mexico 2009

R8, 50mm Summicron-R, Fomapan 100, orange filter

This New Mexico series is fantastic!

12 hours ago, christoph_d said:

Zoutkamp view

MP, 4/25VC, Metropolis@100

Great shot. I'm sure other people asked already, how did you like Metropolis? 

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Kl@usW.

Kl@usW.

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vor 23 Stunden schrieb Suede:

Klaus, you just blow the socks off us 35mm guys with a shot like this ! Colour, light, framing... very impressive. Well done.

Thank you Pritam; I payed for this photo  with my blood: the mosquitoes indulged on my hands while I was waiting for the "decisive" moment... in the end the sheep came to me expecting some bread as a reward... nothing comes easy... 😅 

vor 19 Stunden schrieb Wayne:

This is good. Real good. It makes me think there should be a script to go along with it.

Thank you Wayne. I rode by this scenery on my bicycle and just had to stop and take the picture. It is more a feeling, encompassing my memories of my grandfathers farm, where I spent a lot of time as a kid. 

vor 18 Stunden schrieb Ernest:

Criss-cross No. 2
M3 Summicron-M DR Fuji Natura 1600

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Rog, you are  chasing my eyes around this field, trying to have a closer look at the gray spots at the crossings--which of course vanish as soon as I think I got it... So maybe it is not only about photography as Phil suggests, but also about reality and imagination; maybe about windmills in the distance.. 

vor 15 Stunden schrieb stray cat:

Taos Pueblo, New Mexico 2009

R8, 50mm Summicron, Fomapan 100, orange filter and I wish the %$#%^(*& SUV had have waited just a few seconds longer...

Phil, I agree with Antonio --your New Mexico Series is phantastic. For me the %$#%^(*& SUV isn't that bad; it just shows two worlds colliding.....

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Wayne

Wayne

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6 hours ago, Kl@usW. said:

 

Thank you Wayne. I rode by this scenery on my bicycle and just had to stop and take the picture. It is more a feeling, encompassing my memories of my grandfathers farm, where I spent a lot of time as a kid. 

 

Yes. This photo is an event.......shared event. I think that it is on the highest level of photography. While it's texture is unique, it  reminds me of some of Eggleston's work. It makes me want to be there. For fun, I imagine something diabolical with the chickens triangulating the sheep. What could be their intent? :)

Wayne

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John Robinson

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Tri-X Pan, Sydney, 1980.  When the grain of the film merges with the texture of the image...

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christoph_d

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On 9/3/2020 at 10:23 AM, JMF said:

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Ilha Grande by JM__, on Flickr

Ektachrome 100 - Leica CL - 38mm f2.8 Zeiss (former  Contax T lens) 

I like your use of re-purposed lenses. And the Contax T series has always had small jewels of lenses. I am curious to see more of this one. 

 

21 hours ago, AntonioF said:

Afternoon light in the kitchen - Leica M6, Summicron 50 V, Ferrania P30

You used the steep contrast curve of the Ferrania film to good advantage here!

 

21 hours ago, AntonioF said:

This New Mexico series is fantastic!

Great shot. I'm sure other people asked already, how did you like Metropolis? 

It is surely an interesting film. I like some of its image representations a lot, but am still getting used to it's quirks. Red is not strongly represented in its palette, highlights blow in strong contrast situations, you get basically 35 exposures, not 36 and all the films have slight scratches somewhere, so either the emulsion is soft, the cassette faulty, my camera sucks or the development laboratory singles out this film... Still, it's a unique film, so I am not unhappy with it :)

 

8 hours ago, John Robinson said:

Tri-X Pan, Sydney, 1980.  When the grain of the film merges with the texture of the image...

Very nice, where are those gentlemen with hats now?  

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christoph_d

christoph_d

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Groningen meets Metropolis

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MP, 40C, Metropolis@100

 

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Bobitybob

Bobitybob

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Photo Review ...

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Leica AF-C1, Rollei Retro 400S,  Rodinal Stand 1:100

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philipus

philipus

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Klaus, Phil, JM, thank you very much. And Klaus, easy – 1m23s :) 

On 9/2/2020 at 10:39 PM, Kl@usW. said:

Philipus, for me the best of the fun fair series-so far. Aren't those LEDs  an interesting  addition to the joys of fun fair photography... ? Somehow my physics teacher comes to my mind: if the rotation of the wheel is ... .. and  the flicker frequency  of the LED is 100 Hz,  what's the exposure time ? 

 

On 9/3/2020 at 7:04 AM, stray cat said:

This. And we'll get to that 40mm Hasselblad lens a little later, but look at the dynamics of perspective here. We know it's in motion, too, because only a photograph can show in two-dimensional space what occurred over seconds, minutes... days. But it always comes back to the celebration of colour (= FUN) in these amusement park pictures of yours, Philip. Bravo!

 

On 9/3/2020 at 10:20 AM, JMF said:

Wow, real cool shot  Philip !

This is terrific John. wonderful framing.

13 hours ago, John Robinson said:

Tri-X Pan, Sydney, 1980.  When the grain of the film merges with the texture of the image...

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What sublime tones, incredible. 

On 9/3/2020 at 6:47 PM, Arrow said:

Tomatoes

Nikon F2,  Nikkor E 100 2.8, TX 400 in Adonal 1:25

Reactivated my F2 with a roll of expired TX today :) The F2 till works fine. The mirror is a bit loud and needs new dampening. 

 

Mesmerising Rog, mesmerising.

On 9/3/2020 at 4:58 AM, Ernest said:

Criss-cross No. 2
M3 Summicron-M DR Fuji Natura 1600

Very funky sunset. Great way to spice up a cliché.

On 9/3/2020 at 6:49 AM, christoph_d said:

Zoutkamp view

MP, 4/25VC, Metropolis@100

Haha I'd be a rich man if I'd got 100 Eurocents for every time I've taken a shot at the wrong decisive moment :D 

On 9/3/2020 at 7:08 AM, stray cat said:

Taos Pueblo, New Mexico 2009

R8, 50mm Summicron, Fomapan 100, orange filter and I wish the %$#%^(*& SUV had have waited just a few seconds longer...

 

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philipus

philipus

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Sometimes 40mm isn't wide enough :rolleyes:

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Flickr
40 CFE Ektar X1
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Kl@usW.

Kl@usW.

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Am 3.9.2020 um 03:21 schrieb Wayne:

As always, Klaus, you make me think. I am happy to think the cat cannot read: she could become a Stalinist and revolt until she has achieved a camera.....or co-ownership of the Box Tengor.

Best,

Wayne 

Thank you again, Wayne. And about the cat: they have their ways. Wait until Piper makes Comrade Griggs partymember 2 and Griggs claims the point and shoot..... 

vor 37 Minuten schrieb philipus:

Sometimes 40mm isn't wide enough :rolleyes:

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Flickr
40 CFE Ektar X1

Philip, more amazing patterns from the fun fair. Really good. 

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Kl@usW.

Kl@usW.

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Summertime VII

(Somehow yesterdays upload vanished... here we go again: )

 

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HB 205; FE 2/110; Portra 400@200

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fotomas

fotomas

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Zeiss Ikon ZM, Summicron 50, Ferrania P-30, 2-bath homebrew

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Martin B

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Leica M6, CV 21/1.8 with Tiffen red filter, Kodak TMax 100, developed in Rodinal (1:100)

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Wayne

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1 hour ago, fotomas said:

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Zeiss Ikon ZM, Summicron 50, Ferrania P-30, 2-bath homebrew

This is spectacular: 1) unlocking the secrets of processing P30; 2) it is reminiscent of those old East-Bloc posters inspiring the "Comrades" to greater effort in support of the revolution. :)

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rpittal

rpittal

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Attached are glass plates (from J. Lane) that I exposed last year and recently developed.

Devils Den at Gettysburg, PA (4X5 plate)

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and this one is on an 8X10 glass plate from a creek near Kenton, OK

 

 

 

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