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Doc Henry

I like film...(open thread)

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On 2/14/2020 at 8:12 AM, mainzerphoto said:

Daniel here, I have a book out on the Rubber Industry, 1976-1987, with many Leica M-2 photos. Also back in 1972, I ahot an album for Joe Walsh and here is one of the M-2 portraits with a hector collapsable f4. 

 

 

awesome - looks like some great work in that book.  Thanks for sharing!!  Hope to see more!

On 2/14/2020 at 1:53 PM, gbealnz said:

Thank you Philip, it is one I might have a crack at wet-printing at some stage, maybe.

More from the same area.

SL with 50/2 and XP2

 

very cool, Gary.  Lover the POV.  What camera is the SL?

On 2/14/2020 at 5:09 PM, nefarious said:

 

 

 

Worked this time...

 

very nice, esp the first 👌

19 hours ago, Sparkassenkunde said:

Another winter shot from me today:

 

Ricoh GR1 - Tri-X

love it, James.  Extremely surreal. 

18 hours ago, J.Haarmann said:

 

 

 

 

Leica IIIf - Elmar 3,5/50 - APX100 in Rodinal

very good, Joerg!!

6 hours ago, benqui said:

Tmax 3200 (Iso 1600), M4, APO 50, X-Tol (1:1)Negative Lab Pro; now I think that I have found my fav combination with a Macro Adapter on a Apo 90 to convert the negatives into digital images: very pragmatic, fast and I like the results

 

Stunning as usual, Marc.  Great tonal range from that tmax 3200 👌

4 hours ago, gbealnz said:

SL with 50/2, and XP2

 

 

very good, Gary.  How much of that film do you have left?

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1 hour ago, A miller said:

very cool, Gary.  Lover the POV.  What camera is the SL?

very good, Gary.  How much of that film do you have left?

None left Adam, but more in the pipeline for Europe this year.

"SL" is Leicaflex SL, closely related to the Sherman Tank.

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I saw this one on Instagram earlier and felt wow, just wow. And here it's even better. Such a great shot, well done Steve.

On 2/15/2020 at 12:03 AM, sblitz said:

30 Rock, same equipment at above, in fact the same roll of film . . . 

Wonderful, James. You've inspired me to bring black and white film for next week's skiing.

On 2/15/2020 at 6:53 AM, Sparkassenkunde said:

Another winter shot from me today:

Ricoh GR1 - Tri-X

WOW look at those tones. Sublime. I don't know the PMK developer. Is it particularly fine-grained? This looks exceptionally clean and luscious.

On 2/15/2020 at 10:22 AM, Xícara de Café said:

Contax IIa, Carl Zeiss Jena Sonnar 5cm 1:2 collapsible, Ilford FP4+ 125 @ 100, PMK 1:2:100 8" 30' 24ºC.

Very nice with several different layers. I'm sure there's a gentleman in a fedora roaming the shore somewhere down there :D 

On 2/15/2020 at 12:34 PM, S/W said:

View to Manhattan

Leica M7 * Voigtländer VC 1.4/35 * Kodak TriX * Kodak HC 110 * Nikon Coolscan V ED

Very nicely done. I must try that film some time.

On 2/15/2020 at 2:28 PM, frame-it said:

Leica M5 + 50mm Summilux f1.4 ASPH + Lomochrome Metropolis

 

Excellent Marc, really dreamy.

On 2/15/2020 at 7:54 PM, benqui said:

Tmax 3200 (Iso 1600), M4, APO 50, X-Tol (1:1)Negative Lab Pro; now I think that I have found my fav combination with a Macro Adapter on a Apo 90 to convert the negatives into digital images: very pragmatic, fast and I like the results

Wow the summer feels far away as Storm Dennis is battering us here at the moment. This is a nice memory of it, love those tones.

19 hours ago, A miller said:

A memory from the surreal dead sea last summer just before sunrise.  l layered a couple of soft and medium ND grads to try to even out the exposure.   

Ektar, Technorama 617siii, 90mm Super Angulon XL

Haha this made me laugh out loud!

4 hours ago, Sparkassenkunde said:

Keep Freud alive, at least temporarily and by taking a coffee to go...

Ricoh GR1 - Tri-X

Truly wonderful Jörg!

48 minutes ago, J.Haarmann said:

 

 

 

Leica IIIf - Elmar 3,5/50 -TriX in D76

 

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On 2/14/2020 at 9:21 PM, philipus said:

Hi Duncan unfortunately the images are not shown because the links go to the pages and not the images themselves. I had a look and I think both are good. I even prefer the second one over the first

Thanks for taking the effort, Philip. It worked at the 2nd attempt, thankfully. Interestingly, the Instagram community also prefer the 2nd one too but I know that I can go back another day and easily take it again or do better - I think it needs a person in it. In contrast, what I love about the first is the character of the guy crossing the frame - he looks craggy and uncompromising; very evocative of the region. The most rewarding thing about street photography for me is finding strong, interesting characters...

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