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I like film...(open thread)

Doc Henry

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onca

onca

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Pentax Z1p  -  Pentax 100 - 300 mm  -  Agfachrome RSX

Wolf

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Michael Hiles
Michael Hiles

Bonjour Henri,   I still prefer black and white film (I use almost no colour). The advantages of digital don’t mean much to me. Seeing instant results is not so useful, since what comes out of a cam

Cyril Jayant
Cyril Jayant

This photo is from a series from some of my crazy, extreme photo adventures I  had photographing Mountains "Alpinists " and rock climbers. This is Alpes mountain range which is called   "Le Massive du

helged
helged

On a week-long stay at the Faroe Islands, I took the ferry from Torshavn (the 'capital') to the southernmost island, Suduroy, and looked up potential shooting locations on the island. This image was t

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onca

onca

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Pentax Z1p   -   Pentax 28 - 80 mm   -   Agfachrome RSX

France Alsace

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Guest

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Leica M6 - Summicron 2/35 - Ektar100

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Sparkassenkunde

Sparkassenkunde

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Many thanks for the cool new entries on the last couple of pages! It is so wonderful to see this thread in full bloom and my impression is, that the quality of the pictures has reached a level that is hardly to improve. The only real improvement to all the work lies in the real world, imho, meaning an exhibition with some of the best pictures here printed in high quality :) At the moment I am framing some of my black&white prints from NYC, and it is such a joy to have the final result on the wall! When I am done with my monochrome films, I will send some of my color files for printing, although I know, that even my house has its limits in regards of free wall space.

Today I fiddled around with Lightroom again and managed a panoramic shot out of two exposures:

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Ricoh GR1 - Portra 160

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Sparkassenkunde

Sparkassenkunde

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This shop in Chinatown caught my eye as it seems to be specialized in all green vegetables:

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Ricoh GR1 - Portra 160

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Sparkassenkunde

Sparkassenkunde

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There are many people playing different games in the parks around Chinatown, something you wouldn't stumble upon in Germany.

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Ricoh GR1 - Portra 160

 

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oldwino

oldwino

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The Edamane Eater

Leica IIIc / Konishiroku Hexanon 50/1.9 / Kodak UltraMax 400

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christoph_d

christoph_d

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New York is crazy! 😁

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M5, 35, Portra400

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edwardkaraa

edwardkaraa

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FM3A 50/1.2 ai-s Tri-x 400 by edward karaa, on Flickr

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A miller

A miller

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8 hours ago, joergel said:

 

 

Leica M6 - Summicron 2/35 - Ektar100

Love it, Joerg!

55 minutes ago, christoph_d said:

New York is crazy! 😁

 

M5, 35, Portra400

This is fantastic, Christoph.  The woman in the very back completes the set of goings on.

5 hours ago, Sparkassenkunde said:

Many thanks for the cool new entries on the last couple of pages! It is so wonderful to see this thread in full bloom and my impression is, that the quality of the pictures has reached a level that is hardly to improve. The only real improvement to all the work lies in the real world, imho, meaning an exhibition with some of the best pictures here printed in high quality :) At the moment I am framing some of my black&white prints from NYC, and it is such a joy to have the final result on the wall! When I am done with my monochrome films, I will send some of my color files for printing, although I know, that even my house has its limits in regards of free wall space.

Today I fiddled around with Lightroom again and managed a panoramic shot out of two exposures:

 

Ricoh GR1 - Portra 160

love that view.  and also love that it is free (ignoring the "cost:" of having to be in Staten Island :) )

42 minutes ago, edwardkaraa said:

FM3A 50/1.2 ai-s Tri-x 400 by edward karaa, on Flickr

Nice one, Edward.  The easy life :)

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A miller

A miller

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One of my boys from last month at the Dead Sea.  They will make use of anything to exercise their muscles. :)

Portra 400 🤷‍♂️

M3, 50mm Lux

 

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Edited by A miller
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Ernest

Ernest

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1 hour ago, A miller said:

One of my boys from last month at the Dead Sea.  They will make use of anything to exercise their muscles. :)

Portra 400 🤷‍♂️

M3, 50mm Lux

 

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Does this mean to say that there are those who will make use of anything to exercise their M3? And manage to make art out of it?

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Ernest

Ernest

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2 hours ago, christoph_d said:

New York is crazy! 😁

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M5, 35, Portra400

Oh, my, the implied Gaze for only fifty cents, so adroitly composed "to clear vision."

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benqui

benqui

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vor 4 Stunden schrieb A miller:

One of my boys from last month at the Dead Sea.  They will make use of anything to exercise their muscles. :)

Portra 400 🤷‍♂️

M3, 50mm Lux

 

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Ha ha, the same with my boys. And if I try to compete with them, I am sure that they let me win and feel pity (in order not to frustrate the old man = father)

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benqui

benqui

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M4, Apo 50, Tmax 3200 (with ISO 1600)

 

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Ernest

Ernest

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Crescendo Notation I
M-A APO 50 & Summilux-M 50  E100 & Portra 400

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Ernest

Ernest

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Crescendo Notation II
M-A APO 50 & Summilux-M 50  E100 & Portra 400

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Edited by Ernest
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Matisse

Matisse

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Le Grand Trianon, Versailles

Leica RE, Vario Elmar 35-70, TRI-X

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stray cat

stray cat

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1 hour ago, benqui said:

M4, Apo 50, Tmax 3200 (with ISO 1600)

 

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Yet another portrait to join your "top shelf" pictures, Marc. Once again it is your attention to detail - in this case, the way she emerges from the darkness into the light, particularly how the light falls and sculpts her face against the darkness of her hair and reveals the beauty of her womanness.

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Ernest

Ernest

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Chroma Vignette
M-A APO 50  ADOX Color Implosion, Portra 400, E100

Thomas Bewick was an engraver known for the end-grain wood engraving he used in carving vignettes he popularized in the British Romantic period. The vignette style he innovated, an illustration with blurred edges, is significant in that it echoes the indeterminacy of British Romantic fragment poetry, verse that was purposely ambiguous in beginnings and endings. The hallmark of the fragment poem was to prompt the reader to create in the imagination that which was implied or missing. It is interesting to note the parallel with the photograph vignette, as opposed to optical vignetting.

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