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I like film...(open thread)

Doc Henry

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Bobitybob

Bobitybob

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Old as the Hills ...

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Mamiya 645 Pro TL, Kodak Portra 160 (expired, with lots of colour shift so aged in LR)

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Michael Hiles
Michael Hiles

Bonjour Henri,   I still prefer black and white film (I use almost no colour). The advantages of digital don’t mean much to me. Seeing instant results is not so useful, since what comes out of a cam

Cyril Jayant
Cyril Jayant

This photo is from a series from some of my crazy, extreme photo adventures I  had photographing Mountains "Alpinists " and rock climbers. This is Alpes mountain range which is called   "Le Massive du

helged
helged

On a week-long stay at the Faroe Islands, I took the ferry from Torshavn (the 'capital') to the southernmost island, Suduroy, and looked up potential shooting locations on the island. This image was t

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Ernest

Ernest

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Barrier Theatre IX
M-A APO 50  E100
An unexpected palette to grasp the metaphor of barrier theatre.

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Guest

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Leica R4 - acrylc lens - FP4+ in Rodinal

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Kl@usW.

Kl@usW.

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vor 22 Stunden schrieb Ernest:

Yes, Kl@us, I know exactly what you mean--as Albers would call it, the "interaction of color." There are the hard edges that set up harmony, contrast, or conflict. Recently, I had an opportunity to view the Rothko paintings in the Museum of Contemporary Art (MOCA) in LA and experience Rothko's ingenuity of painting very large canvases that minimized the viewer in scale, not in the sense of overwhelming but rather immersing. I found a work, for instance, about fifteen feet in height dominates the field of view when standing about eight feet from the painting. Because there are no hard edges in these Rothko color fields, a sense of perspective is minimized and peripheral vision is dominated by the play of color alone on the canvas. This where a Rothko comes to life--there's a kind of chromatic vibration (or collision) of the colors. The sense of immersion varies with distance from the painting as peripheral vision fixes boundaries of painting. I have contracted a billboard company in Hollywood to reproduce my "Solar Signatures" in a scale of 47' in height. (Drum roll.) Ha, ha, ha--only kidding. And I just thinking of Sunset Boulevard. You see, fantasies like this visit the mind when you look at the work of Larry Sultan & Mike Mandel (Charlotte Cotton), one of the many tip-offs from Phil! (Another drum roll.)

Cheers,
Rog

Thank you Rog for these really interesting and helpful  hints as to  the background of color field phenomena.  "Chromatic vibration" as a term  really hits the nail. This feeling of "vibration" makes the field irresistible-you have to look at it.  The physiology of color vision  really seems weird and hard to come by. Maybe "Art" is the best way to approach and investigate it --as your fields prove.     K. 

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Kl@usW.

Kl@usW.

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vor 12 Stunden schrieb Ouroboros:

The place that time forgot.

Leica MP

28mm summicron asph v1

Fuji Acros 100

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I like this picture-but I wonder, what makes the fascination of decay ? 

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Kl@usW.

Kl@usW.

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HB, F-Distagon 3,5/30/ old fuji CN

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Edited by Kl@usW.
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Ernest

Ernest

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Shifting III
M-A APO 50 ADOX Color Implosion & E100

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stray cat

stray cat

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sunbather, st. kilda 1975

canon TLb, FDn 50mm f1.8, Kodachrome 64

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benqui

benqui

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Am 20.4.2019 um 08:19 schrieb philipus:

I like this one very much, Marc. It is not that I mind lightly dressed pretty women - far from it :D - but here you've added layers and in fact made a character study that pulls us back to the 60s with all that that entails. Is this a movie still from a Cold War thriller, a love story at a critical juncture, or perhaps "simply" a commercial shot? Such environmental story-telling portraits are an avenue I think you should consider pursuing further to see where it goes. Awesome stuff.

Thank you very much Philip! I had the same idea when I saw the photos. It looks almost like a thriller from the 60s where you do not know why she makes a phone call.......I am happy that you like this idea

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A miller

A miller

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5 hours ago, stray cat said:

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sunbather, st. kilda 1975

canon TLb, FDn 50mm f1.8, Kodachrome 64

Very interesting place to catch some rays! An odd scene indeed!

6 hours ago, Ernest said:

Shifting III
M-A APO 50 ADOX Color Implosion & E100

Love these two, Rog. The first for the colors and the second for the colors but also the patterns!

10 hours ago, joergel said:

 

Leica R4 - acrylc lens - FP4+ in Rodinal

Very interesting, Joerg.  Love the effect from the lens!

12 hours ago, Ernest said:

Barrier Theatre IX
M-A APO 50  E100
An unexpected palette to grasp the metaphor of barrier theatre.

 

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A miller

A miller

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Morning light over the East River and Brooklyn.  

Adox Color Implosion

M3, 50 lux

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Guest

Guest

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My favourite past time when I'm not shooting LF
Chamonix 8x10 HP5+ Kowa Graphic 360mm wide open at f9 1/30......I love the way this lens makes the subject pop wide open. Developed in D76 for 7 minutes

 

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On 4/20/2019 at 3:59 AM, Kl@usW. said:

I know, it´s not very original... but when the evening sun lit the the croci, I just had to take the photo.. 

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Hb, 120 Makro, Ektar @ 100

Just love the colours of that

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stray cat

stray cat

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the fourth wall, port phillip bay 2019

M2, 35mm summaron, ilford xp2 super

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Cyril Jayant

Cyril Jayant

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A miller

A miller

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Fedora Man sighting 🙂

portra 400

M-A, 28mm elmarit pre-asph

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