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I like film...(open thread)

Doc Henry

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Sailronin

Sailronin

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Musical cats, Pike's Place Market, Seattle

Rolleiflex 6008 w/80mm Planar on Fuji Acros souped in HC110 B and scanned on Epson V500

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Michael Hiles
Michael Hiles

Bonjour Henri,   I still prefer black and white film (I use almost no colour). The advantages of digital don’t mean much to me. Seeing instant results is not so useful, since what comes out of a cam

Cyril Jayant
Cyril Jayant

This photo is from a series from some of my crazy, extreme photo adventures I  had photographing Mountains "Alpinists " and rock climbers. This is Alpes mountain range which is called   "Le Massive du

helged
helged

On a week-long stay at the Faroe Islands, I took the ferry from Torshavn (the 'capital') to the southernmost island, Suduroy, and looked up potential shooting locations on the island. This image was t

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Sailronin

Sailronin

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Ryan's beer cooler, Alpinthal, WA

Rolleiflex 6008 w/80mm Planar on Kodak Ektar 100

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stray cat

stray cat

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Here Comes the Bride, Algeria 1980

Canon F1, FDn 35mm f2, Kodachrome 25

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gbealnz

gbealnz

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Venice,  Campo Santo-Stefano

503CXi with CF120 Planar

Portra 400

Gary

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gbealnz

gbealnz

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And a quiet back-water not too far away.

Same details as above.

Gary

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mikemgb

mikemgb

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Another of The Thames. M2, Delta 400. 

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Rennrocky

Rennrocky

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Tübingen Baden Württemberg Linhof 612 PCII Portra 160

 

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Sailronin

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Tugs Swan Point and Burt Turecamo in Baltimore Harbor 1999

Mamiya C33 on Ilford FP4

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atournas

atournas

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Chapel on the rocks.

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christoph_d

christoph_d

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Looking for Fedora man...

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M4-P, 135, Ektar

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Kl@usW.

Kl@usW.

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Am 1.4.2019 um 00:10 schrieb benqui:

Thank you very much Klaus for your kind words. The Apo 90 is my favorite lens for indoor portraits. Maybe I was lucky because I do not have (or I do not notice) a focus shift at all. I use several apertures depending on the light and my intention. But with the aperture 2 I have to take care a lot on the position of the head of the model. The eyes should be on the same line, the face directly to me. If the model turns her head a bit, I have one eye sharp and the other not. In some cases, it really does not disturb me, but from the technical point of view, it is not perfect (but who cares). And to get a more dreamy look, I focus on the tip of the nose to get a blurry look for the eyes. Maybe you should go to the Customer Service to get the problem fixed. The Apo 90 is really such a perfect lens for portraits, it would be a pity not to use the full range of possibilities.

Marc, thank you for your help. Got the apo 90 from the shelf today to give it a new try... May be it´s just my insufficient handling of the lens-and more practice will help. If not--Customer service.... 

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Kl@usW.

Kl@usW.

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Am 1.4.2019 um 06:06 schrieb Sailronin:

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The MOPOP (Museum of Popular Culture) a Frank Gehry building in Seattle.

Hasselblad SWC on Fuji Acros 100 souped in HC 110 B

The picture transports the haptic appeal of the surface  perfectly. And-not so easy with the SWC-perfect framing. More of these please. 

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Kl@usW.

Kl@usW.

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Am 1.4.2019 um 14:39 schrieb mikemgb:

It’s been a while since I posted here, I’ve been getting behind on my developing and scanning, I need to make an effort and catch up. 

The Thames, Delta 400, Leica M2. 

 

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this picture smells

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Kl@usW.

Kl@usW.

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vor 15 Stunden schrieb stray cat:

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Here Comes the Bride, Algeria 1980

Canon F1, FDn 35mm f2, Kodachrome 25

now we know, why the entrance to the Grand Hotel is so high...

the light before sunset, the shadows..and the head of the camel leading to the group of people.. from there to the sun-and back to the bride.   Well done. 

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Kl@usW.

Kl@usW.

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Last tree standing

The beeches close to the baltic  sea fight the harsh winter storms for many years--but eventually they have to give in. As long as they stand, they please the photographers eye. 

 

HB, 40 IF, Scala @ 200. 

 

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AntonioF

AntonioF

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Abandoned places on the coast.

Leica IIIc, Elmar 50/3.5, Astrum Foto 400

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20190401-DSC02477 by antoniofedele, on Flickr

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AntonioF

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I received an old A-1 for free. The light seals were completely destroyed and the mirror was not working properly. So I changed the seals and followed a guide to lube the mirror gears (I went cowboy with some WD-40). The camera worked great, but I didn't notice that the lens, a 50/1.8 FD,  had the aperture blades fully stuck! I basically shot the whole roll at 1.8 ... Only the photos in the shades came out decent ... I got rid of the lens, I cannot fix it.

Canon A-1, 50/1.8 FD, Astrum Foto 400

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20190331-DSC02437 by antoniofedele, on Flickr

 

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stray cat

stray cat

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1 hour ago, AntonioF said:

Abandoned places on the coast.

Leica IIIc, Elmar 50/3.5, Astrum Foto 400

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20190401-DSC02477 by antoniofedele, on Flickr

This is wonderful, Antonio - there is a certain sadness to it, a sense of loss. You are very much finding your inner Antonioni with pictures like this.

As for the A1, I encourage you to get another lens for it. The Canon FD lenses are brilliant and the A1 is, to my mind, one of the great cameras of the era. I think you'll have a lot of joy and fun with it.

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