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I like film...(open thread)

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#47161 A miller

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Posted 08 February 2018 - 12:56

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She was playing hard to get.   :)

NYC

IIIg, 28 summaron

HP5 @800

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#47162 S/W

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Posted 08 February 2018 - 16:48

On the way

 

25211653887_ea1da99048_b.jpg

Pentax 67 II * Pentax SMC 4.5/75 * Ilford HP5Plus * Adox FX-39 * 1+9 * 11 Min. * Reflecta MF 5000


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#47163 JMF

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Posted 08 February 2018 - 16:56

39331887874_51ca010417_b.jpg

no Museu do Amanhã by JM__, on Flickr

 

Acros 100 - 15 Heliar - Bessa R


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#47164 JMF

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Posted 08 February 2018 - 17:11

25170539487_93a2f316f6_b.jpg

no Museu do Amanhã by JM__, on Flickr

 

Acros 100 - 15 Heliar - Bessa R


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#47165 philipus

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Posted 08 February 2018 - 22:05

This is amazing Jean-Marc. Such a striking composition which forces the eye to look around for more.

 

 

25170539487_93a2f316f6_b.jpg

no Museu do Amanhã by JM__, on Flickr

 

Acros 100 - 15 Heliar - Bessa R


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philipus.com 
 
Film is Photography.


#47166 philipus

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Posted 08 February 2018 - 22:07

Here's another rock, this time wide open with the 80 Planar.

 

39101458935_f7c8c3a556_b.jpg

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Ektar


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philipus.com 
 
Film is Photography.


#47167 B.Toews

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Posted 08 February 2018 - 22:58

Simply fantastic, Brendan.  Love seeing your photos from around the world.

 

Thanks Adam!  Here's one from Kyoto:

 

M7, Zeiss 50/2 Planar, HP5 @ 800, D76:

 
25285506587_dd40aaf57f_c.jpg

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#47168 A miller

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Posted 09 February 2018 - 01:25

Very nice lines in this one.  I can imagine this road being completely filled with pedestrians on a sunny Sunday afternoon.

 

On the way

 

 

Pentax 67 II * Pentax SMC 4.5/75 * Ilford HP5Plus * Adox FX-39 * 1+9 * 11 Min. * Reflecta MF 5000

 

 

Very nice, Philip.  I think this is my second favorite, with the first being the very first version that you posted.

Here's another rock, this time wide open with the 80 Planar.

 

 

Flickr

Ektar


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#47169 A miller

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Posted 09 February 2018 - 01:29

.


Edited by A miller, 09 February 2018 - 01:39.


#47170 A miller

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Posted 09 February 2018 - 01:30

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Some more New Yorkers with the roll of Portra 160 that I thought was Portra 400 and which I rated at somewhere around 400-640 and developed at 480 (which amounted to a 1.5 stop push, for fear that the negs would be too thin with a full 2 stop push)    :wacko:

One man's lemons is another man's lemonade  :)

IIIg, 28 summaron

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Edited by A miller, 09 February 2018 - 01:42.

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#47171 Nowhereman

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Posted 09 February 2018 - 02:07

Here are two pictures that form a two-page spread of my Paris au rythme de Basquiat and Other Poems book project. The image on the left was taken on Tri-X and the one on the right (a statue in the Louvre) on Agfa Scala. This two-page spread is part of one of the book's nine chapters, called "What's in a Haiku?".

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Edited by Nowhereman, 09 February 2018 - 02:34.

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#47172 Wayne

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Posted 09 February 2018 - 03:06

Best seat in the house: Grandpa's lap.

 

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Kiev II, 50mm f2 Sonnar (Soviet version,) Cinestill 800


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"The beauty of ignorance is that you do not have to consider vagary."

 

Victor Hugo


#47173 S/W

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Posted 09 February 2018 - 08:25

Very nice lines in this one.  I can imagine this road being completely filled with pedestrians on a sunny Sunday afternoon.

 

 

 

 

Thanks Adam, you are right. Especially during the summertime.


Edited by S/W, 09 February 2018 - 08:25.

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#47174 edwardkaraa

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Posted 09 February 2018 - 08:48

Here are two pictures that form a two-page spread of my Paris au rythme de Basquiat and Other Poems book project. The image on the left was taken on Tri-X and the one on the right (a statue in the Louvre) on Agfa Scala. This two-page spread is part of one of the book's nine chapters, called "What's in a Haiku?".


Excellent nude, Mitch. Normally I dislike nude photos as most are vulgar or do not succeed in showing the beauty of the human body (or hiding its ugliness). But yours is very tastefully done.
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#47175 Mark T

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Posted 09 February 2018 - 09:48

Leica M7, Potra 160, ZM C Sonnar 1,5/50

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#47176 Mark T

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Posted 09 February 2018 - 09:49

Same park, same tree, same camera, same film. Different day, different lens.

M7, Portra 160, 50mm Summilux

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#47177 Wayne

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Posted 09 February 2018 - 12:26

Evaluation needed.
 
Please note the marks, reminiscent of film perforations, running across the middle of this photograph. Shot was take with Foca Universal and Oplar 50mm 2.8 lens. Film used was Holga 400. The Foca camera is a bit unique in that the film pressure plate is chromed. IOW, it is so bright that it could be used as a surrogate for a glass mirror. As I view the markings, I have to wonder if they are not the result of light being reflected off of the pressure plate, and back onto the emulsion. The marks do not appear on all other photos taken with this roll of film, but do appear on some....and not always in the same place, but, generally, running somewhat vertically across the image.

 

Any thoughts?

 

Best,

 

Wayne

 

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"The beauty of ignorance is that you do not have to consider vagary."

 

Victor Hugo


#47178 A miller

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Posted 09 February 2018 - 13:20

Evaluation needed.
 
Please note the marks, reminiscent of film perforations, running across the middle of this photograph. Shot was take with Foca Universal and Oplar 50mm 2.8 lens. Film used was Holga 400. The Foca camera is a bit unique in that the film pressure plate is chromed. IOW, it is so bright that it could be used as a surrogate for a glass mirror. As I view the markings, I have to wonder if they are not the result of light being reflected off of the pressure plate, and back onto the emulsion. The marks do not appear on all other photos taken with this roll of film, but do appear on some....and not always in the same place, but, generally, running somewhat vertically across the image.

 

Any thoughts?

 

Best,

 

Wayne

 

attachicon.gifimg479d.JPG

 

you got me stumped, Wayne.  Could they possibly be ghosts hovering over the cemetery ? :)


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#47179 Doc Henry

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Posted 09 February 2018 - 13:54

Evaluation needed.
 
Please note the marks, reminiscent of film perforations, running across the middle of this photograph. Shot was take with Foca Universal and Oplar 50mm 2.8 lens. Film used was Holga 400. The Foca camera is a bit unique in that the film pressure plate is chromed. IOW, it is so bright that it could be used as a surrogate for a glass mirror. As I view the markings, I have to wonder if they are not the result of light being reflected off of the pressure plate, and back onto the emulsion. The marks do not appear on all other photos taken with this roll of film, but do appear on some....and not always in the same place, but, generally, running somewhat vertically across the image.

 

Any thoughts?

 

Best,

 

Wayne

 

attachicon.gifimg479d.JPG

 

Wayne for me you have some rectangular shadows in the middle

I think you'll not have these shadows after the revision in Foca expert hands.

 

Very nice black and white tone in this picture

I'll test your two Holga rolls you offer me soon . Thank you again

Best

Henry


Edited by Doc Henry, 09 February 2018 - 13:56.

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#47180 Doc Henry

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Posted 09 February 2018 - 14:01

Leicaflex SL-Summicron 50-Kodak Portra 160 (dev Tetenal)

Nikon Coolscan 5000

 

It's snowy here too

Feb 2018

 

 

Attached File  Image12neigekp40lxslrlhvn+++1000.jpg   304.21KB   9 downloads

 

Best

Henry


Edited by Doc Henry, 09 February 2018 - 14:02.

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