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I like film...(open thread)

Doc Henry

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A miller

A miller

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She was playing hard to get.   :)


NYC


IIIg, 28 summaron


HP5 @800


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Michael Hiles
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Bonjour Henri,   I still prefer black and white film (I use almost no colour). The advantages of digital don’t mean much to me. Seeing instant results is not so useful, since what comes out of a cam

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A miller

A miller

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Very nice lines in this one.  I can imagine this road being completely filled with pedestrians on a sunny Sunday afternoon.

 

On the way

 

 

Pentax 67 II * Pentax SMC 4.5/75 * Ilford HP5Plus * Adox FX-39 * 1+9 * 11 Min. * Reflecta MF 5000

 

 

Very nice, Philip.  I think this is my second favorite, with the first being the very first version that you posted.

Here's another rock, this time wide open with the 80 Planar.

 

 

Flickr

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A miller

A miller

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Some more New Yorkers with the roll of Portra 160 that I thought was Portra 400 and which I rated at somewhere around 400-640 and developed at 480 (which amounted to a 1.5 stop push, for fear that the negs would be too thin with a full 2 stop push)    :wacko:


One man's lemons is another man's lemonade  :)


IIIg, 28 summaron

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Guest Nowhereman

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Here are two pictures that form a two-page spread of my Paris au rythme de Basquiat and Other Poems book project. The image on the left was taken on Tri-X and the one on the right (a statue in the Louvre) on Agfa Scala. This two-page spread is part of one of the book's nine chapters, called "What's in a Haiku?".

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Wayne

Wayne

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Best seat in the house: Grandpa's lap.

 

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Kiev II, 50mm f2 Sonnar (Soviet version,) Cinestill 800

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S/W

S/W

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Very nice lines in this one.  I can imagine this road being completely filled with pedestrians on a sunny Sunday afternoon.

 

 

 

 

Thanks Adam, you are right. Especially during the summertime.

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edwardkaraa

edwardkaraa

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Here are two pictures that form a two-page spread of my Paris au rythme de Basquiat and Other Poems book project. The image on the left was taken on Tri-X and the one on the right (a statue in the Louvre) on Agfa Scala. This two-page spread is part of one of the book's nine chapters, called "What's in a Haiku?".

Excellent nude, Mitch. Normally I dislike nude photos as most are vulgar or do not succeed in showing the beauty of the human body (or hiding its ugliness). But yours is very tastefully done.

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Mark T

Mark T

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Leica M7, Potra 160, ZM C Sonnar 1,5/50

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Mark T

Mark T

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Same park, same tree, same camera, same film. Different day, different lens.

M7, Portra 160, 50mm Summilux

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Wayne

Wayne

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Evaluation needed.
 
Please note the marks, reminiscent of film perforations, running across the middle of this photograph. Shot was take with Foca Universal and Oplar 50mm 2.8 lens. Film used was Holga 400. The Foca camera is a bit unique in that the film pressure plate is chromed. IOW, it is so bright that it could be used as a surrogate for a glass mirror. As I view the markings, I have to wonder if they are not the result of light being reflected off of the pressure plate, and back onto the emulsion. The marks do not appear on all other photos taken with this roll of film, but do appear on some....and not always in the same place, but, generally, running somewhat vertically across the image.

 

Any thoughts?

 

Best,

 

Wayne

 

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A miller

A miller

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Evaluation needed.

 

Please note the marks, reminiscent of film perforations, running across the middle of this photograph. Shot was take with Foca Universal and Oplar 50mm 2.8 lens. Film used was Holga 400. The Foca camera is a bit unique in that the film pressure plate is chromed. IOW, it is so bright that it could be used as a surrogate for a glass mirror. As I view the markings, I have to wonder if they are not the result of light being reflected off of the pressure plate, and back onto the emulsion. The marks do not appear on all other photos taken with this roll of film, but do appear on some....and not always in the same place, but, generally, running somewhat vertically across the image.

 

Any thoughts?

 

Best,

 

Wayne

 

attachicon.gifimg479d.JPG

 

you got me stumped, Wayne.  Could they possibly be ghosts hovering over the cemetery ? :)

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Doc Henry

Doc Henry

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Evaluation needed.

 

Please note the marks, reminiscent of film perforations, running across the middle of this photograph. Shot was take with Foca Universal and Oplar 50mm 2.8 lens. Film used was Holga 400. The Foca camera is a bit unique in that the film pressure plate is chromed. IOW, it is so bright that it could be used as a surrogate for a glass mirror. As I view the markings, I have to wonder if they are not the result of light being reflected off of the pressure plate, and back onto the emulsion. The marks do not appear on all other photos taken with this roll of film, but do appear on some....and not always in the same place, but, generally, running somewhat vertically across the image.

 

Any thoughts?

 

Best,

 

Wayne

 

attachicon.gifimg479d.JPG

 

Wayne for me you have some rectangular shadows in the middle

I think you'll not have these shadows after the revision in Foca expert hands.

 

Very nice black and white tone in this picture

I'll test your two Holga rolls you offer me soon . Thank you again

Best

Henry

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Doc Henry

Doc Henry

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Leicaflex SL-Summicron 50-Kodak Portra 160 (dev Tetenal)

Nikon Coolscan 5000

 

It's snowy here too

Feb 2018

 

 

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Best

Henry

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