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I like film...(open thread)


Doc Henry

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vor 2 Stunden schrieb A miller:

Thanks, Joerg.  I dedicate this photo to the flu symptoms that pretty much my entire family are experiencing right now.  Oy!  I am headed back to that drugstore right now, as a matter of fact.  Perhaps I'll bring my camera! :)

I hope your family gets well soon. Nevertheless I'm looking forward to the next drugstore photos :)

Regards Joerg

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🐌 💤"wake up and come on guys" move a little faster, please 🐌 ....

Blad 203Fe - 80mm - Tri-X

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Edited by Cyril Jayant
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9 hours ago, philipus said:

One thing I've noticed with many of your constructions is the shadows which add an extra dimension (together with the various textures) and affect how the fields interact with each other. I like Albers' works but I like the three-dimensional 2D character, if there is such a thing, of your constructions more.

Thanks for astutely noticing the shadow effect, adding depth to the color field shots. I am not always lucky enough to find the material, but it does counter the inherent flatness of the color field, even though there can be texture or traces of weathering. I suppose it's a kind of abstract realism that way. What intrigues me are Albers's demonstrations of the illusion of color transparency. I can only imagine how invigorating his teaching must have been at Black Mountain and watching Rauschenberg and others as a bonus. Reminds me of Phil's experience working with Mary Ellen Mark on location.

Here's another color field study; I just couldn't resist toying with the abstract quality of the vents and a meter box (I guess) on the side of a building. Six images.

Vent No. 12
M-A APO 50mm ADOX Color Implosion

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Edited by Ernest
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I am not one to know fashion, but for some reason I though:....Versace. 

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Minox B, Agaf Copex Rapid, 50 ISO

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1 hour ago, Cyril Jayant said:

Thanks, Earnest 😀 Thank you for your kind comments. I am deeply touched as I am never close to The grandmaster J Henry Lartigue. But I confess I have a lot of influence over him and if ever I can imitate and bring any of those into any of my work I am very proud. I wish I could one day. By the way, the corner cut was unavoidable as this shot was merely a Clichee- ( click ) that I did as it was a fast-moving wheel and I was hand holding the camera. This photo is in so many ways " a one -in- a- million winner photo". Not a compositional photo. I call it a lucky photo.

Lucky photo? I guess HCB would be one of the luckiest guys on the planet--right place, right time, right click. I think it has more to do with the right eye for the moment. Your composition of the riders on the whirling swing has such a great 3D effect. Bravo!

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Found this gritty image of the " Center-Ville  de Paris, île de France "

Paris on an overcast day.

M6- 35mm asp Summicron - Tri-X 400.

 

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One from 2007, Jessops (remember them) ISO 200

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Plaubel Makina 67, Ilford Delta 400 pushed to 800

 

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Doorway to the Lost Terraces. Dyrham Park (NT).  M7, 50mm Summilux-M ASPH, HP5Plus, Rodinal.

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Raspberry Night
M-A APO 50mm E100

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3 minutes ago, Ernest said:

Raspberry Night
M-A APO 50mm E100

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Now you have me standing on my head, Rog. Beautiful as it is.  Another POV would be to flip this baby vertically and have the effect of the image being dipped in a pool, almost like one of those images that show part of the frame below water and part above 🙂

i’m on drug store meds so don’t mind me if that makes no sense!

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Book Almost Red
M-A APO 50mm E100

Wow, Adam, taking a dip in the Raspberry Night aqua waters of the mind at sunset. Love it.  I must have been thinking of the Red Sea, you see, quite literally, not the vibrant aquamarine and cerulean blue you have captured so deliciously.

Here's a horizontal construct, playing with the Albers transparency in the metaphor of a book.

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20 minutes ago, Ernest said:

Book Almost Red
M-A APO 50mm E100

Wow, Adam, taking a dip in the Raspberry Night aqua waters of the mind at sunset. Love it.  I must have been thinking of the Red Sea, you see, quite literally, not the vibrant aquamarine and cerulean blue you have captured so deliciously.

Here's a horizontal construct, playing with the Albers transparency in the metaphor of a book.

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Very interesting, Rog.  My immediate reaction is a 120 film scanner, but then many other interpretations come to mind as well :)

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7 hours ago, Ernest said:

Raspberry Night
M-A APO 50mm E100

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Now this is interesting Rog. It looks a bit like a upside down colour negative of the sky and a grass field with a mysterious alien space ship hanging in the middle, or is it HAL gone Cubist?

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Night club entrance, Tbilisi

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Flickr
40 Distagon Ektar X1
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14 hours ago, Cyril Jayant said:

Amazing Doc Henry. First one is very surrealist architecture, 😊  

 

Thank you Cyril   . Avoriaz was a place of fantastic film festival  in the 90's as you already know 

11 hours ago, benqui said:

Plaubel Makina 67, Ilford Delta 400 pushed to 800

 

 

 

Superb Marc I really like this variation of light and shadow ... and in addition the lady model is beautiful

11 hours ago, Cyril Jayant said:

Luxembourg Garden Paris.

m6-35mm asp Sumicron -Tri-x 400 

Cyril good variation in light and shadow

52 minutes ago, philipus said:

Night club entrance, Tbilisi


Flickr
40 Distagon Ektar X1

Philip it's a bank  ? it does not give confidence for a nightclub 

Nice color of Kodak Ektar

Best H

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