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I like film...(open thread)

Doc Henry

By Doc Henry
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Michael Hiles
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Bonjour Henri,   I still prefer black and white film (I use almost no colour). The advantages of digital don’t mean much to me. Seeing instant results is not so useful, since what comes out of a cam

Cyril Jayant
Cyril Jayant

This photo is from a series from some of my crazy, extreme photo adventures I  had photographing Mountains "Alpinists " and rock climbers. This is Alpes mountain range which is called   "Le Massive du

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On a week-long stay at the Faroe Islands, I took the ferry from Torshavn (the 'capital') to the southernmost island, Suduroy, and looked up potential shooting locations on the island. This image was t

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A miller

A miller

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Thanks, Rog! You've inspired me to pop open more of my Adox!

Super-amped with your ADOX blurs and your OOF skylines/bridges; totally rattling the Richter scale. Composition of London Tube is dialed in with the little sign upper left, main focus looking left, closest blurred figure adding perspective dimension, swoosh tube horizontal contrasted with the stationary tube advertising for ". . . from the Director of Dark Knight. . . ." I'm hearing SFX, but I suppose that's circus in the head. Applause, applause. Throw some more OOF on the table, the roulette wheel is spinning.

 

CORRECTION:
My bad: Bollard Red and Plum Viridian Diptych are ADOX, BUT I double-checked and Bollard Cadmium Yellow is that really tamed ADOX beast that goes by PORTRA 400!

 

Rog

 

Great colors, Gary.

As a distraction from the Implosions here, I'm back to Cinque Terre.

Monterosso

R6 wirth 35 and 50 Summicron

Portra 400

Plustek 8100

Gary

 

Very nice, Phil.  I'm getting the summer bug just looking at your photos.  Now I just need some summer! :)

I seem to like "torture testing" my little Canon ltm 50mm lens by constantly shooting it into the sun. Objectively it doesn't really handle it all that well, but then there's the visceral judgement:

 

 

 

Tootgarook 2018

M6TTL, Canon ltm 50mm f1.4, Agfa Vista 400

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Sharif

Sharif

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Jesse Davis, Jazzkeller Frankfurt, 2015

 

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Leica M2, Summicron 50, Trix 400@1600

 

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philipus

philipus

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I suspect I'm not alone in having a few ongoing (since years), never-likely-to-be-completed, "projects". Reflections and contrail compositions are some of mine, as you've probably guessed from past posts, but another is what I call Whoosh! which is about those cool lines that one gets from longer exposures of moving things. They look almost but not quite like Saturn's rings. Here is one I just scanned shot in London's Underground in November, a nice coincidence with Adam's good Tube shot earlier.

 

40943488810_2c5bc4deac_b.jpg

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FM3A 55 Micro Ektar X1

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philipus

philipus

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Well I think that lens is holding up very very well. Visceral is the word here, kite surfing must be gut-wrenchingly cool, now added to my to do list.

br

Philip

 

I seem to like "torture testing" my little Canon ltm 50mm lens by constantly shooting it into the sun. Objectively it doesn't really handle it all that well, but then there's the visceral judgement:

 

p2917958761-5.jpg

 

Tootgarook 2018

M6TTL, Canon ltm 50mm f1.4, Agfa Vista 400

 

 

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Ouroboros

Ouroboros

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The most absurd town I have ever visited!

 

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Holiday on Wyk


(Föhr, Northsea, Germany)


 


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Pentax 67 II * Pentax SMC 2.4/105 * Kodak NC 160 (10 years expired) * Reflecta MF 5000


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Venice


(Italy)


 


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Plaubel Makina 67 * Nikkor 2.8/80 * Adox CHS 100 II * Adox Adonal 1+50 * Reflecta MF 5000


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Venice/Murano

(Italy)

 

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Plaubel Makina 67 * Nikkor 2.8/80 * Adox CHS 100 II * Adox Adonal 1+50 * Reflecta MF 5000

 

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gbealnz

gbealnz

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I seem to like "torture testing" my little Canon ltm 50mm lens by constantly shooting it into the sun. Objectively it doesn't really handle it all that well, but then there's the visceral judgement:

 

Tootgarook 2018

M6TTL, Canon ltm 50mm f1.4, Agfa Vista 400

I think it holds up pretty well to be honest Phil. Both shots.

Gary

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