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I like film...(open thread)

Doc Henry

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Ernest

Ernest

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Slider
M-A APO 50 E100

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Michael Hiles
Michael Hiles

Bonjour Henri,   I still prefer black and white film (I use almost no colour). The advantages of digital don’t mean much to me. Seeing instant results is not so useful, since what comes out of a cam

Cyril Jayant
Cyril Jayant

This photo is from a series from some of my crazy, extreme photo adventures I  had photographing Mountains "Alpinists " and rock climbers. This is Alpes mountain range which is called   "Le Massive du

helged
helged

On a week-long stay at the Faroe Islands, I took the ferry from Torshavn (the 'capital') to the southernmost island, Suduroy, and looked up potential shooting locations on the island. This image was t

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benqui

benqui

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Leica M-A, Apo 50, Ilford Delta 400

 

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Ernest

Ernest

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Colorado Lagoon Stories No. 5
M-A APO 50 ADOX Color Implosion

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Suede

Suede

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Blue to the brim.   [ProImage 100]

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bags27

bags27

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2 Poles (but not Central Europeans). M4P M35 f/1.4 FLE. HP5 in HC110

 

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stray cat

stray cat

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10 hours ago, jonnyboy said:

Contax G2 with 90mm on expired KodakColor200

 

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...and here was I thinking Saul Leiter had departed this mortal coil. Astounding work jonnyboy and a striking homage to the master.

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Ernest

Ernest

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1 hour ago, stray cat said:

Just a thought... taking just the images from this page - from Slider to 2 Poles it strikes me that the sequence could comprise part of the storyboard to a newly discovered Hitchcock masterpiece. Is it just me?

We'll tap Bernard Hermann for the film score, and that will lock in the suspense/fright factor. Forgive the notes of the macabre, but do I detect dried blood on the track of Slider?

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Ernest

Ernest

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Playing off Phil's theme, here's that "fenced-in feeling" inspired by Lee Friedlander's recent Steidl publication, Chain Link (2017).

Colorado Lagoon Chain Link No. 2
M-A APO 50 ADOX Color Implosion

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bags27

bags27

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sort of on the same theme M4-P 50 Lux ASPH. HP5+ in HC110 B formula

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Bo-Sixten

Bo-Sixten

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Dusty old negs revisited. " In times of isolation" 1980, M4, Tri X.

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stray cat

stray cat

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3 hours ago, bags27 said:

sort of on the same theme M4-P 50 Lux ASPH. HP5+ in HC110 B formula

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Yes! Perfect, Ken. Kind of the perfect transitional shot between the girl on the spiral staircase to that foreboding, body-harboring lake. To quote Elvis Costello: "She's filing her nails while they're dragging the lake". Dammit but now I want to shoehorn in the polar bear somehow, too...

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christoph_d

christoph_d

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8 hours ago, stray cat said:

Just a thought... taking just the images from this page - from Slider to 2 Poles it strikes me that the sequence could comprise part of the storyboard to a newly discovered Hitchcock masterpiece. Is it just me?

Wouldn't there also be a scene in that film whereby the protagonist is fleeing in panic across the deserted landscape? Here's my quadruple take of that part... (from the viewpoint of the protagonist I might add)

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Contax S2, Tokina2,8/24, ProImage100

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stray cat

stray cat

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...and for all those of youse who fought I's just prattin' abaht wiv me camera in 'and whilst in merry olde london towne, 'ere's proof what I sought kultcha and went to the featre wiv all them other polite types:

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"wot! no pyjamas!" 'aymarket featre, lahndon 1980

F1, 100mm, Kodachrome 64

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John Robinson

John Robinson

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Majesty in Harrogate, Yorkshire.

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Leica M6, Summicron 2/5 (iii), Kodak T400CN, C41 min-lab process, Nikon Coolscan 5000ED, a touch of Keystone adjustment in Capture 0ne.

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stray cat

stray cat

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9 minutes ago, christoph_d said:

Wouldn't there also be a scene in that film whereby the protagonist is fleeing in panic across the deserted landscape? Here's my quadruple take of that part... (from the viewpoint of the protagonist I might add)

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Contax S2, Tokina2,8/24, ProImage100

A definite inclusion into our newly-discovered and restored Hitchcock masterpiece! The long shot wherein perhaps he's suggesting some kind of dishevelled or disoriented  mind... Exquisite colours though!

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Bateleur

Bateleur

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28 minutes ago, stray cat said:

...and for all those of youse who fought I's just prattin' abaht wiv me camera in 'and whilst in merry olde london towne, 'ere's proof what I sought kultcha and went to the featre wiv all them other polite types:

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"wot! no pyjamas!" 'aymarket featre, lahndon 1980

F1, 100mm, Kodachrome 64

Them were the days!

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Bateleur

Bateleur

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14 hours ago, benqui said:

Leica M-A, Apo 50, Ilford Delta 400

 

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There is a surreal feeling to this lovely photo and if it were not for the interruption at the top of the flight I would tumble down.

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