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I like film...(open thread)

Doc Henry

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les toits de Paris by JM__, on Flickr

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la roue des Tuileries by JM__, on Flickr

Lomography Washi X 400 C41 - Bessa R2S - 35 Nikkor 1.8 S NKJ.

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Michael Hiles
Michael Hiles

Bonjour Henri,   I still prefer black and white film (I use almost no colour). The advantages of digital don’t mean much to me. Seeing instant results is not so useful, since what comes out of a cam

Cyril Jayant
Cyril Jayant

This photo is from a series from some of my crazy, extreme photo adventures I  had photographing Mountains "Alpinists " and rock climbers. This is Alpes mountain range which is called   "Le Massive du

helged
helged

On a week-long stay at the Faroe Islands, I took the ferry from Torshavn (the 'capital') to the southernmost island, Suduroy, and looked up potential shooting locations on the island. This image was t

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A Luta Yanomami - Claudia Andujar by JM__, on Flickr

A Luta Yanomami - Claudia Andujar by JM__, on Flickr

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https://ims.com.br/en/unidade/ims-rio/

Tri-X - Leica R9 - 35 Summilux

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Wayne

Wayne

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Blessing the pets. Goldfish

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IIIA, 28 Summaron, HP5

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A miller

A miller

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18 hours ago, mikeamosau said:

One more from the XPAN... this camera really got me back into film. It took me from full digital, to almost totally film now with 3 more cameras! Ah well!!

Shot in Malibu, CA with the Fuji TX-1 45mm on Kodak Portra 400.

 

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Fantastic, Mike.  The colors are great.

7 hours ago, Ernest said:

This one's "no bull," and I see  you now have two FedoraMan shadow bodyguards in tow. Ha, ha.

He he, yes that is my entourage, trying (obviously not hard enough) not to photo bombs me :)

4 hours ago, atournas said:

Fake news.

 

Great one, Paul 👌

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A miller

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🕵️‍♂️

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Au Cap Sicié by JM__, on Flickr

Provia 100 - M6 Classic 0.85 - 35 Summilux Steel Rim

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Ernest

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Happenstance
M-A APO 50 & Rolleiflex 2.8F  Rollei Redbird
 

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sblitz

sblitz

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Rio Ektachrome .... different angle from pic I posted a while back

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sblitz

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London between Bank and Canon St Station. St Stephen Walbrook Church and the new London skyline.....Leica M4 Tri-x

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Calin

Calin

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"Honey, can look out the window and see if the engine is working?"

- Hmmmmmm....

Ektacrome(-2)

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Ernest

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Disaster Deconstruction
M-A APO 50 E100 & Rollei Redbird

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Ernest

Ernest

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6 minutes ago, stray cat said:

Rog - I want to "like" this a few hundred times, but I'm not able. This is wonderful - this is categorically chaotic class!

Well, I was trying to break the Tyranny of the Rectangle, but what did I end up with but a bunch of rectangles. The deconstruction is giving me a headache, so I think I’m going to get horizontal. The Poetry of Perspective. Yes, it’s actually the title of one of my books.  I finally found my paperback copy of Windows and Mirrors.  Thanks so much for getting Szarkowski  back on my radar.  You are such an  encyclopedia, always managing to come up with vital theory and practice. It’s all in the timing, isn’t it?

 Cheers, Rog 🎬

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stray cat

stray cat

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Apparently it IS all in the timing, just as IT (whatever that may be) is in the mind of the creative force dealing with a particular set of stimuli. With Disaster Deconstruction, Zone VI, 18% and the others you've trained those illuminated Leica frame lines in a unique and idiosyncratic way onto all sorts of irresistible color field pandemonium. This is so fascinating to witness. You've taken pure theory and energized it with a wild kinetic upheaval. I'm sure Szarkowsky would have the words.

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Rennrocky

Rennrocky

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Berlin Leica M7 Kodak 200 C40

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Sparkassenkunde

Sparkassenkunde

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2 hours ago, stray cat said:

Rog - I want to "like" this a few hundred times, but I'm not able. This is wonderful - this is categorically chaotic class!

In contradiction to your point of view I do not see anything chaotic in here. Rather than chaos I see a clockwork, although I can't make out the way it works, already. Probably because of the straight lines I see a strong order and my mind is trying to find the mechanism behind, that moves the different parts. Wonderful work it is! 

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hillavoider

hillavoider

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looking 

ultramax 400

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philipus

philipus

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This is wonderful Andy. The multitude of layers of, and I'm searching for the word - is it "tender" perhaps?, tones is just superb. I also really like how the tree stands out as if it had been artificially lit. Truly great work.

On 9/28/2019 at 7:23 PM, adan said:

Milepost 210, Aspens and the Gore Range, Dillon, CO.

Mamiya 6 50mm Sekor G, TMax 400, HC-110B

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Haha this made me smile. I love little details like this. And that painting there adds a really poetic touch too. In fact, the whole image, with its straight vertical and horizontal lines, and the woman being framed, or caught, is just pure poetry. Then there's that other interpretation too, of a human being stuck in the structure of society etc etc. Just great. 

On 9/28/2019 at 11:24 PM, atournas said:

Intense look.

Au contraire! I love it Adam, excellent stuff. And, I like the metallic sheen of the water too :)

On 9/29/2019 at 3:35 PM, A miller said:

I went back to this new favorite spot two Sunday's ago to see if I could get the entire Manhattan Bridge in my frame.  

I had to walk over a little to the right and sacrifice including the Freedom Tower, and

-I wish I had a tiny bit more headroom, and -

James won't be happy b/c he sees left to right and this composition is right to left, and

-Philip won't like the hot spots from the long exposure.

BUT,

I do like those magic hours before sunrise and there are a lot of elements to enjoy 💙

Ektar, Technorama 617siii, 90mm Schnieder Super Angulon XL (with center filter)

 

 

 

Haha, wonderful. I'm sure there's a flamingo lurking there somewhere too :)

On 9/29/2019 at 4:41 PM, Suede said:

Pink...   [Kodak Pro Image 100]

Hahaha well done Rog! That corner is definitely large enough for lots of similarly myopic photographers :D 

On 9/30/2019 at 5:56 AM, Ernest said:

First Thing
M-A APO 50 E100
Trying to get into that "blur" market that Philip has cornered.

This is great. And reminds me of my general surprise whenever I see a couple where the lady is all beautifully put together and made up while the gentleman is in jeans and t-shirt, or a hoodie, or well you get the idea.

On 9/30/2019 at 2:41 PM, jona_gold said:

Elegance. MP, 2/35 (IV), TMax 2000, XTol

 

Superb photo.

On 9/30/2019 at 4:32 PM, dkmoore said:

Lonely jump shot - MP + 28 Cron

This is a really intriguing photo. 

On 9/30/2019 at 8:15 PM, atournas said:

Offstage.

Wonderful, welcome back :)

On 10/2/2019 at 7:26 AM, mikeamosau said:

One more from the XPAN... this camera really got me back into film. It took me from full digital, to almost totally film now with 3 more cameras! Ah well!!

Shot in Malibu, CA with the Fuji TX-1 45mm on Kodak Portra 400.

 

I really like this one Pritam. 

14 hours ago, Suede said:

Urban mendicancy, another angle.

This is awesome Rog, just a visual onslaught that boggles the mind.

3 hours ago, Ernest said:

Disaster Deconstruction
M-A APO 50 E100 & Rollei Redbird

 

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Xícara de Café

Xícara de Café

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Nikon F2 Photomic, Nikkor-S Auto 50mm 1:1.4, Kodak Tri-X 400 @ 400, PMK 1:2:100 13' 24º.

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philipus

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Da Moon

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Flickr
203FE 350/4 Tele-Tessar FE+2XE+Mutar 2x+1.4 PC Mutar Kodak Portra 400 X1. Oh and two tripods :rolleyes: And it still didn't become very sharp, sigh.
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