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I like film...(open thread)


Doc Henry

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Capsules. FE2 with Micro-Nikkor 55/2.8. [Silvermax 100]

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vor 19 Stunden schrieb philipus:

Simply brilliant and brilliantly simple!

 

vor 19 Stunden schrieb gbealnz:

Well said.

Gary

Thanks a lot, gentlemen :)

 

vor 16 Stunden schrieb A miller:

Thanks, Joerg.  You make me laugh.  I can just see how the dialogue would go down:

Him - "Hey, what the f$ck did you just do that for, man?"

Me - "It's my gift to you, you ungrateful piece of sh$t!"

Him - "Go f$ck yourself!"

Me - "What's with you, calm down!  You looked really cool and interesting!  You're gonna thank me later!!!!!"

Him - "F$ck you!"

😭😭😭

Adam,

you made my day. You know the New York people better than I will ever do. Probably you might shoot with a "Leica Sofort" to show the very kind people their gift instantly ;)

vor 16 Stunden schrieb A miller:

 

Philip indeed said it best.  It's the most wonderful image of two pipes that I have ever laid my eyes on.  It's piping brilliant!

🤦‍♂️

 

 

:)

Regards Joerg

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Leica R4 - acrylic lens - PanF in Microphen

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3 hours ago, joergel said:

 

Leica R4 - acrylic lens - PanF in Microphen

Very nice shot. Makes me think about Agfa Click II. I think PanF is next up when the Portra 16 is exposed.

 

Best,

 

Wayne

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vor 12 Minuten schrieb Wayne:

Very nice shot. Makes me think about Agfa Click II. I think PanF is next up when the Portra 16 is exposed.

 

Best,

 

Wayne

Thank you Wayne,

I tried out the PanF this summer and spring with Microphen and Perceptol. For me developing in Microphen brings the better results.

Regards Joerg

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B&W conversion of UltraMax 400, M6 35 f/2

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Contax Nx, 24-85 @? Ektar 100

Halifax Fort

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Minox C, Portra 400

 

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Green Light OPQR

M-A Macro-Elmar-M & Nikon F2 Micro-Nikkor 55mm
ADOX Color Implosion

Indulging myself with a film end, paper bag, and some letters. Where's my Starbucks? Thar she  blows!

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Framing

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Minox C, Svema 32

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It is a joy in life to have good friends who are carpenters. "G" and "J".........Or at least their complete essence.

@ Adam: Hoosiers. No time in front of mirror.

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Minox C, Svema 32

Edited by Wayne
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18 hours ago, Fotoklaus said:

M4-2, Elmarit 2,8/21, Tmax 400, D76 1:1

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I keep coming back to this one. It's delightful in its use of the vertical and diagonal lines and those tones are just sublime. And then the person and the roundish shapes which contrast against and somehow exist in this rigid-looking space. I can't really put it in words but it's a terrific picture that could well be a movie frame telling a story of its own.

16 hours ago, joergel said:

 

Leica R4 - acrylic lens - PanF in Microphen

Now this is really cool, I love the dreamy result. What is an acrylic lens?

2 hours ago, stray cat said:

We have at home a framed darkroom print I made of this at the time, which I've always liked. I'd never attempted to scan it before but I decided to today. It took a while to find the negative, then it needed a wash, but here it is. My observation is that, while it is possible for a reasonable wet printer and an OK photoshopper to get something that looks pretty similar (keeping in mind that the 4000dpi TIF looks much better than this compressed jpeg), the wet print wins every time. Sure I can eke more tones and shadow/highlight detail out of the negative in photoshop, but the "feel" of the print just can't be emulated digitally:

Tidal River 2000

Nikon N8008s, AF-Nikkor 80-200 f2.8 IF-ED, Agfapan 25

Stunning Phil, really brilliant, from the composition to the light to the tones. It must look amazing on the wall. I know what you mean, there's a dimensionality to wet prints that adds a certain I don't know what to them. Printing is truly an art in itself. Mind you it's possible to obtain really fantastic inkjet prints these days at the push of a button. I'm currently experimenting with various papers for my Canon Pro-1000 and get pretty decent results. But the analog photographer in me wishes I had more space at home for a proper darkroom but I need to buy a bigger house for that...

 

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