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I like film...(open thread)

Doc Henry

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Ernest

Ernest

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Five-color Corner

M-A APO-Summicron-M 50mm LHSA ADOX Color Implosion

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Michael Hiles
Michael Hiles

Bonjour Henri,   I still prefer black and white film (I use almost no colour). The advantages of digital don’t mean much to me. Seeing instant results is not so useful, since what comes out of a cam

Cyril Jayant
Cyril Jayant

This photo is from a series from some of my crazy, extreme photo adventures I  had photographing Mountains "Alpinists " and rock climbers. This is Alpes mountain range which is called   "Le Massive du

helged
helged

On a week-long stay at the Faroe Islands, I took the ferry from Torshavn (the 'capital') to the southernmost island, Suduroy, and looked up potential shooting locations on the island. This image was t

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Ernest

Ernest

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Elevator Polar Bear Triptych

M-A APO-Summicron-M 50mm LHSA ADOX Color Implosion

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Ouroboros

Ouroboros

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Warwickshire.  One of those quiet Sunday afternoons in late winter as the day begins to shut down and only the blackbirds are calling before darkness takes over.

 

Leica MP

35mm summicron asph

Heliopan 22

Fuji Acros 100 in RO9

 

 

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Ernest

Ernest

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This one and the two recent triptychs are excellent Rog. This five-colour corner almost looks like a coat of arms in some way.

Thanks, Philip. I really appreciate your observation; yes, I think it does look something like a coat of arms with those particular colors. This was near the entrance to my local grocery store, so it was my “box of chocolates“— you never know what you are going to get.

 

I have been having fun with the triptych studies. This last one, “Elevator Polar Bear Triptych“, is fanciful because it features a red elevator door many would not guess is an elevator door, but if you read the title first, your perception is changed from simply looking at it as a color value. It calls up my favorite line from Dostoyevsky about trying to not think of a white polar bear, and yet, that’s all you end up thinking about.

 

BTW the cache of your abstracts on your website is awesome. And the lion portraits are something to roar about, certainly.

 

Cheers,

Rog

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Sharif

Sharif

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Agfa Optima 1035, Trix 400@400 in Ilford Ilfotec LC29

 

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Sharif

Sharif

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Agfa Optima 1035, Trix 400@400 in Ilford Ilfotec LC29

 

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Sharif

Sharif

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Agfa Optima 1035, Kodak Trix 400@400 in Ilford Ilfotec LC29

 

Frankfurt Street Fighters

 

Sharif

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Ramesh

Ramesh

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Sydney Opera House - Circa 2006

 

Agfa Scala - Monochrome Slide Film, Shot at 400, Hasselblad, 80mm Planar

 

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Ramesh

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AntonioF

AntonioF

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Wife taking a photo with the M3, in the cloister of the church of Santa Caterina in Galatina. When I finish and develop (who knows when) the color roll in M3, I'll find out what she actually shot ...

The M3 always looks good! :)

 

M6, Summicron 35 asph, HP5

42656839845_060efb916d_b.jpg

20180722-DSC00616 by antoniofedele, on Flickr

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frame-it

frame-it

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Leica M5 + 50mm Summilux f1.4 ASPH + Kodak Portra 160
 

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Wayne

Wayne

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Minox AX, Delta 100

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Wayne

Wayne

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Agfa Super Silette, Solagon 50/2, Superia 100 expired.

 

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Sparkassenkunde

Sparkassenkunde

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Unfortunately I could post #lightleak photos for days. My Rollei Prego micron produces them on a regular basis, I showed some results in this thread in the past. This is a typical example:

 

 

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These faults can be annoying, but sometimes I tend to like them, esp. when I have a roll with a repeated pattern - like a trademark. A film that is prone to light leaks is Cinestill 800. I often find them on this material, although I put the rolls in the cameras in subdued light.

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