Sparkassenkunde Posted March 14, 2018 Share #48461 Posted March 14, 2018 Advertisement (gone after registration) Fully agreed, James. Lovely colors and the blossoms are rendered beautifully by the cron. Wow, lovely colours James. Well done. I've shot Precisa too and find it a fantastic film that is also great value for the money. This is truly fantastic James. We had frozen canals here in town too which meant the Dutch, who have also been deprived of frozen canals a great many years, flooded to any frozen piece of water they could find. My family and I just went and had snowball fights on the ice on the canals in our neighbourhood. Luckily there were no ice breakers to be seen. That's really a crime given how rare these things are. Wow, really great colors in this one, James. Thank you all for your feedback. My experiences with the Precisa are always satisfying. I guess my stock (that cost me 2,50 € per roll) comes from Fuji, though I don't exactly know, which film it might be exactly. The imprints on the film edges say : R100-059. New friend...from another planet... A bit eccentric for my taste, but nice outfit and colors Another stellar picture for your upcoming exhibitions... Here another shot from the Precisa roll: Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 11 Quote Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3480640'>More sharing options...
Advertisement Posted March 14, 2018 Posted March 14, 2018 Hi Sparkassenkunde, Take a look here I like film...(open thread). I'm sure you'll find what you were looking for!
lookbook Posted March 14, 2018 Share #48462 Posted March 14, 2018 nAkt canon f1 f1.2/55mm asph. - trix d76 18 Quote Link to post Share on other sites More sharing options...
Guest JMF Posted March 14, 2018 Share #48463 Posted March 14, 2018 Parque, Vedado, La Habana by JM__, on Flickr Acros 100 - SWC - from the roll shot with the funky hood :-) Quote Link to post Share on other sites More sharing options...
Sparkassenkunde Posted March 14, 2018 Share #48464 Posted March 14, 2018 A tree in full bloom: Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! M3 - Cron 50 DR - Agfa CT 100 Precisa 16 Quote Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! M3 - Cron 50 DR - Agfa CT 100 Precisa ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3480716'>More sharing options...
Steve Ricoh Posted March 14, 2018 Share #48465 Posted March 14, 2018 nAkt canon f1 f1.2/55mm asph. - trix d76 What happened here? 2 Quote Link to post Share on other sites More sharing options...
Sparkassenkunde Posted March 14, 2018 Share #48466 Posted March 14, 2018 To make Adam feel slightly better, here a Cinestill 800 sample with traces of schmootz: Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Minilux 18 Quote Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! Minilux ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3480719'>More sharing options...
Sparkassenkunde Posted March 14, 2018 Share #48467 Posted March 14, 2018 Advertisement (gone after registration) What happened here? I think he ran out of film... 2 Quote Link to post Share on other sites More sharing options...
Guest JMF Posted March 14, 2018 Share #48468 Posted March 14, 2018 Bain de lumière by JM__, on Flickr Velvia 50 - M3 - 50 Summicron Quote Link to post Share on other sites More sharing options...
Steve Ricoh Posted March 14, 2018 Share #48469 Posted March 14, 2018 Bain de lumière by JM__, on Flickr Velvia 50 - M3 - 50 Summicron Call me weird but I like this effect (what happened J-M ?) 1 Quote Link to post Share on other sites More sharing options...
Popular Post helged Posted March 14, 2018 Popular Post Share #48470 Posted March 14, 2018 On a week-long stay at the Faroe Islands, I took the ferry from Torshavn (the 'capital') to the southernmost island, Suduroy, and looked up potential shooting locations on the island. This image was taken a little before the sun was setting in the ocean, with wind from the west (left). With the uplift of the humid air at the cliffs, fog and clouds drifted over the island. A quite typical situation for the islands; the ocean can be more or less cloud free, but the islands are generally covered in clouds. I think the locals talk about less than a handful days without clouds in a typical year. I finished the shooting around mid night, without any bed for the night (I can be quite unorganised, particularly when drifting around with a camera...). But I stopped at a small 'hotel' in a village not far from the scene, hoping for a roof for the night. The doors were locked, so I was standing outside, knocking on the doors I could see. After quite some time, the owner showed up. It's safe to say he was more than skeptical to welcome guests after midnight. After some conversation - and with the room paid upfront - he agreed to let me in. After 16+ hours shooting, it felt wonderful to recover from fatigue... Mamiya 7, 80mm, Fuji Provia 100F. Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 80 Quote Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3480753'>More sharing options...
gbealnz Posted March 14, 2018 Share #48471 Posted March 14, 2018 Beautiful shot H, and all the better for the narrative accompanying it. Gary 8 Quote Link to post Share on other sites More sharing options...
Guest JMF Posted March 14, 2018 Share #48472 Posted March 14, 2018 Call me weird but I like this effect (what happened J-M ?) I can't recall, probably opened the camera to check which film was loaded ! Quote Link to post Share on other sites More sharing options...
Guest JMF Posted March 14, 2018 Share #48473 Posted March 14, 2018 Beautiful shot H, and all the better for the narrative accompanying it. Gary +1 ! Worth a night out on a magical part of the world ! Quote Link to post Share on other sites More sharing options...
DirkR440 Posted March 14, 2018 Share #48474 Posted March 14, 2018 one more from London: London by Dirk Raffel, auf Flickr 12 Quote Link to post Share on other sites More sharing options...
EoinC Posted March 14, 2018 Share #48475 Posted March 14, 2018 Another big gap between visits, but I thought I'd slip in some more velocipedes... (EOS 1V HS w/ Otus 55 - Tri-X) A001 by Eoin Christie, on Flickr A002 by Eoin Christie, on Flickr A003 by Eoin Christie, on Flickr 17 Quote Link to post Share on other sites More sharing options...
Adrian Lord Posted March 14, 2018 Share #48476 Posted March 14, 2018 On a week-long stay at the Faroe Islands, I took the ferry from Torshavn (the 'capital') to the southernmost island, Suduroy, and looked up potential shooting locations on the island. This image was taken a little before the sun was setting in the ocean, with wind from the west (left). With the uplift of the humid air at the cliffs, fog and clouds drifted over the island. A quite typical situation for the islands; the ocean can be more or less cloud free, but the islands are generally covered in clouds. I think the locals talk about less than a handful days without clouds in a typical year. I finished the shooting around mid night, without any bed for the night (I can be quite unorganised, particularly when drifting around with a camera...). But I stopped at a small 'hotel' in a village not far from the scene, hoping for a roof for the night. The doors were locked, so I was standing outside, knocking on the doors I could see. After quite some time, the owner showed up. It's safe to say he was more than skeptical to welcome guests after midnight. After some conversation - and with the room paid upfront - he agreed to let me in. After 16+ hours shooting, it felt wonderful to recover from fatigue... Mamiya 7, 80mm, Fuji Provia 100F. Absolutely magnificent. And like others have remarked, the narrative really grips too. 2 Quote Link to post Share on other sites More sharing options...
stray cat Posted March 14, 2018 Share #48477 Posted March 14, 2018 nAkt canon f1 f1.2/55mm asph. - trix d76 Bain de lumière by JM__, on Flickr Velvia 50 - M3 - 50 Summicron Another thing - a glorious thing - about film is the chance of "happy accidents". These are perfect examples. They would be excellent pictures without the accidents, and I'm sure the initial reaction of both lookbook and Jean-Marc was less than enthusiastic when they first saw the incursion of light onto these pictures. Yet the random end-(or is it beginning?)-of-roll light and Jean-Marc's light leak happen to have come at aesthetically pleasing spots. They both become pictures where the incursion of light adds a touch of frailty which reminds us that film photography is an imperfect thing, and that in its imperfection lies much of its allure. These are the antithesis of digital photography where everything is precise, clinical, binary. These are essentially imperfect - and in their imperfection lies something we can humanly relate to. Plus, in the example of these two excellent pictures, they are both beautiful. On a week-long stay at the Faroe Islands, I took the ferry from Torshavn (the 'capital') to the southernmost island, Suduroy, and looked up potential shooting locations on the island. This image was taken a little before the sun was setting in the ocean, with wind from the west (left). With the uplift of the humid air at the cliffs, fog and clouds drifted over the island. A quite typical situation for the islands; the ocean can be more or less cloud free, but the islands are generally covered in clouds. I think the locals talk about less than a handful days without clouds in a typical year. I finished the shooting around mid night, without any bed for the night (I can be quite unorganised, particularly when drifting around with a camera...). But I stopped at a small 'hotel' in a village not far from the scene, hoping for a roof for the night. The doors were locked, so I was standing outside, knocking on the doors I could see. After quite some time, the owner showed up. It's safe to say he was more than skeptical to welcome guests after midnight. After some conversation - and with the room paid upfront - he agreed to let me in. After 16+ hours shooting, it felt wonderful to recover from fatigue... Mamiya 7, 80mm, Fuji Provia 100F. helged, I don't think I could ever tire of reading your wonderful descriptions of what it took to make these brilliant pictures. And the pictures, like this incredible one, more than adequately reward the spirit of adventure that has led to their creation. I hope that one day you will publish it all - pictures and stories - in book form. Such a book would be a treasure. Thanks, Phil. You have an imagination like mine Although I'm not quite as articulate Adam, it is at the same time very flattering and quite scary that we may share a similar vivid imagination! But your pictures do so often invite a closer look - there is more often than not something going on which lies deep beyond the surface appearance of the picture. Like the photograph of yours I have proudly hanging on my wall, that I am looking at right now - not a day goes by that I don't marvel at that incredible blizzard picture. I hope I don't bore people when I talk about pictures here sometimes, or sound like a pompous git (I'm not). I use google a lot and I find it helps me to understand more clearly about my visceral reaction to pictures. 9 Quote Link to post Share on other sites More sharing options...
gbealnz Posted March 14, 2018 Share #48478 Posted March 14, 2018 Some agriculture with the half-frame. Pen FT 38mm Delta 100 R09 @ 1:50 Plustek 8100 Gary Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 13 Quote Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3480855'>More sharing options...
lookbook Posted March 14, 2018 Share #48479 Posted March 14, 2018 What happened here? .. the magic of the first photo 3 Quote Link to post Share on other sites More sharing options...
A miller Posted March 14, 2018 Share #48480 Posted March 14, 2018 What lovely grain! nAkt canon f1 f1.2/55mm asph. - trix d76 Oooh, James. That sucks! It is such a magnificent photo, too!! I really feel for you. To make Adam feel slightly better, here a Cinestill 800 sample with traces of schmootz: Bild-1-196.jpg Minilux Absolutely stunning, H. Your destinations are much to be desired! On a week-long stay at the Faroe Islands, I took the ferry from Torshavn (the 'capital') to the southernmost island, Suduroy, and looked up potential shooting locations on the island. This image was taken a little before the sun was setting in the ocean, with wind from the west (left). With the uplift of the humid air at the cliffs, fog and clouds drifted over the island. A quite typical situation for the islands; the ocean can be more or less cloud free, but the islands are generally covered in clouds. I think the locals talk about less than a handful days without clouds in a typical year. I finished the shooting around mid night, without any bed for the night (I can be quite unorganised, particularly when drifting around with a camera...). But I stopped at a small 'hotel' in a village not far from the scene, hoping for a roof for the night. The doors were locked, so I was standing outside, knocking on the doors I could see. After quite some time, the owner showed up. It's safe to say he was more than skeptical to welcome guests after midnight. After some conversation - and with the room paid upfront - he agreed to let me in. After 16+ hours shooting, it felt wonderful to recover from fatigue... Mamiya 7, 80mm, Fuji Provia 100F. Great stuff, Eoin! Love that Tri-X!! Another big gap between visits, but I thought I'd slip in some more velocipedes... (EOS 1V HS w/ Otus 55 - Tri-X) Sincere thanks, Phil. Your contributions here form a key part of the heart and soul of this thread. You are very thought-provoking and inspiring - and, of course, a true film ambassador. Another thing - a glorious thing - about film is the chance of "happy accidents". These are perfect examples. They would be excellent pictures without the accidents, and I'm sure the initial reaction of both lookbook and Jean-Marc was less than enthusiastic when they first saw the incursion of light onto these pictures. Yet the random end-(or is it beginning?)-of-roll light and Jean-Marc's light leak happen to have come at aesthetically pleasing spots. They both become pictures where the incursion of light adds a touch of frailty which reminds us that film photography is an imperfect thing, and that in its imperfection lies much of its allure. These are the antithesis of digital photography where everything is precise, clinical, binary. These are essentially imperfect - and in their imperfection lies something we can humanly relate to. Plus, in the example of these two excellent pictures, they are both beautiful. helged, I don't think I could ever tire of reading your wonderful descriptions of what it took to make these brilliant pictures. And the pictures, like this incredible one, more than adequately reward the spirit of adventure that has led to their creation. I hope that one day you will publish it all - pictures and stories - in book form. Such a book would be a treasure. Adam, it is at the same time very flattering and quite scary that we may share a similar vivid imagination! But your pictures do so often invite a closer look - there is more often than not something going on which lies deep beyond the surface appearance of the picture. Like the photograph of yours I have proudly hanging on my wall, that I am looking at right now - not a day goes by that I don't marvel at that incredible blizzard picture. I hope I don't bore people when I talk about pictures here sometimes, or sound like a pompous git (I'm not). I use google a lot and I find it helps me to understand more clearly about my visceral reaction to pictures. This first one is actually quite funny. A stand off that you don't want to get between Some agriculture with the half-frame. Pen FT 38mm Delta 100 R09 @ 1:50 Plustek 8100 Gary 4 Quote Link to post Share on other sites More sharing options...
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