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excellent B&Ws, wow.

Here is one of a cactus tree stalk...

SWC

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Edited by A miller
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Please forgive the woeful detritus on the slides, and the wildly ranging colours, but I'm just digitising as I find them at the moment.

More Kimberleys and sailing for Dave, and some 1980' haircuts for J (Ektachrome 64, Kowa 6)...

 

Gosh, your daughter is really going to enjoy that old Kowa mate.

Gary

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Back to some 35mm for a while.

Rollei 3003.

Ektachrome

Gary

 

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And some poppies for the Doc.

Gary

 

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A 11 years expired Tmax 3200, 1600 ASA, M6, 35CronASPH, Kodak D-96

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This one :

http://www.l-camera-forum.com/topic/265236-elmar-portrait/

the same as you posted  above in film ? :)

Fin, suggestion that you had even mentioned above :)

Rg

Henry

first one.  Sony a7ii with 90mm Elmar f4 bw

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second one.  Sony a7ii with 90mm Elmar f4

 

third one.  Sony a7ii with 90mm Elmar f4.  added yellow.  subtracted magenta.

 

These were taken in winter (March 2016).

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What is the other picture you wanted to compare to?

fourth one.  Leica IIIf with Portra 400 scanned.  I'm not sure which lens, but I think it's 50mm Summicron collapsible.

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This was in summer (August 2016).  Although it's the same model and same location, the season has something to do with the look of the image, as in summer there was more bounce light from a white wall, a brown fence, and a green tree.

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Not sure what the desired effect is here finarphin, they all look good to me.

Yes, I know the Doc will see otherwise, but I am a firm believer in whatever you like, just do it.

The Sony is a nice sensor, whether you "get" digital or not, and Portra is a fine film.

Differing lenses, and season/time doesn't help as well, but as I said, I'd be happy with any/all of them.

Gary

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Sometimes Fuji Velvia 50 as Adam uses currently has also nice color

In fact all color films have beautiful colors , each new film is a new sensor :)

 

 

Italian Alpes

Fuji Velvia 50

MP-90 A Cron Asph

 

attachicon.gifImage7alpeskodacfeclfhtrl+++-Mod2rl-1000tc.jpg

 

Henry

I know where this is -- been there.  Taken from the Aiguille du Midi, toward the Grandes Jorasses and Dent du Geant.  Nice shot.

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Thanks, Henry, Gary and Marc, for playing along.  The first is the velvia 50 and the second is Ektar.  I like the airy feel of the Ektar better but I like the reds in the velvia better...

Adam I will say the first is Velvia :)

Henry

 

 

Second one for me Adam, no real reason, perhaps "just not as pastely".

Gary

 

 

The second for me, I like the way shadows are being rendered.  I think the first has a tad more contrast, eg.the tree in the upper right of the frame.

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We ARE nit-picking though, educational as it is, but like the series finarphin posted above, I've yet to see a shot that isn't very worthy.

Great to compare though, and beneficial from a "what film works" point of view. All good information.

Gary

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Here's a cactus with sabris fruit cluster of a different variety....

Like a palm of a hand that one would not want to kiss :)

Velvia 50 (pushed 1/2 stop b/c to salvage inadvertent underexposure)

SWC

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Edited by A miller
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