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Lens choices for Hong Kong, Venice and Italy


leicafan!

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I would take Jaap's recommendation, and get the Zeiss 21, or the SEM 21.

 

For such trips, I would take 21-28-50-90. I would expect the 28 to live on my camera, with the 50 in my pocket. I would hate not to have a wide and short tele available. Venice can be tight, and a wide increases your options. If you only want 3 lenses, and you're a wide kind of person, drop the 90.

 

It's also worth considering character - you Summiluxes have similar rendering. Would you want to add a Mandler lens, or older?

That is my set too and I find this perfect. The 28 is on 40% of the time.

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This is why threads like these can be so misleading for the poor OP. I don't even own an M-mount 28mm anymore. We all see the world differently and cannot truly advise another what is best for them - we can only state what is best for us. My preferred focal length is 50mm or equivalent. I find 35mm useful and 28mm windy. I have a 15mm CV that probably gets used once every 18 months or so - but that's just me...;)

 

Regards,

 

Bill

 

Sent from another Galaxy

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Guest Duane Pandorf

Well I got along just fine in my every other week travels with just one lens, 50mm. It's the only one I owned ;). Too many choices in the bag can have you thinking too much about what lens to put on rather than concentrating on capturing the moment!

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Guest borge

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Well I got along just fine in my every other week travels with just one lens, 50mm. It's the only one I owned ;). Too many choices in the bag can have you thinking too much about what lens to put on rather than concentrating on capturing the moment!

 

Very true.

That is usually why I decide in the morning which lens to use for that entire day, and only bring the camera with the one lens with me. It makes you focus.

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I suggest you get a omd em5 with a 12 mm then you'll have

wide angle if you need it.

Able to shoot at high iso

Able to shoot your 50 as a 100mm

Take videos

Use the 35 as a 70 mm

Use the omd in the rain

Hell it's the best combo for cheap money and you will come back with fantastic images

The tilt screen on the omd opens up a new type of shooting in the street.

I would put one of the leica lenses on the m9 and one on the omd and shove the 12 mm in your jeans with a couple of ND s and your set to shoot for the day and night .

 

Good Fun

regards

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What about this as a 90? Leica Elmarit-M 90mm f/2.8 http://www.reddotcameras.co.uk/product_info.php?cPath=34_36&products_id=6094

 

I love my 90/2.8. Although many omit the also superb Macro 90/4 which you can use for closeups with its attachment down to 20 inches if desired. Say you take the boats and then want a very close shot of the ropes or colored poles or whatever, this lens can work for that too. Also very good for shop windows. Excellent rendition. Modern design so to speak.

 

But many use it as normal 90. It weighs the least of any 90 except the Tele-Elmarit even though it is shorter than the TE 90. When collapsed it's no higher than a 50/2.0 and nearly a half inch shorter than the 50/1.4 and weighs much less. It comes with a tiny 90 degree VF which I find very helpful from time to time, uses Leica eye pieces and can be used with any lens. It is so small I often take it and protect it during travel with a semi-hard LensBaby case. If you want a pocket 90 this is the ideal one.

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Our family is traveling to Venice, Florence and Rome this summer. If I receive my M (240) which will be my first rangefinder, I'm considering only taking the 35/1.4 and leaving the 21/3.4 and 50/2 at home. I'll have the RX100 for flash, auto-focus and 29-105 focal length as a backup.

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On a trip like Venice, or for that matter anywhere, using just one lens, say W/A, there is a risk of all your images 'merging' or 'morphing' into one solid conglomerate.

Think, why do movie makers vary their focal lengths. (Ready for my close-up Mr De Mille!) Switch to the short tele. ;)

 

John, I would leave the 50/2 in your travel kit. It takes no space at all.

Happy travels. Venice is fabulous, despite the tourists.

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  • 6 months later...

When I am travelling to cities such as Tokyo, New York, Lyon, Stockholm and in a couple of weeks Hong Kong I am bringing my kit which is my 50mm cron, 21mm Elmarit and 90mm Elmarit. I have use for all of them. The split normally looks like this when I get home and check Lightroom:

- 50mm, 65%

- 21mm, 25%

- 90mm, max 10%

 

But I would not like to go without my 90mm (it is very light so it does not bother me) because there are very good occasions for street photography where I want to go close. Also for architecture going close is really good from time to time if you want to isolate (of course you could crop from a 50mm).

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90 of some sort and/or 25 Zeiss for cost.

h

15 is almost 90 deg horizontal and specialized. That is I can stand in one corner of a room and get it all in.

 

The more you crry, the more you feel like a pack horse and you do not necessarily get more.better pictures. Travel pics are chancy at best because the light is usually wrong and you can not come back later. Good planning can help here.

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Cant remember if I posted in this thread before butmy opinion is lenses for anywhere is such a personal thing external advice is usually way off! Currently I am sitting in Singapore airport returning from Germany, Chech Republic and Italy, principally Venice. Even my own advice to mysekf proved erronious as I discovered a style for the moment I had not suspected. This totally altered my usual MO.

Because I took the whlole kit there were no hiccups. I still covered what I discoved. I am talking a major shift here. Boardinf call, gotta go. Lucky travelling to you.

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