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Puts weighs in on the 50 APO Summicron Parts #1 & #2


Jeff S

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I want that lens

 

I need a whisky.

 

 

 

DONT tell the wife. Just say "this old lens honey I have had this for a long time" :) A long time can ge a day a week or a month....!

 

No, you must say, "Darling, I've decided to sell my favourite 50mm and settle for this old thing. This way I can release some equity to buy you that dress you like".

 

Back of the net!

 

Pete

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For him to call the APO-Summicron-Asph is quite meaningful. And having used it for the past month, to my less sagacious eye, I tend to agree.

 

Sorry, missed the omission last night when posted. For him to call the APO "flawless"... Well, I don't recall him calling anything flawless before. "The performance of the lens is flawless."

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Guest Duane Pandorf
If you buy the lens, the wife problem will take care of itself :).

 

I about choked on my "whiskey"! Mine still doesn't know about the 90 Elmarit yet. Soon a 28 Elmarit is going to show up. I could not hide that new 50 though! :eek:

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Isn't it "uisge" in gaelic? To the best of my knowledge meaning "water".

 

Uisce beatha means 'Water of Life' and this is where the word 'whiskey' comes from. It is an anglicised version of the word 'uisce' to whiskey.

 

Here is a link that explains it better than I could:

 

https://en.wikipedia.org/wiki/Uisce_beatha

 

And I would be delighted to extol the virtues of whiskey over whisky with a glass or two or three...

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If the history of film's spectral sensitivity is anything to go by surely he is wrong in his penultimate paragraph by claiming film is "relatively insensitive to blue light". Early (19th century) films were only sensitive to blue light. Dying the silver halide crystals extended the spectral sensitivity to yellow (orthocrhromatic) and eventually to red (panchromatic), but the silver halides always retained their sensitivity to blue light. This sensitivity is the reason very dark red filters were used for monochrome infra-red photography,

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Distagon 1.4/55mm with Eos or Nikon-mount.

 

The prototypes seem to perform extremely well, now the supplier has to manufacture it according to it's specification (which is apparantly easier due to it's size and number of elements) - their own production is swamped with Cine-lens orders.

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What I read is the Zeiss 1.4/55 lens is a better performer than the new Leica 50 2.0 lens; by a lot. I didn't know that. It's just that the Zeiss 1.4/55 is a monster compared to the new Leica 50 20.

 

I wonder how much difference there is in the weight between the two?

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I wonder how much difference there is in the weight between the two?

 

can't find the weight of the Distagon (probably not published yet?), but it will probably weight more than a M9 with APO-cron 50 + 2 other lens set. :D

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