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Puts weighs in on the 50 APO Summicron Parts #1 & #2


Jeff S

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I find Puts's abbreviations of lens names quite silly. It's not like he's saving ink or anything.

 

Still he's interesting to read (and even I, being fairly pedantic when it comes to language, have learnt to ignore his numerous spelling mistakes and odd formulations (though it irritates me that he misspelt whisky)).

 

I also would have wanted to see a comparison with the 50 Summilux Asph. And I would have wanted to see some results of the lens used on film.

 

But I must disagree with his final paragraph - anyone who wants sub-f2 ability will have to settle "for less".

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... though it irritates me that he misspelt whisky ...

Uh. That's just a symptom for the quality of the whole article. There's so much nonsense interspersed everywhere. Of course I do wholeheartedly agree with his overall assessment of this lens. He says, "when looking at the Apo-Summicron-M 50 mm Asph pictures with a sagacious and disciplined gaze, the pure clarity of the overall image and the crisp rendition of fine detail, even in the near-unsharp areas, are stunning and provide a dimensionality and life-like rendition that is unequalled." This is exactly what I said about this lens more than half a year ago.

 

But his confused statements about specific aberrations, curvature of field and lens elements, and "critical requirements" seriously make me wonder how this man was able to earn a reputation as an expert. He does know a lot, no doubt about that—but then there also are several things he obviously has only fuzzy ideas of. His weird mixture of insight and confusion is pretty hard to digest ... just like "Scotch whiskey" :rolleyes:

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