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Zeiss 25mm F2.8 {merged}


pragmatist

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I am looking to buy this lens for my M9. Can anyone confirm this is a good lens? The couple of reviews i have read seem very positive.

 

Yes, I have one.

 

Very nice lens, well made, good ergonomics, very sharp with low distortion. I find it to have a somewhat somewhat uncoloured and sterile/clinical rendering.

I don't like it's rendering as much as the 1.5/50 ZM C-Sonnar or the 4.5/21 ZM C-Sonnar.

 

I can't compare it to the 24mm Leicas which I've never used.

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I am looking to buy this lens for my M9. Can anyone confirm this is a good lens? The couple of reviews i have read seem very positive.

 

I love mine, had it on an M8 and kept it for my M9. I don't use an accessory finder, just use the whole viewfinder and know I have some excess on the edges.

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That lens was a fixture on my M8 for 3/4 of the shots I took with it. I found it TOO wide when I went to the M9. I guess I was used to 35mm and then going to a FF sensor, it went way wide. YMMV....

 

As far as build quality...especially for the money...you can't beat it.

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Highly recommended.

 

I do not code this lens nor use any in camera corrections. Zeiss recommends the 24/2.8 asph and 28/2.8 asph but I found the corrections too strong, especially the 24. I rarely get significant color shifts with no correction, and when I do, I just crop them out.

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See the attachement.

 

This lens is sharp and sweet. But there is one problem for me. Its wide angle distortion.

This problem is not unique to this lens, I believe any 24mm~25mm would be the same if not worse.

 

For my taste, there is not much difference in angle coverage compared to 28mm. But I would choose a much narrower lens, the 35mm, next time.

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I can't see any distortion in the above shot. There is some keystoning, but you can cure by holding the camera levelled.

 

i am very surprise you can not see it. look at the chapel in the left. it is tilted to the right in a angle about 15 degree.

 

no, leveling can not help. this is the perspective problem. you can not avoid it with a lens this wide. only the perspective control lens or post-processing can cure it.

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A photoshop fix.

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A photoshop fix.

It is a nice job. However, the post processing does not work most of the time. with leica m, the people are the main objects, usually. it is particular for travel, when the buildings in my examples accompany with the people, you cant apply the ps post proseccing. doing so will severely distorted the people after fixing the buildings.

 

the ppost processing for perspective fix is a good tool for pure architecture shots, not for any people shots. that is why i switch to 35mm, -- even 28mm is too wide.

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It is a nice job. However, the post processing does not work most of the time. with leica m, the people are the main objects, usually. it is particular for travel, when the buildings in my examples accompany with the people, you cant apply the ps post proseccing. doing so will severely distorted the people after fixing the buildings.

 

the ppost processing for perspective fix is a good tool for pure architecture shots, not for any people shots. that is why i switch to 35mm, -- even 28mm is too wide.

 

That "fix" only took a few seconds. The problem is not in the lens. It is the angle of the camera. The building would not be distorted if you shot from a higher perspective with the camera leveled. I use 4x5 with a lens rise and bag bellows for this type of work. You can do the same (more or less) with a tilt/shift lens.

 

Some of the Super-wide Linhofs and the Technika (my other favorite German camera) have built-in bubble levels, as does my Toyo monorail. And I have several carpenter's levels in my studio as well as tracking lines taped onto the floor. It is far easier to get the shot right than fix it in Photoshop.

 

I agree with you on 25 being too wide. 35 is perfect on a M9 (2, 4, 5, 6, and 7). 28 is too hard to see and if you're going to go to 24/25, you might as well go with a 21.

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