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semrich

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Larry and John, thank you both for your taking the time to comment.

 

John, the area in Istanbul where this was taken has empty and crumbling buildings side by side with buildings not much better where families are living. The scene is gritty and it was shot with an M3, Summilux 50/1.4 ASPH, Tmax 400 at 400 developed in DD-X 1+4, PP in Aperture and Silver Efex Pro 2 just for tones and edge burning.

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Richard, I like the content. I'm not fond of TmaX 400 for street work, unless I'm using my Hasselblads. The film is too flat for me in 35mm format. The grain has nowhere to breath. I much prefer TriX 400 for the grain, particularly for the street. Just my opinion regarding the films. I'm sure you will find yourself in these settings again. It might be cool to move the camera in synch with the rider on the swing so the background appears to have some movement & your subject is in focus with no blur. Just an idea. One last thing is that you might try not sharpening the walls at all to heighten the sense of movement.

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Thank you all for taking your time to comment, I appreciate it.

 

Ben, I agree, I don't like TMax at all, in fact I bought 30 rolls of TMax 120 and disliked it so much I gave it all away. Then I was given 6 rolls in 135 and it was all I had at home when setting out to shoot for the day (my HP5 Plus is in the fridge at the office) so it was a case of shoot what you've got. I will print this in the darkroom on Ilford MG fiber base brilliant paper, sharpening is not an option.

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