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Evening Glow On Volcanic Rock


k-hawinkler

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Stuart,

 

Thank you for your feedback. I always appreciate it.

 

The slope you see is actually the correct slope of the landscape.

I shot this image on a tripod with

SONY NEX-7 + Leica (WATE) TRI-ELMAR-M 1:4/16-18-21 ASPH,

paying particular attention to level the camera precisely.

The NEX-7 has the best virtual horizon of any camera I ever dealt with.

It lets you level the camera from left to right and from front to back,

both on the LCD and Viewfinder. It's a pleasure to use.

 

I find it even easier to use than the bubble level in the Leica Frankenfinder.

 

If you look carefully at the picture, in between the trees is a power line.

Their poles pretty much point straight up.

 

 

Paul,

 

Thank you. I am sometimes still struggling with the colors,

but I think this time the image reflects what I saw.

ACR's clarity slider indeed works extremely well, especially in CS6.

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You see, this can only HAPPEN in colour.. ... great shot..whats off in the sky top right? Is it a shooting star/ jet?

 

Thanks for sharing

 

Cheers, JRM

 

Hi JRM,

 

Thanks for your feedback. Yup, only in color.

I tried B&W, but in this case, whatever I came up with, couldn't compete in terms of visual impact.

 

Top right is a jet with its contrail, flying into the picture. I thought that added a nice touch.

So the picture covers the rocky material, blown from a nearby volcano just a few million years ago,

to the latest jet planes. Around here there are a lot contrails of jets crisscrossing the country, as you know.

 

BTW, I am really impressed with the WATE on the NEX-7.

I can't discover the slightest red edge when used with the NEX-7.

Of course, my NEX-7 shows a color cast with the 21/2.8, 28/2.8 and 28/2 Leica lenses.

http://www.l-camera-forum.com/leica-forum/2032652-post46.html

http://www.l-camera-forum.com/leica-forum/2033391-post51.html

 

If I want to go really wide, then I use my M9 with the WATE or a Nikon D3, (D800E in the future) with the 14-24/2.8.

However, with a crop factor of 1.5x,

16, 18, and 21 mm translate into an equivalent virtual field of view of

24, 27, and 32 mm of a full frame 35mm camera.

That's very useful as well.

 

If I did the math correctly, then the Nikon D800/E would need to have well in excess of

50 MP (57.1 MP to be exact) to match the pixel density of the NEX-7.

So, I am trying to avoid motion blur for the NEX-7 with the use of a tripod.

Of course, with the NEX-7 or NEX-5N one doesn't have to worry about mirror shake.

And focus peaking mostly works. If not, one can always use magnification on a tripod.

 

Thanks again for your feedback. I always welcome it.

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The Pixel Real Estate and value per pixel coming from the Nikon D800E is absolutely stellar, its a fabulous camera..so I wouldn't brush it off that quickly, also there are many fine lenses that would marry with this camera and produce excellent quality results.

 

Cheers, JRM

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I love the sense of space and time this image conveys so effortlessly (I agree that color plays a big role in this), and the jet flying (out to Cal?) over this marvelously mysterious landscape pulls it all to a higher dimension.

 

Ece

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The Pixel Real Estate and value per pixel coming from the Nikon D800E is absolutely stellar, its a fabulous camera..so I wouldn't brush it off that quickly, also there are many fine lenses that would marry with this camera and produce excellent quality results.

 

Cheers, JRM

 

 

JRM,

 

Thanks. I am glad you don't. Neither do I. :)

I pre-ordered my D800E from Amazon within 24 hours after the announcement. :cool:

That tardiness most likely will make me wait for months. :D

 

BTW, all my lenses that can focus to infinity on my Nikons can also be used that way on the NEXs.

But the reverse isn't true.

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Ece, Thank you. The jet could be flying to CA, but more likely to Phoenix, the way its headed. We'll never know!

 

Ben, Thank you. I agree. The magic hour is my favorite time to shoot as well.

 

Virgil, Thank you. Computers do the arithmetic correctly - most of the time. It's the conceptual errors I worry about.

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