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2 M6s


Nick De Marco

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My new Mamiya 6 arrived yesterday - it just might become my favourite MF film camera (I have and love the Mamiya 7, but the slightly smaller size and format of the 6 is appealing), with my other all time favourite film camera, the Leica M6 - taken with my current favourite digital camera - Panny GF1

 

122689087.jpg

 

Set here

M6 - a set on Flickr

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Nick,

 

the Mam6 is a little great camera. Take a little bit of care with the light meter. It gets fooled easily from direct light sources and then causes underexposure. It sits in the finder, so it helps shielding the finder. Common sense on exposure helps getting it right. Or a separate meter.

 

Regards

Ivo

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Thanks

 

The Mam 6s are harder to find than the Mam 7s, although if you can get them they are usualy less expensive (both for lenses and bodies). Of course the negs are smaller, the M6 doesn't have the wonderful 43mm lens, and there are frequent concerns I have read about how strong the Mam 6 is.

 

But having had ot for just a couple of days I would thoroughly recommend it. Ergonomically it feels so much better in my hands than an Mam 7. Although not much smaller the seiz makes a difference - I can get it, a spare lens and my Panny GF1, aas well as films etc, in a small Bellingham bag. I love the square format and the 75mm and 50mm lenses seem great.

 

Proof of the pudding is in the eating, and if it doesn't upset anyone too much I shall post a couple of the developed negs on this thread in a week or so whan I have had them done.

 

Nick

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I bought a Mamiya 6 kit when it first came out, as it seemed the perfect MF version of the M-series. I would use it more if it were as easy to get 120 film processed as 35mm film. But I turn to it whenever I need high quality negs. No matter how good our Leicas images are, the MF negatives blow them away. The Mamiya lenses are terrific.

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  • 7 months later...

The mamiya rangefinders are wonderful cameras. I'm shooting now mostly with Mamiya 7II's.

 

To me it represents a good balance--it's really the largest format that lets me remain as mobile as a 35mm kit does, and it's just as fast to shoot with as a 35mm camera so it makes it possible to respond to passing moments or changing light.

 

I wish the 80mm and 65mm lenses were f/2.8 instead of f/4, but it hasn't really been an problem for me. The lenses are great even wide open.

 

All of my recent work from Lima was shot with the M7II and 50 and 80mm lenses.

 

Noah Addis

 

The 6 is a bit smaller and a decent amount smaller when folded. The 7 seems big at first and it is much bigger than a Leica M, but it compares favorably to a typical pro slr. For me it was just a question of format--I love squares for certain subjects (like portraits) but the 6x7 format suits my work better. Though I've always felt that the combination of 6x6 images and 35mm images can work quite well.

 

It's a slippery slope though. Since going to the Mamiyas I've gotten spoiled by the big negatives. I'm now finding myself shooting more and more 4x5:eek:.

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I added a Mamiya 7II and I'm loving it. The fastest f/4 aperture is not a problem as this is more than enough for my shooting style (less wide open and more stop down to tell a better story).

 

Noah is correct, the larger negatives are spoiling me and now I'm shooting 8x10 and leaving the MP behind more... The thought of completely dropping 35mm and just shoot weddings with a Rollei and 7II has gone through my mind and I am giving it serious consideration :D

 

Cheers,

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