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PLZ

  1. love their videos, they release the videos a week or so before the actual sale, which in this case in in the 1st week of January 24 https://www.kitamuracamera.jp/ja/event/onlinesale_2023_1226
  2. To Steve and all the rest on Leica Forum: Steve, what do you think? You mentioned that you went the the Cannes film festival with some form of movie if I remember correctly. So could a person adapt the old Leica-M lenses and make a film using the SL2-S? I don't care about super fast & easy professional lens and body use myself, only wondering if with a little extra effort could it be reasonably done? I have to convince my cinematographer friend to do this so any comment you have will interest me. Generally, myself, as someone who went to film school years ago, I am one of Leica's potential SL2-S purchasers. Their approach, to issue new lenses that have something different from their old lenses, is an artist's approach, and I love that. The high lens prices have knocked me out of the new ASPH lenses, which is ok, since as all makers products approach perfect like the ASPH lenses do, they all produce pictures looking more the same and loose their differentiation. Leica seems to be making a viable independent filmmaker camera in the SL2-S since it has so many of the needed features. Some comments on the needed features below: Auto focus is secondary in movie making, since it is usually done by hand, so the discount there is not a problem. Lens focus adjustment, marked on the lens barrel to exact distances, is one of the biggest differences between professional and home-user lenses. Yet with a monitor attached and some tape to mark the lens focus positions, possibly focus can still be done by hand as I did in film school using 16mm equipment. The differences from professional to amateur could also be called a camera support issue: tripod use (professional) verses walk around use (amateur) affects so many features like the movable screen articulation need and remote focus or auto focus adjustments. Of course today more professionals walk with the camera then in the past (SteadiCam was the old way - replaced by today's internal camera stabilization systems), but I would say that the video they make is rather cheesy not as professional looking, and that that poor video work has become acceptable do to the existence of youtube and selfies being so ubiquitous (found everywhere). Amateur is not a bad word. It comes from the Latin "amator" meaning "lover of" something. Those that love an avocation like photography may outdo those doing the same for daily work who are stuck with producing professional standards that may be boring. France produced the "French New Wave" movie makers in the 1960's, who used 16mm equipment and also the new lighter Arri 35mm cameras, leaving behind the enormous Mitchel studio cameras that the USA film companies used. Also, just look at the photos on this site and others where I see many stunning shots that seldom occur in the commercial world which is aimed mostly at selling something or copying someone else's work. Anyway, my professional Los Angles based cinematographer friend, says yes the new mirrorless cameras produce a good enough file for professional filmmaking and he only has qualms (concerns) about the work methods needed to hit focus and generally have a fluid effective efficient working environment. Comments please!
  3. https://vimeo.com/208254533 A short video clip I made on SL with Summarit 35/2.4 in L-log and graded in FCP X as Arri Log C footage. Wanted to finally see what can be done with those L-log files. Not bad results, looks really promising. Anyone here has any experience with making films on SL? How do you capture the footage, how do you colour grade later? What LUT do you use? I've looked at buying some extra LUT loaders and use some custom LUTs but decided that it's not really needed. I can work with what's in the Apple Final Cut Pro X quite effectively it seems. How about you?
  4. I took a new (and my first) Leica CL to Europe this summer and recorded some video. Playback in the camera showed skipping every 15 seconds or so. How do I figure out if this is an issue with my memory card, the settings I used for the video capture, or something else? I do not own video editing s/w and was hoping to just post the videos as is on social media, but won't do so because of the quality I got. I ended up using my iPhone instead for video on the trip . I was using a SanDisk Extreme PRO 95 Mb/s SDXC card with a little 3 inside of a U and a 10 in a circle on it.
  5. At the end of November my son traded in his beloved M9 at the Berlin Leica store, and upgraded to a factory fresh, new M10. They gave him a generous trade-in allowance and he loves the M10 after 4 weeks of light use. Since the M10 has LiveView with a real-time video processor, he wonders - does the M10 have the necessary hardware and software to do video, if a firmware update was provided? I understand there would be the need for software to create a standard video format output.
  6. Hello All, I shot MOV videos with my M-P 240 and some of the files got corrupted. I absolutely *MUST* restore these files. I tried the commonly found free techniques (QuickTime, VLC). (Unsurprisingly), Most of the paid software restoration tools out there already claimed that they don't take Leica in charge as each brand and model have their own MOV file structure. I have spent time with their support team in live chats confirming this. Based on my files sizes (ranging 640 MB to 4 GB), I still have hope. Data definitely exists, but it's only a matter of finding the right restoration technique of compatible software. Anyone ran into a similar ordeal? I am devastated... Thank you so kindly in advance for your help! Charles
  7. Hallo, wie steht es um die Tonqualität der Videos, die man z.B. mit einer V-Lux 30 aufnimmt? Meine D-Lux 3 hat nur ein kleines Mono-Mikrofon; es entsteht Telefonqualität. Hat sich das gebessert? Ist ein Stereo-Mikrofon verbaut? Gruß Mark
  8. Here is a video using M lenses which illustrates what may be possible with the new M. Ulriksdal castle ( Sony NEX-C3 + Leica-M ) on Vimeo
  9. Greetings All, I've spent around nine months on a project to shoot a film and photographs on an amazing hospital, the Royal National Orthopaedic Hospital in the UK (Stanmore, Middx). Reportage On The RNOH | Photo This & That I used a Leica M9 and M9-P with the 50mm Noctilux, 35 Summilux ASPH (current version) and 28mm Summicron. The video aspects were shot on a pair of Canon 5D MkIIs. Here are some behind the scenes images and notes: Behind The Scenes | Photo This & That I'd love to hear your thoughts and if you are touched by what you see and hear, would love it if you would pop by their page and make a donation: Home - The RNOH Charity Lastly, for anyone interested, here's the 'normal' video version: RNOH Redevelopment Appeal Film on Vimeo Cheers All, Edmond
  10. Greetings Folks, Wanted to share my first short film shot entirely on the Leica M (Type 240): Cheers, Edmond
  11. Anyone shoot a video on their M240 while riding a train. I'm taking a Vacation by Rail trip later in the year and interested in trying video. The M doesn't have stabilization, so how good a video can be shot while moving? Any tips? Thanks.
  12. Greetings Folks, Very happy to announce that my first short film shot on the Leica M (Type 240) has been nominated in the Taste Awards. As it's now nominated, it's open to "Viewers Choice" voting, so please have a quick look at the film and if you think it's worthy, spend a minute on their website to vote for it. It'll be awesome to have a Leica film win an award at this competition where most material is submitted by TV channels and production houses! Also, I'd really appreciate if you think the film is worthy, to spread the link around. We have until December 18th. The Taste Awards 2013 | Photo This & That Huge Thanks, Edmond
  13. Hi, I'm trying to import Leica M240 video files (MOV) into Apple Aperture (v 3.5.1) without success. Does anyone have any kind of relevant information that might help me with this? It's as if Aperture does not recognize the files as video. Thanks a lot. Martin.
  14. The embedded date on the camera screen is correct, but in Lightroom the embedded date is 10.02.1988. Do you have the same issue?
  15. Here is a short clip I made using Leica M with Leica 60mm Macro-Elmarit-R. Edited using Final Cut Pro X Thanks
  16. Hi All, Did anyone ever figure out if it is possible to shoot video with an M8, via tethering or something? I remember seeing, years ago, someone tethering a Canon DSLR and capturing video before they added the video function. The camera has such a nice quality I just wondered. Thanks, Steve.
  17. Aloha, vielleicht kann mir jemand helfen: Ich besitze eine D-Lux 4 mit einer 16GB Karte. Laut Tabelle sind damit knapp 3 Std. Videoaufzeichnung im VGA Modus möglich. Allerdings kann ich stets nur max. 15 Min. Video filmen. Hat die D-Lux evtl. eine Limitierung? Das wäre ziemlich schade, wenn man das Baby nicht einfach mal "am Stück laufen lassen" könnte, bis die Karte voll ist Vielleicht hat jemand bereits Erfahrung gesammelt... Danke bereits vorab für Feedback.
  18. Hello everyone, Being new to digital photography, I am looking for some good software, to post process the videos I've shot with my DLux4 i.e. cutting unwanted bits, pasting several into one, correcting over exposure, zooming in (since camera has so little zoom). Perhaps there's a simple one to start with, free or cheap? Would greatly appreciate any help/advice. Zenit
  19. MIt der V Lux 20 habe ich gerade ein Musikvideo erstellt. Sieht gut aus:
  20. Hallo, habe eine neue V-Lux 2 und bin ganz begeistert. Nur eine Sache nervt mich sehr: Mit der C-Lux werden alle Filme einfach in iPhoto geladen wie Fotos auch und lassen sich ganz einfach per Klick abspielen und ganz unkompliziert weiterliefern. Sicher ist iMovie deutlich besser, hatte nur bis jetzt nicht die Zeit, mich mit dem Programm anzufreunden, hole ich aber sicher bei zeiten nach. Weiß jemand, wie bzw. welches Format für Video/Filmen an der Kamera eingestellt werden muss, dass das so unkompliziert mit iPhoto auch bei der V-Lux klappt genaso wie bei der kleinen C-Lux? Ich bin dankbar für eine schnelle Hilfe http://www.l-camera-forum.com/leica-forum/images/smilies/smile.gif Gruß, F.M.
  21. When I switch to motion picture in record mode I get a screen that tells me I need to be in 4:3 or 16:9 aspect, but even when i change to either of those the message won't go away. So, I can't shoot video. I called Leica and they suggested i take the battery out for 24 hours (which I'm doing), reinstall 2.2 firmware (which I'll try), and reset (which I've done, and didn't help). Has anyone ever encountered anything like this? Any suggestions for what to do? Thanks, Howard
  22. Normally I use Lexar SDHC (4) 4GB Premium series 60 x in my Dlux4. I went for another one at my local dealer. They gave me a Lexar SDHC (4) 4 GB 90 minutes Full-HD video's memory card. I used this card today to shoot pictures.. The results to my belief are less sharp than the former card, also the contrast is way to high. So, my question is, shall I return the card or is there no differance between foto and video-cards?
  23. Soeben bin ich in den Weiten des Netzes auf ein Video von Luminous Landscape gestolpert, in dem u.a. die Endmontage der M9 in Solms gezeigt wird. Assembling the Leica M9 Auch die Sensorreinigung der M8 fand ich interessant, zumal ich diese Leistung nebst Einstellung des E-Messers bei einer Werksführung - kostenlos - in Anspruch nehmen durfte. Wenn man die Ruhe und Konzentration der Mitarbeiter sieht, weiß man erst, wieviel Manpower hinter jeder einzelnen M steckt. lg aus Willich Dieter ps: falls das o.g. Video hier schon anderweitig benannt wurde, mag der Thread wieder gelöscht werden.
  24. Produced this story at the end of last week, with a Saturday game update... The stills in the video are all with the Mate - even the sports action (21, 28, 90, 135) - the gallery from Saturday's game is all M8, same lens combo. The tailgating alternative: Small college football - Rocky Mountain Independent
  25. This video slide show went live last night - 98% Leica M8, 2% Lumix FZ10 or Sony R1 file shots: Rocky Mountain Independent RMI Archive Dragon Boat: Culinary, cultural and competitive | News, commentary and discussion about Denver and the Rocky Mountain region. Most of the "telephoto" action shots are 50%-pixel crops from the M8 using the 135 Tele-Elmar - about 400-600mm equivalent. Amazing what that 45-year-old lens can do. This was last week's project - motion video plus M8 stills: Rocky Mountain Independent RMI Archive Sidewalks, sunshine provide blueprint for young artists | News, commentary and discussion about Denver and the Rocky Mountain region. The M8 saved my behind when I discovered in editing that I didn't have a great closing sequence. I just used the reference portraits I'd taken originally just to keep track of which kid made which blueprints. I love the 8-year-old "photojournalist" snapping away using the viewfinder of her Canon A-whatever. Get them hooked while they're young and they'll be photographers for life. Off to cover this year's Dragon Boat races.
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