Search the Community

Hello everyone I downloaded the AI software a few days ago to resize some 24MP M10 files for printing. Still on free trial time. For example, a 5911 x 3941 file has the maximum print size (as per file) of 19.7" x 13.1", of course, at 300 dpi. But if I want the same file to be printed at 24" x 36" without resizing, the dpi will be 164, which is not enough if the view distance is close. I tried the ON1 plug-in and standalone app to resize to the wished largest size, and I guess the new file is outstanding, without any artifacts. It's like magic. But I still have one significant doubt. I understood that the best practice is to edit (in my case in Lr Classic) the file, and when everything it's done, as the final step, apply the resize. Am I right? But from which file type? Because I know the software can create another file, such as PSD, DNG, or TIF, so I can export the final resized file for printing directly from LR. But I could also export a 300 DPI, a not compressed Tif file from LR at 16bits (for example), then launch the ON1 Resize app and convert the TIF file to a new resized Tif file (or high-quality Jpeg)... What do you recommend doing? With the latter, am I losing quality in the process? Because it looks like the options are more than one, but the best quality is (maybe) assured with one type only of workflow. Please help me to understand, Thank you, D.

I found this old post and started to read it. But it's more than ten years ago. Are things changed? I'm discovering the powerful tool of how to resample for print. I knew the technology was there but had never tried before, until last week. Especially, I'm learning these days about the difference between: Super Resolution - to double the size of a raw/dng file Preserve details 2.0 (I tried up to 200%) With your files you know you will print, do you resample the raw or the exported file for specific sizes? Is it always helpful? I know the details of a native 47MP file will always be 'better' than a 24MP resampled. But hey, technology made some significant steps concerning IQ. Logically, if the resample quality is excellent, why don't you use it all the time? 🤔

Do you know where I can find this information online instead of opening all pdf of each paper brand on sale? I can't find it. I just started diving into the fascinating world of fine art prints, and I'm enjoying the journey and the new knowledge very much. What a beautiful sensation to handle and feel a print. For a while, I forgot what it was about. What's your opinion about OBA?

I'm having a terrible time printings some portraits for a gallery show. I'm using Ilford Galerie Prestige Gold Fibre Silk paper, 13x19, and printing with an Epson 1430 Artisan printer. I'm printing through LightRoom, using the Ilford profile for that paper. I've turned off color correction for the printer itself and am using the color settings in LR. I'm using Relative Intent. Here is an example of my digital file: http://www.pbase.com/tinamanley/image/166471709/large Here is an iPhone photo of the actual print: http://www.pbase.com/tinamanley/image/167279204 See the greenish shadow on her jaw? All of my portraits are printing with these green shadows somewhere. I've tried adjusting the color balance of the whole photo which makes it too pink and I've tried adjusting the toning of just the shadows which doesn't seem to help. Any suggestions would be greatly appreciated. This is driving me crazy!! TIA Tina

Ladies and gents, I searched the net since quite some time for experiences and examples that demonstrate the performance and quality of Leica M10 or SL files for large printing. With large prints I mean sizes up to 150cm (60") on the long side. There are lots of comparisons and reviews between cameras of different makes, e.g. between SL and Hasselblad X1D, but they concentrate mainly on usability or spec-sheet resolution etc. They don't say anything about the final product, which is the print. Print quality from files of a particular camera is nearly never mentioned or discussed. I would like to ask the community here for experiences with printing large from Leica full frame cameras such as M10, SL, 240 or even M9. I know, many of the answers will state "quality is subjective", "depends on viewing distance" or "depends on expectation", etc. But maybe this thread is able to shed some more light on people's experience. I'm sure there must be some prints out there of such sizes. Did you send your SL or M images for example to services such as whitewall.com to produce such large prints? Do you print yourself? How do M or SL files hold up in a 40x60" print? Are they totally inferior to a print from digital medium format... ? Cheers, Peter

Here is an interesting story of how one man's photographic journey went full circle, bringing him back to his roots in film photography. He shows some interesting images along with the essay : http://emulsive.org/articles/return-to-film/my-return-to-film-adib-mufty

Hello everyone, I recently bought a Leitz Focomat II and discovered that when printing from the 60mm Focotar lens that two dark lines forming a triangle appear on either side of my prints. I also noticed that there are four light spots hitting the rim of the lens (these increase in size when you open up the aperture) and 'Im pretty sure this is related to the problem. I'v looked at the enlarger from every angle and checked that things are all in their proper place I have attached images to demonstrate what I'm describing above. You can see one of the dark lines forming a triangle clearly in the sky above the lion's head (the same is mirrored on the other side of the print but harder to see), and there are a couple shots of the light spots hitting the rim of the lens. Could anyone please tell me what might be causing these light flares and how I could fix the problem. All insights are greatly appreciated! Rene

Hello everyone, I recently bought a Leitz Focomat II and discovered that when printing from the 60mm Focotar lens that two dark lines forming a triangle appear on either side of my prints. I also noticed that there are four light spots hitting the rim of the lens (these increase in size when you open up the aperture) and I'm pretty sure this is related to the problem. I'v looked at the enlarger from every angle and checked that things are all in their proper place I have attached images to demonstrate what I'm describing above. You can see the two dark lines forming a triangle clearly in the sky above the lion's head (the same is mirrored on the other side of the print but harder to see), and there are a couple shots of the light spots hitting the rim of the lens. Could anyone please tell me what might be causing these light flares and how I could fix the problem. All insights are greatly appreciated! Rene

I am having problems when trying to print with the new Epson SC-P800. After setting it up, the only that comes out, when trying to print an A4 image, is a small printed strip of only 2 cm wide . Then the printer enters in a busy mode, and nothing more happens. The program: Lightroom 6. I do have the Yosemite 10.10.5 OS installed in my Mac, and of course every driver etc, as it should be. BTW, trying to print from Word also failed... Thank you in advance for your help! Cheers from Barcelona, Manolo

Hi, Seriously thinking of buying a Leica 109, but have a concern about the 12 mp. How large is it possible to print without seeing deterioration of image quality. Regards.

I'm still investigating darkroom printing and have been surfing YT videos. I found this one and was intrigued that he circumvented many of the steps that folks use (such as separate tongs for each chemical and having only one safelight and making sure that the safelight is well away from the paper. I didn't spot any more than that but he sure made it seem like it was very routine without a lot o fuss. I'm just trying to get my bearings, gain information and know as much as I can before diving in so I'll ask; what is your take on this guy's video?

By the number of posts of M Monochrom users, there must be at least some who have been trying to print their own images. Having looked around the forum there are a few posts here and there on M9 printing, but I would like to see if we are able to come up with some consensus on an "utlimate" printer setup for the Monochrom. The reason for this is, not only for me to get some help on picking the right hardware/software, but also to help others since the qualities of the Monochrom are not "visible" until one starts to look at the obtainable prints. Let's try to divide the topic into a number of questions, assuming we want to do it at home and that we have two different cost options (1) less than $2000 or (2) $2000-5000 including potential additional software (eg RIP) and hardware (eg calibrator). For time being, let's assume that we don't include paper and ink costs - knowing printing is expensive Moreover, let's assume that we make use of the latest versions of Photoshop and Lightroom in our existing workflows, and have a monitor like the Eizo Coloredge CG275W or NEC Spectraview Reference 241. Hence, a very good starting point for adding a matching printer setup. #1 Which printer, eg Epson 3xxx-4xxx, Canon Pixma Pro-1, would you suggest? #2 Which additional software, eg RIP, would you suggest to further push the quality of the printer? #3 Which additional hardware, eg calibrator, would you suggest to further push the quality of this setup? #4 For which types of prints will this setup be at its best/worse? Users of the Leica M Monochrom, let's help our friends to get more out of their great camera and come up with a good printer setup! /magnus A happy Swedish owner of a Leica M Monochrom Blog (Swedish): English version by Google Translate 500px: Impressions & Interpretations Flickr: Photostream

I thought it would be interesting to share thoughts on how to print digital files. Many pictures only shine when printed properly on the right paper in an appropriate size! I have the feeling that in the age of digital photography many people forget to print their pictures on actual paper. With ink-jet printers reaching reasonable prices, nowadays high quality fine-art prints can be made at home. So it might be a good idea to post what kind of paper you are using for what kind of image. Well, here I go: Im currently printing on an Epson 3880 printer. Im super happy with the quality of the prints. However, i had some trouble finding the ideal paper for my BW prints. After having tried several expensive and cheap papers, I found the Canson Baryta paper: Canson Infinity - Baryta Photographique 310 When the first print came out my thought was: WOW! It has the look and feel of traditional baryta paper with a beautiful texture and depth. I find it especially great for BW photos, but also think it is a great paper for color-photos, where you want that extra punch in the finish. What is your favorite paper?