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I used the SL2 in multiexposure (189Mpx) mode with a Summicron 50mm SL at f2.2. The edges do get softer (not entirely clear that this is the lens or atmosphere or the way that the SL2 takes / stitches such images). Topaz Sharpen AI does a reasonable job at cleaning up the deficiencies. (I have probably slightly overcooked it, but may well have started with the auto settings.). [No interest to declare; paid for the product (v 3.3.5).]
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I post process my SL 2 raws in Adobe Lightroom. It is generally fine, although, as seems common with Leica raws, the reds are a bit oversaturated. I tend to use the Landscape profile as it seems to have a slightly less contrasty tone curve than Color and the colours are a bit more vibrant. A typical workflow is to add a bit of vignetting, adjust white balance, push the auto exposure, for a starting point, normalise the black and white points to get the right amount of clipping, add 15 clarity and 5 dehaze, and Robert is your Mother’s brother. The SL2’s white balance is normally v good, but when it isn’t I find that Auto tends to result in an overly warm image, relative to the expected neutral. Similarly, taking the white balance reading from gray clouds seems to result in too much warming of the image, suggesting that the SL2 wants to render them blue, at least under the Landscape profile. (I get better results taking the white point from cloud highlights, where they are available and where it isn’t too close to sunset.) I also realise that the dehaze tends to add a bit of a blue cast. Has anyone a better recipe for getting better (more natural) colours out of the SL2?