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Found 7 results

  1. Hello all. I am new to Leica and absolutely have bought in (more ways than one) to the whole philosophy... but something is on my mind: If everyone -- and I use that loosely, not to offend anyone -- uses the same LR or PS presets, filters, etc... what exactly is the quantitative benefit from using a camera like the one we all have? Is there a particular benefit that these programs receive from the DNG or JPG files we feed them? Or is it just about the feel of the camera and all this digital stuff just about the same? How should we approach that "leica-look"? ------- I am basically trying to discover a good workflow and see if the in-camera processing or desktop variety best in general? Obviously we all have varying taste and eyes but I am curious what better and more seasoned photographers have to say. Thanks. ------- Roman Vail Leica M8 Leica 90mm f/2 Carl Zeiss 28mm f/2.8
  2. Wouldn't be nice to have a z-depth map tagged to our photos? This concept might be new to photographers, but z-maps have been used extensively with 3D artists. However it may be the time for us photographers to incorporate these maps into our post processing workflow to gain more efficiency and power. Please read bellow and let me know about your thoughts. Looking at the Samsung NX300 2D|3D from a different angle | Jawad Riachi
  3. I have just begun working for the first time with a Leica, a DLUX-5. What a pleasure. I have been experimenting with the camera's native B&W settings as well as PP conversion from color to B&W using Lightroom (LR) with Silver Efex Pro plugin. I find I can get positive results both ways, but am not experienced enough to know the advantages and disadvantages of each method. Is there a reason to use the native B&W settings rather than relying on PP? Seems to me native B&W allows immediate review of results, while shooting in color gives one the option of keeping color or creating a PP B&W image. Does the Leica camera B&W processing software create a "truer" BW image than I'll get via LR and Silver Efex? Thanks in advance for your advice.
  4. Does anyone out there have any experience with the use of Digital Optics (DXO) software for post processing. I am well aware that it has no lens-correction component for the M9 and M lenses. But, otherwise, does it (or does it not) do good PP on M9 photos?
  5. Got a couple of guestions for the pair mentioned in the topic. 1) what if any default presets do you use for M8 in Aperture 3's Raw Fine Tuning module? 2) Do you have any other action presets for M8 in Aperture 3 ie. apply certain color tuning or similar to each photo as a starting point? 3) If you were to make a new Raw preset for M8 in AP 3, how would you apply that to all or several of your old photos? ie. batch apply it. I know setting it as default camera profile only does this for new photos. 4) Do you have different action presets for shots with or without uv/ir filter? I've been messing about with digital cameras and different pieces of software for a good several years. But as with probably many other hobby photogs, I've never really got a proper grasp on the whole digital workflow or post processing. I've been doing things one photo at a time and each to their own.. this leads to terrible inconsistencies. To start managing the problem I've at least now calibrated my imacs screen. So I guess next step is to find suitable starting points for any consistent editing in AP3. And yes, I prefer AP3 - it's controls and layout just suite me better than anything else so please keep this AP3 related. And after I'm getting consistent results on screen, I'll then start to worry about printing. But that will be a whole new thread //Juha
  6. What are the advantages, if any, of setting the M9 menu to Black & White instead of just converting the color DNG file to B&W at the time of post-processing in Aperture, Lightroom, or Photoshop etc.?
  7. Hello everyone, Being new to digital photography, I am looking for some good software, to post process the videos I've shot with my DLux4 i.e. cutting unwanted bits, pasting several into one, correcting over exposure, zooming in (since camera has so little zoom). Perhaps there's a simple one to start with, free or cheap? Would greatly appreciate any help/advice. Zenit
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