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Found 12 results

  1. Hey, I am curious. Would you buy one of these? https://leicarumors.com/2024/02/26/confirmed-the-first-samyang-l-mount-lens-will-be-the-af-35-150mm-f-2-2-8.aspx/ https://www.samyanglens.com/en/about/notice-view.php?seq=1533&search_params_str=page%3D1%26perPage%3D20%26search%3D%26searchText%3D%26type%3D I am working with all kind of crazy lenses. I would love to test them .... This is my sigma zoom.
  2. I am a new Leica user. I recently purchased an SL2-S body and a 50mm f/2 Summicron lens. I also purchased 2 Panasonic "Pro" lenses (24-70 f/2.8 and 16-35 f/4) and a Sigma DG DN lens (20mm f/1.4), all with autofocus. I'm trying to set up back button autofocus on the SL2-S but can only get it to work with the Leica lens. When I put the other lenses on the camera, I don't get the option for MF. I updated the firmware but that didn't help. Does anyone have experience with this or have any suggestions on to get this to work? Thank - Richard
  3. From Dpreview, based on Photokina 2018 (https://www.dpreview.com/interviews/5734204427/photokina-2018-interview-leica-sigma-and-panasonic-talk-l-mount-alliance).
  4. sieh' da: https://www.photoscala.de/2019/02/01/panasonic-praesentiert-kleinbildspiegellose-lumix-s1r-mit-47-megapixel-und-s1-mit-24-megapixel/ bis zu - 10 °C ?!?
  5. Hi everyone, I just purchased my first cinema style lens for the SL2-S and have just done a quick review and first impressions about it here I know some users have wondered how non-Leica lenses perform on this body, so I thought this could add to the literature. I have to say that this lens has been a pleasure to use and edit from– the wide angle is insanely fun to use! However, and I guess I don't really touch on this in the video, I don't think this is a normal walk-around lens like most Leica lenses are intended for. Even the bigger SL lenses can seem normal to walk around with. Because of the gears and almost intimidating appearance, I don't believe this fun wide-angle would be all that fun to roam the streets with. This all being said, I can see this being a fun option for small productions and wedding/event use! Sidenote– You may also notice some wobbling/warping on the sides of the video images, and I believe this is because the SL2-S currently does not properly accommodate for a 20mm focal length with IBIS. Throughout this video I used the 21mm option, so the weird warping becomes apparent when moving a lot Cheers
  6. https://www.photoscala.de/2021/04/26/neue-geruechte-zu-canon-leica-nikon-olympus-und-sony/
  7. Hey all! So while being in the heat of the moment, me dumba*s, who never has anything but M-Lenses on his CL, wanted to change lenses and in a moment of brainlessness removed the M-to-L-Adapter with the lens and with a routined muscle-memory started mounting my M lens on the CL without the M-to-L-Adapter ... for a split second... immediately removed the lens again realizing the Adapter is missing... But the bayonet of the M Lens bumped the inside of the CL's mount slightly, and after inspection at home the bayonet seemed to have scraped the inside of the CL mount, this super matte anti reflective area around the sensor. Blew with the rocketblower to clean it, and then in a moment of indecisive nervousness I took a (what I deemed to be clean and soft) microfiber cloth and tried cleaning the scratched area to see if the scratch maybe is mostly just leftover dirt and not a real scratch. Turned out yes. Not really a scratch, black coating is fine! But my cloth has polished the black matte paint and I'm left with a ... less matte black and more shiny coating at that area now... Yeah I know weird topic but I never ever had to deal with that area in all those years, most full frame camera don't have a large enough attack-area so that this coating might be damaged anyways, but this gorgeous CL has an APS-C in a Full Frame L Mount area, so the anti reflective black coating is rather a large area. Does that matter? Could become problematic that it is now more shiny? Or doesn't matter at all as long as it is black and no silver shines through? Y'all have a nice day
  8. Some impressions from today, as i was asked to take some pics with the new Panasonic 24/50/85 lenses (all of them at min f1.8). I am testing not like others by taking pics from a wall, the lenses have to proof themselves by working with them. Of course the pics are postprcessed as all of my pics but in short conclusion you will get good working lenses with good results. There might be some differences in pixlpeeping in high end prints (and on screen at 100% view) but this is not the normal view. In this setting from todays morning i went into the cathedral, unfortunately i did not realize the beginning of the church service and it was too late to leave the tomb of henry the Lion and his wife Mathilde when the bells started to ring.... 24mm:
  9. An excellent but quirky lens. It is a big and heavy piece of glass, slightly larger than the 55-135 and 75 grams more (650 g) but it feels heavier than that. It is -just- usable on the CL but the lack of IBIS (the lens has no OIS) dictates high shutter speeds. Build quality is correspondingly the proverbial tank. The design was not done with esthetics in mind. The optical quality is astoundingly good at all distances, from full 1:1 macro to infinity, with only the faintest trace of lateral CA. I cannot compare, but from memory it seems to be at least as good as the APO-Macro-Elmarit R, albeit not quite APO but with the advantage of not needing an Elpro. The Bokeh is very smooth and pleasant. AF may not be the fastest in the industry. but it is very precise and fast enough to keep up with my dog running towards me. The AF limiter switch is essential, as the lens will tend to hunt from infinity to 1:1 and back without it, taking seconds, especially when doing in-camera focus stacking (S cameras) Limiting the range solves the problem. The focal length on full frame is on the short side for hand-held full macro, but it is doable. On the CL it will go into micro photography. I disliked manual focusing with macro - it takes many turns to wind the lens out to 1:1, so much so that I found it nearly unusable. AF only or at best static tripod use. However, the lens is equally effective as a landscape, portrait and macro lens. Conclusion: A very versatile workhorse which will deliver top image quality. At the cost of bulk and weight. A steal at the price. (yes, I know my CL is filthy... )
  10. Live aus dem Leitz-Park: "Leica R Objektive an einer Leica L Mount Kamera". Livestream mit Olaf Wolf und Benedikt Hartmann. Dienstag, 21.12.2021 von 19:00 - 20:00 Uhr auf dem youtube Kanal: "Leica Store Wetzlar" Fragen vorab an: info@leicastore-wetzlar.com
  11. Mit dem neuen APO-Summicron-SL 1:2/35 ASPH erweitert Leica sein Objektiv Line-Up um eine klassische Reportagebrennweite für Leica SL Systeme. Laut Leica Soll das Objektive unter anderem aufgrund innovativer Fertigungsmethoden und neu eingesetzten Technologien, die neue Referenz unter den Reportageobjektiven sein. Das Objektiv besitzt vollkommende Kompatibilität zu anderen Kameras der L-Mount Alliance. Neben der besonders starken Abbildungsleistung, welche auch schon bei voll geöffneter Blende laut Leica hervorragend sein soll, sorgt die Konstruktion sowie das Design des Objektives für kompakte Maße sowie ein geringes Gewicht. Leica betont, das bei der Entwicklung des Objektives ein besonders Augenmerk auf die Vermeidung von Streulicht sowie Reflexen gelegt wurde. Durch hochwertige Beschichtungen ist es laut Leica gelungen diese auf ein geringstmögliche Maß zu reduzieren. Das APO-Summicron-SL/35 ASPH ist auch bei widrigen Wetterbedingungen bedenkenlos einzusetzen, da es über Staub- und Spritzwasserschutz verfügt. Es wird ab April 2019 zu einer UVP von 4.400,- € im Handel erhältlich sein.
  12. Sigma today announces eleven ART lenses for Leica L-Mount. Here is the full list: 14mm F1.8 DG HSM | Art 20mm F1.4 DG HSM | Art 24mm F1.4 DG HSM | Art 28mm F1.4 DG HSM | Art 35mm F1.4 DG HSM | Art 40mm F1.4 DG HSM | Art 50mm F1.4 DG HSM | Art 70mm F2.8 DG Macro | Art 85mm F1.4 DG HSM | Art 105mm F1.4 DG HSM | Art 135mm F1.8 DG HSM | Art Sigma today announces that a total of eleven Art Series full-frame L-Mount lenses will be launched in the near future. According to the manufacturer, these lenses all have a high-speed autofocus which is fully compatible with the AF-C mode. In addition, there is also compatibility with the camera stabilization as well as the correction of e.g. chromatic aberrations in the camera. The lenses presented today are all fixed focal lengths. With the release of this lens series, L-Mount users will be able to cover the focal length range from 14 mm to 135 mm with fixed focal lengths. The most important features of these lenses are: Optimized Autofocus for L-Mount The complete package of camera and Sigma lenses will benefit from the "AF Drive Control Program" and the "high-speed Communication". The speed and precision of the autofocus are optimized by better communication between the components. Compatibility with Camera Stabilization The camera recognizes and considers the focal length of these Sigma optics and optimizes the image stabilization accordingly according to the manufacturer. Compatibility with In-Camera Aberration Correction The camera takes into account the characteristics of the lens in terms of distortion or aberrations. According to the manufacturer, this should have a positive influence on the prevention of chromatic aberrations and distortions, for example. Native Lenses Ensure Stable Handling By using the native L-Mount lenses, photographers do not need to resort to adapters. In addition to the more stable feeling in handling, the lenses feature an even better fit, better durability as well as optimized dust and splash water resistance. The lenses are part of the "Sigma Mount Conversion Service" program. The availability and prices for the eleven L-mount series lenses will be announced later.
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