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Found 38 results

  1. Greenhilltony
    My interests toward film are ignited again by my dad’s efforts in developing C41, ECN-2 and E-6 at home after his retirement. We talked frequently on the chemicals, processes and experiment the push process together. We now have succeeded in pushing the Kodak Vision3 500T to 800 and 1600. For me, 800 is enough to cover my needs shooting streets from dawn to dusk and the artificial lights. And I now enjoy the M4 more than the M10-P. We use a Plustek 8200i to scan. Okay, let’s kick-off with a frame. Leica M4, LLL 35/2, Kodak 5219@800
  2. chris_tribble
    I’ve recently dug out my M6 TTL after getting on for 20 years of neglect, popped a battery in and cocked the shutter and checked metering and all seems well. I’m tempted to put a film through it, but don’t have any developing kit and don’t feel like buying at present. Does any one know a good lab for black and white? PROCESSING ONLY. I’ve still got my Nikon LS 4000 (recently serviced) so will scan myself if all goes well. I’d be grateful for any recommendations (also for film suppliers - Tri-x or FP4. I regret the passing of Neopan 400)…
  3. Big John
    Shot film in the 80s and 90s (Olympus and Nikon) then digital only for past 20 years (including SL 601 since it came out) Loaded my Nikon F5 last year and loved shooting film again. Now considering an M. Have read and watched all I can, so understand the differences between the 3 currently available film M cameras but still undecided. Don’t mind black or chrome (and not chasing a BP finish). Have always had a light meter in my camera (apart from shooting my Dad’s old Ilford as a kid) but am attracted to the simplicity of the M-A. Areas I could use advice on include the following please: - quality control issues, not sure if M6 scratching film issue has gone away. - viewfinder, which is best? (My eyesight is ok but am in mid 50s). - reliability over the long term. Anyone else been in my situation? How did you choose? Thanks for your help everyone.
  4. frame-it
  5. frame-it
    nice to know they're developing new film cameras
  6. frame-it
    very nice
  7. George Stoichev
    Hi everyone, I’m about to buy as second lens Elmarit M 90mm. I’d like to know about your user experience with this lens and of course to see some pictures if it is possible. What do you like to shoot using this lens?
  8. Keith (M)
    Article on the Online Photographer website about a recent interview with Dr Kaufmann on a French website. Interesting snippets regarding film & digital M production numbers. PS - wasn't sure if this was the best place for the post - feel free to move it if it would garner more readers elsewhere.
  9. gwpics
    Taken in my home town. I found the Agfa quite grainy in Adox FX39 so will change to Microphen as a trial. The grain is no major problem as I can reduce it in Lightroom but it would be if I wanted to go larger than maybe 25x20cm. Leica M6 + 35mm Summarit-M f2.5 - Agfa APX400 Gerry
  10. Nia
    Hello, I have found expired ORWO reversal, greyscale double 8mm film from 1967/1968 It has been subject to harsh conditions of heat/ bad storage etc For these image stills shared here, i have been hand-processing the films with D94 chemistry, re-expose them in Cairo's sun for minutes, then using D94 as a second developer without fixing the image (hence all silver halide should be consumed at the last step) I have the following questions: 1) Could you help identify the cracks/wrinkles? 2) Some of the results seemed really good at the re-exposure process (image attached), but then turned out less contrasty at the end results- do you have an idea why? 3) Do you have extra general tips on how to get better results/ clearer images/ better contrast etc? Thank you very so much in advance
  11. Greenhilltony
    It was an ominous dusk with the rainstorm hovering. The old MR-4 meter did a great job. I was holding my umbrella in left hand and then did all settings adjustment with my right hand, which I’ve practiced a lot so it was not a big deal. Leica M3, Light Lens Lab 35/2, Kodak Vision3 5219@800
  12. David from Bklyn
    I am a long-term M3 and Rolleiflex shooter, and for black and white am more than happy making prints in the darkroom. Shooting color on film is also fun, but developing and scanning, for me at least, isn’t. And I’ve been wanting to have the experience of shooting digitally with my M lenses for a long time. So last week I took the plunge and bought a used M10R. I got the silver version and am struck by how much it looks and feels like my 1960 M3. The simplicity of the camera makes me happy — I was concerned about being overwhelmed with menus — but I’m sure I have much to learn about getting the most out of the camera, about post-processing, etc. (It renders black and white beautifully too, but I won’t put aside my film cameras). Do any other film shooters have advice or experience to share about their transition? Any thoughts are welcome.
  13. gwpics
    I am still editing images taken on my visits to Paris. This is the latest to be chosen. Taken on Tri-X in 1999 using an M6 with a 50mm Summicron f2 lens. You can see my 'Streets of Paris' portfolio at https://gwpics.myportfolio.com/the-streets-of-paris I am hoping to get a book together in the relatively near future, so comments are welcome. Gerry
  14. rosewood
    Bootsbauer_04_Tonung - Kopie (2) - Kopie.jpg

    © rosewood

  15. abboretti.m

    112crwm

    abboretti.m posted a gallery image in Members Albums Category

    112crwm

    From the album: Venice with Leica M7

    © abboretti Massimiliano ©

  16. Minochage
    Gion festival in Kyoto Japan, July 2017

    From the album: Japan with Leica M3

    Leica M3 / Summilux 50mm f1.4 2nd ver. / ILFORD Delta400 Pro

    © © Minochage

  17. Manuello Paganelli
    Death Valley California

    From the album: Manuello Paganelli

    Leica M6 35mm Lens Kodak Tmax 400

    © Manuello Paganelli © 2018

  18. lynnb
    friendly cafe, Sydney 2016 #027

    From the album: portraits

    friendly cafe staff, Sydney 2016. IIIf Summitar 5cm f/2 LTM Agfa APX100 in Rodinal

    © © 2016 Lynn Burdekin

  19. Lua P

    Summer Sky

    Lua P posted a gallery image in Members Albums Category

    Summer Sky

    From the album: Leica MP

    This is an image off of the first roll from my first L Camera, a nice used 35mm black MP and 40mm Summicron-C. Taken in New Orleans, Louisiana.
  20. Greenhilltony
    Minolta CLE + M-Rokkor 40/2 + Kodak 5219, scanned with Plustek 8200iSE
  21. Daniel Schutte
    Hi everyone, I'm planning to switch to Leica IXMOO reloadable film cassettes for bulk loading. However, the 5 cassettes that I managed to purchase all contain some degree of oxidation, so I'd like to give them a clean before putting them to use. Can anyone recommend a product and method with which to do this? I've heard vinegar works quite well, but obviously an IXMOO is a little more advanced than a doorknob, so I wanted to check first. Thanks in advance
  22. Greenhilltony
    We shared and celebrated the holiday regardless of races and nationalities. Minolta CLE + Voigtländer 35/2 Ultron II + Expired 5 yrs+ Kodak Vision 3 250D. Mong Kok, Hong Kong, July 1st.
  23. Greenhilltony
    Minolta CLE + Voigtländer 35/2 Ultron II + Expired 5 yrs Kodak Vision 3 250D. Mong Kok, Hong Kong, July 1st.
  24. Greenhilltony
    M4 + LLL 35/2 + Kodak 5294, home E-6 developed and scanned with Plustek 8200i. White balance corrected in LR.
  25. Greenhilltony
    M4 + Expired Portra 160 + LLL 35/2
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