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PLZ

  1. I’ve recently dug out my M6 TTL after getting on for 20 years of neglect, popped a battery in and cocked the shutter and checked metering and all seems well. I’m tempted to put a film through it, but don’t have any developing kit and don’t feel like buying at present. Does any one know a good lab for black and white? PROCESSING ONLY. I’ve still got my Nikon LS 4000 (recently serviced) so will scan myself if all goes well. I’d be grateful for any recommendations (also for film suppliers - Tri-x or FP4. I regret the passing of Neopan 400)…
  2. Shot film in the 80s and 90s (Olympus and Nikon) then digital only for past 20 years (including SL 601 since it came out) Loaded my Nikon F5 last year and loved shooting film again. Now considering an M. Have read and watched all I can, so understand the differences between the 3 currently available film M cameras but still undecided. Don’t mind black or chrome (and not chasing a BP finish). Have always had a light meter in my camera (apart from shooting my Dad’s old Ilford as a kid) but am attracted to the simplicity of the M-A. Areas I could use advice on include the following please: - quality control issues, not sure if M6 scratching film issue has gone away. - viewfinder, which is best? (My eyesight is ok but am in mid 50s). - reliability over the long term. Anyone else been in my situation? How did you choose? Thanks for your help everyone.
  3. nice to know they're developing new film cameras
  4. My interests toward film are ignited again by my dad’s efforts in developing C41, ECN-2 and E-6 at home after his retirement. We talked frequently on the chemicals, processes and experiment the push process together. We now have succeeded in pushing the Kodak Vision3 500T to 800 and 1600. For me, 800 is enough to cover my needs shooting streets from dawn to dusk and the artificial lights. And I now enjoy the M4 more than the M10-P. We use a Plustek 8200i to scan. Okay, let’s kick-off with a frame. Leica M4, LLL 35/2, Kodak 5219@800
  5. Hi everyone, I’m about to buy as second lens Elmarit M 90mm. I’d like to know about your user experience with this lens and of course to see some pictures if it is possible. What do you like to shoot using this lens?
  6. Article on the Online Photographer website about a recent interview with Dr Kaufmann on a French website. Interesting snippets regarding film & digital M production numbers. PS - wasn't sure if this was the best place for the post - feel free to move it if it would garner more readers elsewhere.
  7. Taken in my home town. I found the Agfa quite grainy in Adox FX39 so will change to Microphen as a trial. The grain is no major problem as I can reduce it in Lightroom but it would be if I wanted to go larger than maybe 25x20cm. Leica M6 + 35mm Summarit-M f2.5 - Agfa APX400 Gerry
  8. Hello, I have found expired ORWO reversal, greyscale double 8mm film from 1967/1968 It has been subject to harsh conditions of heat/ bad storage etc For these image stills shared here, i have been hand-processing the films with D94 chemistry, re-expose them in Cairo's sun for minutes, then using D94 as a second developer without fixing the image (hence all silver halide should be consumed at the last step) I have the following questions: 1) Could you help identify the cracks/wrinkles? 2) Some of the results seemed really good at the re-exposure process (image attached), but then turned out less contrasty at the end results- do you have an idea why? 3) Do you have extra general tips on how to get better results/ clearer images/ better contrast etc? Thank you very so much in advance
  9. It was an ominous dusk with the rainstorm hovering. The old MR-4 meter did a great job. I was holding my umbrella in left hand and then did all settings adjustment with my right hand, which I’ve practiced a lot so it was not a big deal. Leica M3, Light Lens Lab 35/2, Kodak Vision3 5219@800
  10. I am a long-term M3 and Rolleiflex shooter, and for black and white am more than happy making prints in the darkroom. Shooting color on film is also fun, but developing and scanning, for me at least, isn’t. And I’ve been wanting to have the experience of shooting digitally with my M lenses for a long time. So last week I took the plunge and bought a used M10R. I got the silver version and am struck by how much it looks and feels like my 1960 M3. The simplicity of the camera makes me happy — I was concerned about being overwhelmed with menus — but I’m sure I have much to learn about getting the most out of the camera, about post-processing, etc. (It renders black and white beautifully too, but I won’t put aside my film cameras). Do any other film shooters have advice or experience to share about their transition? Any thoughts are welcome.
  11. I am still editing images taken on my visits to Paris. This is the latest to be chosen. Taken on Tri-X in 1999 using an M6 with a 50mm Summicron f2 lens. You can see my 'Streets of Paris' portfolio at https://gwpics.myportfolio.com/the-streets-of-paris I am hoping to get a book together in the relatively near future, so comments are welcome. Gerry
  12. https://vimeo.com/208254533 A short video clip I made on SL with Summarit 35/2.4 in L-log and graded in FCP X as Arri Log C footage. Wanted to finally see what can be done with those L-log files. Not bad results, looks really promising. Anyone here has any experience with making films on SL? How do you capture the footage, how do you colour grade later? What LUT do you use? I've looked at buying some extra LUT loaders and use some custom LUTs but decided that it's not really needed. I can work with what's in the Apple Final Cut Pro X quite effectively it seems. How about you?
  13. Minolta CLE + M-Rokkor 40/2 + Kodak 5219, scanned with Plustek 8200iSE
  14. M4 + LLL 35/2 + Kodak 5294, home E-6 developed and scanned with Plustek 8200i. White balance corrected in LR.
  15. M4 + Expired Portra 160 + LLL 35/2
  16. M4 + Expired Portra 160 + LLL 35/2
  17. From a film returned from the lab today. Leica M4-P + 35mm Summarit f2.5. Kodak T-Max 400. Gerry
  18. Taken on Leica M4-P and 35mm Summicron f2.5 lens using Kodak T-Max 400 film. No metering done. Film was lab processed. Gerry
  19. I've started experimenting with Infrared film, unfortunately I am a little confused leading to the first film I developed being overexposed. I am using Rollei infrared 400iso when I looked it up it advised to set the iso at 25. I can't use the light meter due to using a filter on the lens. So did the same with my digital but the lowest iso was 100, so I thought I had to increase the shutter speed but I think I should have decreased it. How do I figure this out? For example if on my digital (again using infrared filter) the iso is 100 and shutter speed is 30secs, then how long would the shutter speed be for the film if set at iso25? I hope this makes sense! Thanks
  20. "Sax Player" "Seattle's Original Neighborhood" "Seattle's Oldest Saloon" Pioneer Square All photos shot with Leica MP on Ilford FP4+ stand developed in Rodinal 1:100 for 60 minutes at 68F
  21. https://youtu.be/EL5Qn0weg68 A video of my Leica M System, loading film add also some 2 1/4 .
  22. Hi everyone, I was wondering if anyone has used the Sonnar 50mm f1.5 on a M film body and can tell me if the focus shift is noticeable? I used to have this lens and loved it's small size and bokeh, but the focus shift on my digital M was too much so I decided to sell it. Thanks in advance!
  23. Paris 1997 Leica M3 + 50mm Summicron f2 and Fuji Neopan 400PR © Gerry Walden/gwpics.com When, oh when, are we going to get Fuji Neopan 400PR back! Gerry
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