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PLZ

  1. I'm still new to the Leica ecosystem and have acquired an M10 (used) with an Elmarit 28 ASPH (brand new). I've had this setup for a month and due to budget constraints, would like to stick with just one lens for a while. I was shooting as wide as 24mm (eqv.) on the Fujifilm X-T4 before this, so 28mm feels like home to me. Its a great focal length that I feel lends itself very well towards guiding the viewer. However, I'm having quite some trouble (I don't wear glasses) seeing the 28mm framelines on the M10. Sure, I can peek and find the lines on either side, but by the time I've composed properly on one side, I've lost sight of the other; and I see the effect on the final picture. It also makes shooting quickly (so far), very hard, I have to spend some time composing the shot and ensuring both sides are to my liking. I've missed shots in the process. I've used the frameline selector to see what the 35mm framelines would look like and they are much better. I've shot with the 35mm before, and even tried a used 35mm summicron (ASPH) earlier. However, I found it to be pretty dull (low contrast, flat, but it was a used copy, so I'm not sure if that's normal). And I think by moving a little, I can make the 35mm look more like 28mm (in most cases). The extra stop of light will also be welcome since I do hit the Elmarit's limitations during the winter months, indoors. I'm in a fix and would like some advice from people who're more experienced with rangefinders than I. Am I overreacting at this stage of my journey, or should I switch? I still have 4 days to return the Elmarit (which is in pristine state), but I cannot seem to make up my mind.
  2. A winter's day view of Silbury Hill. M7, 28mm Elmarit-M ASPH, Porta 400.
  3. Two views of the little church in the Wiltshire hanlet of Winterbourne Monckton. The exterior one is very 'chocolate box' whilst the interior one was hand-held at a very slow shutter-speed. Both MP, Elmarit-M 28mm ASPH, Portra 160.
  4. Sunlight and shadows on a winter late afternoon. MP, Elmarit-M ASPH 28mm, Portra 160 treated with an OnOne preset in LR5.
  5. A view of the scullery in the National Trust's Avebury Manor. MP, 28mm Elmarit-M ASPH, Portra 160, hand-held.
  6. A typical Loire scene. M240, Elmarit-M 28mm ASPH.
  7. An elderly Renault 4 resting in the afternoon sunshine in the Loire Valley. M240, Elmarit-M 28mm ASPH.
  8. In the Blackfriars district of central London. M240, Elmarit-M 28mm ASPH.
  9. ...Architecturally speaking! As viewed from Peter's Hill (twixt the Millenium Bridge & St Paul's Cathedral), London. M240, Elmarit-M 28mm ASPH.
  10. A late morning stroll in mid-May around the old centre of wonderful Cordoba. Hot work too at circa 30deg C (86F in old money). M240, Elmarit-M 28mm ASPH.
  11. after a long morning's shopping... MP, Elmarit-ASPH 28mm, Acros 100, Rodinal.
  12. In Cambridge. Bon appetit! M9, Elmarit-M ASPH 28mm.
  13. At the Fontevraud Abbaye near Saumur, France. M9, Elmarit-M ASPH 28mm.
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