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Found 31 results

  1. gwpics

    Taxi!

    Reminded me of people like Saul Leiter or maybe Ernst Hass, donโ€™t know but I like it. Leica M240 + 50mm Summicron f2. Processed in LR Classic using a Kodachrome 25 preset. Gerry
  2. From a trip to France in 2015. Leica M9 + Zeiss 50mm Sonnar f1.5 Gerry
  3. TM1ka

    A

    2403520ZM, Imperia (IT)
  4. Just wondering if anyone could recommend a good colour calibration profile or preset, for LR, for the M9 with the new-type sensor? Colour is indeed more of a matter of taste, but I think a generally-speaking "neutral" or "faithful" colour reproduction might perhaps be a good starting point for work from? Thanks a lot! Best, Rus
  5. I'm starting a thread for anyone who would like to create, and share full color images by shooting three black and white photos of the same subject. The technique is called Trichrome Photography, and it was used to create the first color image in 1861. Here's some early examples http://tricrhomephoto.tumblr.com/ Creating a color image from three black and white photographs is done by using a different color filter in front of the lens for each exposer (Red, Green, and Blue.) When those three black and white color records are combined, a full color image is created. Today, the easy way to combine those three black and white color records, is with Photoshop. The highest quality Trichrome images are produced with a tripod, and a still object. However, interesting color effects can occur if there's movement between exposures. This technique can be done on film or digital cameras. As much as I consider myself a film enthusiast, I think the best black and white color records will come from Leica digital Mono cameras. Of course, Leica digital color cameras can be used, however they have a filter in front of the sensor to create color (possibly reducing detail.) Leica mono cameras do not have this filter, therefore possibly increasing the amount of information being recorded. With film cameras, the process is a bit more involved. There's the choice of what black and white film to use (slowest speed possible is best since three images will be layered on top of each other.) Processing of the film, then scanning of the film. Also, layering the three black and white color records together in a program like Photoshop may not be as precise, depending on the quality of the scans. The following link shows examples of Trichrome Photography today https://www.flickr.com/photos/tags/trichromes The following link shows a Trichrome created with a M6 http://www.pirate-photo.fr/forum/viewtopic.php?t=820 And a Youtube video on how to stack the three color records into one shot. https://www.youtube.com/watch?v=S28OUlavAvg The idea to start this thread came from two books I'm currently reading. "The Dawn of Technicolor 1915-1935," and "Technicolor Movies; The History of Dye Transfer Printing."
  6. Duisburg, Industrial Landscape Park North A location to explore and to let go your imagination Leica Q
  7. Hi all, I am experimenting with custom colour profiles for T/TL, I am using Capture One as my raw editor, I liked the default profile for people and indoor shots, but I like more saturated look on landscapes and old town. I created the ICC profile for the Leica T, please give it a try and let me know your thoughts. LeicaT-Color Corrected.icm from Dropbox Thank you
  8. I have a question - is there any way to jpg files from Leica M8 (v 2.024) reminded jpg Leica M9? Will exposure to -2/3, color: medium (example?)? Please help. I love the colors jpg with the M9. What can I set in my M8? Has anyone tried, maybe some settings will resemble the saturation of the M9?
  9. Yesterday in Florence.... Leica M8 Rokkor 90mm f4 Ciao Giacomo
  10. Attached a detail of a out of camera jpeg (DNG is identical) showing chromatic aberration. Is this normal and if yes, how do I get rid of?
  11. A few early spring photos
  12. Time running like sand through your hand
  13. Private Learjet 45 cruising 500 mph at 51,000 ft altitude
  14. From the album: Leica X-E

    Sunset in the countryside
  15. From the album: DJGR33R

    © DJGR33R

  16. From the album: Street

    This is a series along a street very close to uptown Charlotte, NC. I was amazed at the old buildings still there with all the construction that is going on. It does not feel like it is close to uptown. Some were colorful, some just had great lighting and some had faded signs giving an indication of the past. Leica MD 262 with Summilux-M 28.

    © ยฉ2018 David Knoble, All Rights Reserved

  17. laowai_

    powerline

    From the album: Walk around the Neighborhood

    © (C) 2016, Chris Scholz

  18. Hi Folks, I have been disappointed with residual uncorrected color shifts in the corners of shots with my M9P and 28mm Elmarit ASPH and 24mm Elmar ASPH lenses (particularly snow scenes). The built in profiles of my camera donโ€™t seem adequate for my samples of these lenses. Has anyone with the new Leica M worked with these lenses? If so, could you please post samples? Thanks, Steve K
  19. Hello all, I am wondering if anyone here can help me resolve some issues after upgrading to Lion. I am using CS5 on a Macbook and printing on an Epson Sylus Photo R2400. I recently upgraded to OSX 10.7 (from 10.58 if this matters). When I compare a photo that I printed before the upgrade with one printed after the upgrade (using the same paper and profile and the file has not been edited between printings), the one printed in 10.7 has a slight magenta cast (the original print has pastel greenish blues; the one printed from 10.7 is more greyish violet). The original print matches the calibrated monitor better as well. I am using photoshop to manage colors, and, as far as I can tell with the new driver, printer color management is turned off (this seems to happen when the settings are selected in the photoshop print window). I have read that there were potential issues with drivers, but I have cleaned out the Epson folder in my system library, reset the printing system, and reloaded the printer with newly downloaded drivers from Epson. None of this seems to change the output. It may be possible that the new Epson driver yields different color from the same file/profile combination, but this strikes me as unlikely. It may also be that there was some nozzle clogging in the original prints that, once cleared, has resulted in the color shift, but the number of consistent prints and timing of the shift makes this unlikely as well. I am tempted to get a custom profile for the printer to address the match issue, but if there is some software glitch that is causing the shift, am not sure this is the right solution either. Does anyone have any advice as to how to resolve this issue? Thanks
  20. Hello everybody, this is my frist post. Hope you like! Granmother takes breakfast in hospital. Leica M9 + Carl Zeiss Biogon 35mm f/2
  21. BDX

    2 shop in Naples

    In Naples, there's a lot to see, but I think the most interesting is the hustle and bustle in the streets, markets and shops. And of course, the stores themselves .. Andreas - These are lovely shots but they viloate Forum rules for image size, so I resized them and replaced them. In the future please follow the rules: No side larger than 960 pixels and no file size larger than 300 KB. Stuart Nordheimer [ATTACH]287198[/ATTACH] [ATTACH]287199[/ATTACH]
  22. hi, the color saturation option (black & white option) is only available in the snapshot mode? as soon as i leave this mode i cannot access to this option anymore. am i missing a point? i dont feel free setting up my camera functions as i want
  23. I have recently been experimenting with Lightroom 3 and find it useful for processing photos quickly. I do wonder whether it is possible to use LR to do fine tuning of color, however. In the past I have used Photoshop (and ACR) to process fine art images. As one step in this process (after adjusting overall WB as best as I am able) I use Levels to precisely set the black point in the image to a neutral black and the white point to a neutral white (I do this using color samplers and fine tuning the levels sliders in the color channels). I find that this process yields a richness and subtlety of color in the shadow areas of the image. It is also the case that once this is done, the overall image looks well adjusted to my eyes (without setting some neutral grey in the middle of the range) Having said this, I have two questions: 1) I am not an expert on color and wonder if this process makes sense. For example, while I get the subtlety of color does this also eliminate color "casts" that may be desirable when photographing in early or late light? 2) Is there a way to do anything similar in Lightroom? It seems that I can only set the overall WB (as I would in ACR) and then export to Photoshop for any more subtle control. Any comments or insight would be welcome. Donald
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