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PLZ

  1. Photo shot with M8 and 35mm f2 Summicron wide open. Playing with selective focus in an impressionistic way.
  2. Coal using Factory in Champaign Illinois. Shot with a Leica m8 and Voightlander 75mm. Part of a series called Factory Graphix.
  3. Leica M8 Leica 35 mm f2 Converted from Color file. I am a tree and art person.. the light just brought me in and the sculpted tree and urn spoke to me.
  4. This is St George Wharf on the Thames river's Albert Embankment shot in infra-red. M8 and 21/2.8 Kobalux with 093 'black' infra-red filter, handheld.
  5. M8 35MM SUMMICRON F2
  6. The Campus University of Illinois. Shot with m8_35mm summicron f2 Spring is coming.
  7. The university of Breslau is a large building at the Oder river and so also a frame of the historic center. A visit is worthwhile from inside. The architecture of the staircase and halls are magnificent. Even if the pantings are not of the best artistic class it makes an impressive sight. All Leica Q handheld
  8. Few months ago I purchased Leica Monochrom after shooting with M240 for more than a year and all I can say is that I'm really liking this camera and lens combo (50mm APO). MM's CCD sensor result is very similar to my Hasselblad H4D-50 which I mainly use in studio for fashion and beauty.
  9. Peterhof castle in St. Petersburg Russia M9 w/35mm Summicron
  10. Orthodox Church in St. Petersburg, facade M9 with 35mm Summicron
  11. M8 super Elmar 18mm Thanks for your comments Jean-Luc
  12. Hello all, I'm new to this forum but not to Leica. I've used a few digital M's over the last few years including the M8, M9 and recently an MM. I enjoy the system hugely and have used it for mainly street and travel photography. I use a 28mm summicron, and 50mm lux. Occasionally I do architectural photography for which I get paid. In the past I have used a combination of nikon and canon dslrs usually with 17/24mm tilt shift lenses or Zeiss primes with a nikon 800 or 5D. In the past I haven't really done enough commercial work to justify buying into a full system. Sometimes I buy lenses as I need them and sometimes I hire. When I am not doing paid work I always prefer to use a Leica. I have used an M9 in the past for architectural work but its not ideal. Recently I have been offered a large architectural job to photograph a number of completed projects for an architect. I need to choose a system for the job and wondered whether a M10 with a canon adaptor would be a good choice. The live view would be a big help and i think the DR is good enough. I've been thinking of replacing the MM with an M240 anyway but I am a little nervous of using it commercially for this type of work. I don't really want to buy into a dslr system again unless I have to but they do have their uses. If I need to then I would get a Nikon 810 although the nikon tilt shift are not that good in my opinion. Any advice on the use of tilt shifts with the M240 for commercial work would be appreciated and please be frank about any shortfalls with the combination. Many thanks in advance. Paul
  13. once the, a few decades ago, this architecture was being praised for its advanced and ambitious view of the future. now after 50 years it is crumbling, rotting, full of asbestos. They started tearing down the sections. The wreckage is being replaced by the same kind of cheap material and rudwe architecture. Where the buildings do not get finished in time, containers are the home of scientists and their teams. Can you believe this? Summicron R 50 mm on Canon 5DMKII abandoned building abandoned building abandoned building a container as an example of being a home for one of many homeless departments. A nice sample of parkdeck-architecture.
  14. Sailronin

    EMP 7

    A detail shot of my favorite building in Seattle, the EMP museum. A Frank Gehry design built by Paul G Allen as a rock and roll museum. M9 w/24mm Elmar
  15. "Galerie de la reine" (Queen Galery) in Brussels during Christmas time. Thanks for your comments Jean-Luc
  16. From the album: DJGR33R

    © DJGR33R

  17. From the album: Martin66

    Leica Q - ISO100 - f/4.0 - 1/250sec

    © www.mrtn-phtgrphr.com

  18. Endlich hatte ich mal wieder Zeit für Fotos an der Zeche Zollverein und der Kokerei. Und die Sonne hatte ein Einsehen und kam zwischendurch mal raus. Mit freundlichen Grüßen aus Essen Kind Regards from Essen Torsten
  19. Started a new blog and shared my experience with M10 and a vintage Elmar 35mm. Comments and feedbacks are welcome. https://hintingimage.com/uts-business-school-leica-m10-elmar-35mm-screw-mount-the-alternative-approach-to-my-architectural-photography
  20. M8 + Biogon 2/35 & Capture One #1 [ATTACH]282679[/ATTACH] #2 [ATTACH]282678[/ATTACH] #3 [ATTACH]282677[/ATTACH] #4 [ATTACH]282680[/ATTACH]
  21. M8 + Distagon 4/18 Capture One 6 [ATTACH]296607[/ATTACH]
  22. I will be taking a trip to Europe again early next year which will be my first trip there with my M9 (instead of my 5DMII). I have all my bases covered above 50mm, so I am looking for a good, wider angle architecture lens that will not break the bank. I have read several reviews, each with their own merit (steve huff, reid reviews, etc..), but I have yet to find one that answers all my questions, so I am posing to this forum to get information on experiences with the following lenses Zeiss 35mm Biogon f/2 (is the gain of speed worth the $200 extra over the 2.8) Zeiss 35mm Biogon f/2.8 (can anyone validate rumors that this lens is sharper than the f/2 from 2.8 on) CV 35mm Nokton f/1.2 (I like CV, but most of their Nokton stuff is portrait material, not architecture. Does this lens follow that mode) Zeiss 28mm f/2.8 (not much out there on this one, but with a 28 frameline, this would be wider) CV 28mm f/2 ultron (most of the reviews are of the older 1.9, I think this one is too new for good assessment...but I am fishing) I do plan to do some cathedral and indoor architecture, so I will place a value on the f/2 and below lenses...however, as with the Zeiss, I understand that the 2.8 might actually be the better lens between it and the f/2 for sharpness and contrast. TIA.
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